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Features‘The Face Of Horror’ filmmakers on building a 14th-century English medieval world in the Czech Republic
US filmmaker Anna Biller and producers Mike Goodridge and James Bowsher on the journey to creating their Midnight Madness premiere.
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FeaturesPaul Andrew Williams on the “cathartic experience” of directing ‘Faith’ and “tough” reality of being an independent filmmaker
UK director Paul Andrew Williams is on the rise again after last year’s ’Dragonfly’ and TIFF premiere ’Faith’.
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FeaturesMy Screen Life: TIFF exec Geoff Macnaughton talks sneaking Tom Hooper into a screening and being a “comedy nerd”
Geoff Macnaughton, TIFF vice president, market programming and theatrical and programmer of Primetime, reminisces about sneaking Tom Hooper into a screening and admits to being a “comedy nerd”
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FeaturesGuy Nattiv on how his grandmother’s life loosely inspired TIFF cult drama ‘The Liberation’
“This movie is my love letter to my grandmother.”
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FeaturesTelefilm expands global reach through Canada’s international co-production push
Working under Canada’s co-production treaties can bring big benefits for producers
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Features“We want to bring a bit of swagger back to British film”: Netflix UK’s Ollie Madden outlines his film strategy
The former Film4 head has been in his new role for nearly a year.
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Features15 TIFF acquisition titles to tempt buyers
Alien biker gangs, scheming morticians, and ancient demonic possession on offer.
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FeaturesIsraeli directors Yuval Abraham and Rachel Szor on their new documentary ‘NAZA’
The hard-hitting documentary premieres in Venice Competition and is executive produced by Jonathan Glazer
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FeaturesMy Screen Life: Killer Films’ Christine Vachon talks Todd Haynes and writing reviews of airport lounges
Christine Vachon, one half of the legendary Killer Films producing duo, on launching her career with Todd Haynes and reviewing the wine selection at airline lounges
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FeaturesAmanda Kernell on shooting ‘Brace Your Heart’ in Sápmi: “If you make a mistake here, you might die”
Amanda Kernell again explores Sámi culture in her third feature Brace Your Heart, which premieres in the Oscar‑qualifying Platform section.
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FeaturesFive rising Canadian filmmakers to watch at this year’s TIFF
Canadian filmmakers will showcase a diverse range of projects at this year’s Toronto International Film Festival
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FeaturesWhy Indigenous cinema is continuing to build momentum at Toronto
Three Indigenous titles have landed in TIFF’s Platform.
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FeaturesIn focus: Ontario Creates’ International Financing Forum becomes part of TIFF: The Market
TIFF has brought Ontario Creates’ long-running International Financing Forum under the umbrella of its official market, with 51 projects taking part.
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FeaturesTwelve projects from outside Canada hoping to make a splash at TIFF’s International Financing & Project Market
TIFF: The Market has brought Ontario Creates’ highly regarded and long-running International Financing Forum under its official umbrella, with 40 feature projects taking part. Screen showcases the 12 film projects that come from beyond Canadian shores
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FeaturesToronto’s Cameron Bailey and Charles Tremblay talk new market and Platform section’s Oscar boost
“We are pretty confident the vast majority of the industry will be here come September.”
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FeaturesWhy UK sales agents are hoping TIFF: The Market retains a relaxed, back-to-school vibe
UK sellers are not keen to attend another event full of back-to-back meetings.
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FeaturesMy Screen Life: Searchlight Pictures’ Katie Goodson-Thomas on her affinity with Chewbacca, and how she unwinds
UK-based Searchlight executive also reflects on her long collaboration with Graham Broadbent.
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FeaturesGael Garcia Bernal on co-writing, directing and starring in Venice premiere ‘Hombre Al Agua’
Hombre Al Agua is the Mexican star’s third feature as a director and premieres in Venice before journeying on to TIFF
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FeaturesLee Chang-dong talks Netflix and long-awaited return with Venice competition title ‘Possible Love’
The director of ‘Burning’ returns after eight years with a relationship drama.
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FeaturesShinya Tsukamoto talks Venice competition war drama ‘Mr. Nelson, Did You Kill People?’
The Japanese filmmaker behind ‘Fires On The Plain’ and ‘Killing’ on the “definitive work” in his series of features about war.