All Belgium articles
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Reviews‘Forest High’ review: Quietly assured Belgian debut follows three women working at a remote Alpine refuge
Manon Coubia’s Perspectives title is a restrained meditation on solitude, memory and place
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News‘Everyone’s Sorry Nowadays’ director Frederike Migom reveals next project
EXCLUSIVE: ‘Everybody’s Sorry Now’ is screening in Berlin’s Generation Kplus.
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Reviews‘Dust’ review: Anke Blonde’s claustrophobic late-90s Belgian drama lacks high-stakes tension
The film stars Jan Hammenecker and Arieh Worthalter as successful software developers on the brink of disaster
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Reviews‘Heysel 85’ review: Technically astute, narratively laboured dramatisation of 1985 European Cup Final stadium tragedy
Teodora Ana Mihai’s third fiction feature premieres as a Berlin Special Gala
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News‘Heysel 85’ director Teodora Ana Mihai to make ‘Two Lives’ for Belgium’s Menuetto
EXCLUSIVE: The dark relationship drama will star the film’s writer, Natali Broods.
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News‘Dust’ producer Dries Phlypo expands A Private View into arthouse exhibition
EXCLUSIVE: Phylpo has produced Anke Blondé’s Berlin Competition film Dust.
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NewsPiperPlay boards Hitler assassination thriller ‘The Man Who Could Have Changed The World’
EXCLUSIVE: European co-production between Italy, Germany and Belgium is directed by Anne Paulicevich.
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NewsRai Cinema International Distribution boards Manon Coubia’s Berlinale Perspectives title ‘Forest High’
Belgian director’s film is the first non-Italian title to join the Rai Cinema International Distribution slate.
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NewsBerlin Generation Kplus title ‘Everyone’s Sorry Nowadays’ acquired for sales
EXCLUSIVE: Frederike Migom’s film takes place on a summer day, when a young girl meets her favourite actress.
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NewsBelgium’s Caviar completes management buyout with backing from Europe’s Together Fund
Caviar, previously owned by telco Telenet, is behind films such as The Sound Of Metal, War Pony and The Rider.
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Reviews‘Kwibuka, Remember’ review: Earnest, dutiful drama sees a basketball star return to her Rwanda home
Sonia Rolland stars in Jonas D’Adesky’s second feature, which screens in Red Sea
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FeaturesOscars international feature race 2026 guide: the contenders from Europe
Europe dominated the international feature Oscar in 2025, earning four out of five nominations — ultimately losing out to Brazil. Can the region win back the trophy in 2026?
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NewsBelgian custody drama ‘We Believe You’ wins big at Seville European Film Festival
Akinola Davies Jr’s ‘My Father’s Shadow’ took the showcase prize for first or second features.
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Reviews‘All The Time’ review: Three women are linked by shared trauma in intriguing if flawed Belgian debut
Amelie Derlon Cordina’s Brussels-set feature premieres in Seville
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Reviews‘Hair, Paper, Water…’ review: Poetic documentary shines a light on Vietnam’s Indigenous Ruc people
Nicolas Graux and Truonh Minh Quy’s film follows a 60-year-old Ruc woman in Vietnam’s Quang Binh province
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FeaturesWhich film projects tempted festival programmers at Flanders Film Days 2025?
“There were some nice surprises,” said one festival attendee.
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NewsToronto premiere ‘Julian’ sells to the US and France
EXCLUSIVE: The film was produced by Michiel and Lukas Dhont under their production banner The Reunion.
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NewsFlemish ‘John Wick’-style action thriller ‘Paradise’ starts shooting in Antwerp
“It’s by the hood for the hood,” said lead actor Said Boumazoughe, who conceived the project.
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FeaturesWhy Belgium’s Panenka is moving into film with Flanders and Tallinn premiere ‘Sunday Ninth’
The TV powerhouse has been tempted into indie film by long-time collaborator and director Kat Steppe.
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FeaturesWhy Angelo Tijssens is known as the “magic bullet’ of Flemish screenwriters
He has worked on films such as Lukas Dhont’s ’Girl’ and ’Close’.
















