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FeaturesFilmart 2026: The buzz titles from Hong Kong and China
Fantasy animation, an LGBTQ+ thriller and a pole-dancing drama are among the films from Hong Kong and China being introduced to buyers at Filmart.
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FeaturesHong Kong looks to rising talent and medium-sized films to revive box office
Hong Kong’s box office continues to struggle, despite boasting two blockbusters at the start of the year. Can a new generation of filmmakers and a focus on medium-sized productions help revive fortunes in the territory?
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FeaturesEight talking points from the Oscars: Classy, competitive (until it wasn’t) and Sean Penn
Mike De Luca and Pam Abdy were thanked multiple times across the night, while David Zaslav wasn’t mentioned once
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FeaturesHow Hong Kong Filmart is building bridges and embracing AI as it turns 30
As Filmart turns 30, it is placing an even greater emphasis on forging connections across borders and negotiating the rapid rise of artificial intelligence.
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FeaturesOscars stand-out moments: historic winners, emotional tributes, Ted Sarandos and Timothee Chalamet jokes
Autumn Durald Arkapaw becomes the first woman to win best cinematography at the Oscars.
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FeaturesWhat’s in the running for Cannes 2026?
What will not be ready is as informative as what will be.
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Features“Come for those flashy projects and stay for the slow burns,” says CPH: DOX industry head Mara Gourd-Mercardo
Some 200 financiers and industry representatives confirmed to attend.
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FeaturesWhy the trajectory of CPH:DOX opener ‘Mariinka’ changed with Russia’s invasion of Ukraine
Director Pieter-Jan De Pue explains the invasion altered the fates of the four brothers the film was following.
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FeaturesCPH:DOX spotlight: meet the six filmmakers behind this year’s Europe Docs selection
The six selected titles are Amazomania, Arctic Link, Christiania, The Cord, Mariinka and Something Familiar
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FeaturesCPH:DOX’s Niklas Engstrøm and Katrine Kiilgaard on how the 2026 edition will try to make sense of the world
The leading doc festival opens on March 11.
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FeaturesIn conversation: First-ever nominees for new Oscars casting category discuss a changing industry and AI actors
Gabriel Domingues, Nina Gold, Cassandra Kulukundis, Francine Maisler and Jennifer Venditti talk to Screen.
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FeaturesHow is the Muslim workforce of the UK film and TV industry being supported during Ramadan?
“I didn’t say I was fasting because I didn’t want to make myself seem like a problem.”
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FeaturesHow Depression-era photography inspired the Oscar-nominated visuals for 'Train Dreams’
Born in Brazil, resident in Portugal and working across continents, director of photography Adolpho Veloso connected with the itinerant themes of Train Dreams.
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Features‘The Ugly Stepsister’ make-up and hairstyling team on creating "beauty and dirt" and their shock Oscar nomination
The US Academy Awards rarely honours films featuring body horror, but The Ugly Stepsister has been nominated for make-up and hairstyling. Jamie Graham talks to excited Danish duo Thomas Foldberg and Anne Cathrine Sauerberg.
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Features“Berlin was solid and the market felt good”: Buyers and sellers on EFM 2026
However, some expressed concern big market titles were being kept for Cannes.
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FeaturesThe struggle to bring ‘Mr Nobody Against Putin’ to the world: "The Pasha escape plan affected the storytelling"
Mr Nobody Against Putin exposes the militaristic propaganda efforts at a Russian school. Director David Borenstein and co-director/subject Pavel Talankin tell Screen about their Bafta-winning film.
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FeaturesWhy two of Norway’s leading producers teamed up for ‘Sentimental Value’: “It was set up from the start as an exceptional project”
Screen learns about a meeting of minds.
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FeaturesScott Stuber on producing ‘Frankenstein’, reviving United Artists and why he left Netflix
Scott Stuber has switched back and forth from producer to studio executive, and combines both roles at Amazon MGM Studios’ United Artists.
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Features“Cartoon Movie is a short, intense format designed for concrete results,” says Annick Maes of the animation showcase
The prestigious animation event takes place from March 3-5.
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FeaturesWhy John Carney struggled to finance ‘Power Ballad’ until Paul Rudd joined
The comedy drama made its world premiere at the Dublin film festival this weekend.