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Features
How the premium large format gold rush is pitting exhibitors against Imax
The box office for PLF cinemas is forecast to beat $4bn by 2034, with Vue the latest exhibitor to enter the fray.
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Features
‘Hedda’ director Nia DaCosta on the difference between filming in the US and the UK, stepping into the ‘28 Years’ world
Nia DaCosta is the recipient of Rome Film Festival’s progressive lifetime achievement award.
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Features
“Cinema is like a talk show, but noble - and less violent,” says Italian director Riccardo Milani
Riccardo Milani’s ’La Vita Va Così’ is the opening film of the Rome Film Festival.
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Vuelta co-founders talk building a European sales and theatrical distribution powerhouse
“We are focused on creating an integrated studio with distribution as its core strength, supported by our own productions.”
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Features
‘The Bureau’ showrunner Eric Rochant on scripted series evolution: “We need to find that depth again”
Rochant is currently working on upcoming Netflix series ‘Bandi’.
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How Mipcom is merging its mainstream market with the creator economy at 2025 edition
This year’s event, which runs October 13-16, will see a major presence from YouTube.
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Features
Commissioners look for safe bets amid TV drama downturn
On the eve of Mipcom, leading TV executives tell Screen how they are navigating a changed landscape.
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Features
Which film projects tempted festival programmers at Flanders Film Days 2025?
“There were some nice surprises,” said one festival attendee.
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Features
Can the American French Film Festival’s high-school screenings programme help to woo young audiences?
Richard Linklater’s ‘Nouvelle Vague’ will screen free to 3,000 US high-school students.
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Features
New Film4 head Farhana Bhula talks ambitions, producer fee deferrals and winning over youth audiences
In her first sit-down interview as the new director of Film4, Farhana Bhula discusses her plans for the UK public funder.
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Features
Why Belgium’s Panenka is moving into film with Flanders and Tallinn premiere ‘Sunday Ninth’
The TV powerhouse has been tempted into indie film by long-time collaborator and director Kat Steppe.
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Bangkok film festival director talks reviving the event after 16 years
Donsaron Kovitvaniycha on resurrecting Thailand’s biggest film festival.
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Why Angelo Tijssens is known as the “magic bullet’ of Flemish screenwriters
He has worked on films such as Lukas Dhont’s ’Girl’ and ’Close’.
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Rebel spirit Emmanuel Anyiam-Osigwe talks about 20 years of the British Urban Film Festival
Anyiam-Osigwe says he was inspired by figures such as Menelik Shabazz and Kanya King.
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Features
Flanders Film Days is part of “evolution not revolution” strategy, says VAF head Karla Puttemans
”My first priority is to safeguard stability for our industry during this economic downturn,” says the new VAF head.
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LFF head Kristy Matheson on 2025 programme, potential protests and festival’s “next decade”
Matheson is three years into her tenure as director of BFI London Film Festival.
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Features
Milan Skrobanek on The Unspoken Language’, about the love affair between a blind man and a deaf woman
Skrobanek explains the challenges he found when casting the feature.
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Features
Marlene Bischof and Nicolai Zeitler on how they made buzzy Hamburg title ‘I Am The Greatest’
” I throw dialogue in the air and he integrates it into the structure,” says Bischof of how the rising German filmmakers effectively collaborate.
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Features
Producer fees and pre-sales challenges: Six key themes from the 2025 Screen Summit
Screen International’s ‘Building on the UK’s Global Success’ Summit 2025 was held on September 30 at BFI Southbank.
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Features
“French film is not a genre”: American French Film Festival heads on 29th edition’s diverse line-up
‘A Private Life’ to open fest running October 28–November 3 in Los Angeles.