Latest – Page 21
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         Reviews Reviews‘True Love, For Once In My Life’ review: Fruit Chan produces smartphone-shot Hong Kong dramaDelon Siu Koon-ho’s debut is a sensitive tale of infidelity 
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         Reviews Reviews‘That Summer In Paris’ review: Tender debut plays out as the city hosts the 2024 OlympicsValentine Cadic’s drama premieres in Berlin’s Perspectives 
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         Reviews Reviews‘Long Day’s Journey Into Night’ review: Jessica Lange and Ed Harris power delayed adaptationTheatre director Jonathan Kent’s feature debut premieres at Glasgow and Dublin 
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         Reviews Reviews‘Hill’ review: Intimate portrait of F1 driver Damon HillAlex Holmes’ access-all-areas documentary for Sky premieres at Glasgow 
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         Reviews Reviews‘The Botanist’ review: Award-winning Chinese drama finds magic in naturePromising debut from Jing Yi takes the top Generation youth prize at Berlin 
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         Reviews Reviews‘Last Breath’ review: Woody Harrelson dives into real-life survival storyAlex Parkinson turns his 2019 documentary into a straightforward, appealing thriller 
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         Reviews Reviews‘Four Letters Of Love’ review: Irish eyes a’romancing in heartfelt adaptationPierce Brosnan, Gabriel Byrne and Helena Bonham Carter headline 
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         Reviews Reviews‘Tornado’ review: Tim Roth, Jack Lowden and Kôki do battle in 18th century BritainJohn Maclean’s Western/samurai hybrid thriller opens Glasgow Film Festival 
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         Reviews Reviews’Beat The Lotto’: Gambling hijinks in entertaining Irish docLed by a mathemattician, a numbers syndicate attempts to game the Irish Lottery in 1992 
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         Reviews Reviews‘Holding Liat’ review: Israeli family suffers their own hostage crisisBerlin doc winner confronts the aftermath of the Hamas attacks of October 7 
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         Reviews Reviews’Aontas’ review: Irish-language crime puzzleCarrie Crowley and Brid Brennan anchor Damian McCann’s twisting noir thriller 
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         Reviews Reviews‘Ready Or Not’ review: Irish rites-of-passage debut is lively and vitalThe long days of summer turn increasingly dark for a group of teen girls in late ’90s Dublin 
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         Reviews Reviews‘The Safe House’ review: Cluttered 1960s Paris-set chamber pieceLionel Baier makes his first appearance in Berlin competition 
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         Reviews Reviews‘What Does That Nature Say To You’ review: Long chats and fast zooms with Hong SangsooThe 33rd feature from South Korea’s profilic auteur is a little unfocused 
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         Reviews Reviews‘Ancestral Visions Of The Future’ review: Intricate visual poem from exiled Lesotho filmmakerLemohang Mosese follows up his 2019 arthouse hit ’This Is Not A Burial’ 
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         Reviews Reviews‘Timestamp’ review: Doc is a powerful, fractured portrait of school days in UkraineKateryna Gornostai returns to Berlin with this Competition title 
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         Reviews Reviews‘Kontinental ’25’ review: Radu Jude returns after winning the Golden BearBerlin Competition title is a satirical state-of-the-world treatise 
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         Reviews Reviews‘After This Death’ review: Niche US-set mystery is an 'arch, implausible affair'Argentianian filmmaker Lucio Castro’s second feature bows as a Berlinale Special 
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         Reviews Reviews‘1001 Frames’ review: Experimental thriller shot clandestinely in IranMehrnoush Alia uses the legend of Scheherazade to explore male power and manipulation 
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         Reviews Reviews‘Yunan’ review: Enigmatic second film in Ameer Fakher Eldin’s ‘Homeland’ trilogyGerman islands-set drama plays in Berlin Competition 
 








![[Clockwise from top left]: 'The Voice Of Hind Rajab', 'A House Of Dynamite', 'Jay Kelly', 'After The Hunt', 'The Smashing Machine'](https://d1nslcd7m2225b.cloudfront.net/Pictures/274x183/1/7/0/1459170_veniceawards_837515.jpg)








