Latest – Page 4
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FeaturesMy Screen Life: Searchlight Pictures’ Katie Goodson-Thomas on her affinity with Chewbacca, and how she unwinds
UK-based Searchlight executive also reflects on her long collaboration with Graham Broadbent.
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FeaturesGael Garcia Bernal on co-writing, directing and starring in Venice premiere ‘Hombre Al Agua’
Hombre Al Agua is the Mexican star’s third feature as a director and premieres in Venice before journeying on to TIFF
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FeaturesLee Chang-dong talks Netflix and long-awaited return with Venice competition title ‘Possible Love’
The director of ‘Burning’ returns after eight years with a relationship drama.
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FeaturesShinya Tsukamoto talks Venice competition war drama ‘Mr. Nelson, Did You Kill People?’
The Japanese filmmaker behind ‘Fires On The Plain’ and ‘Killing’ on the “definitive work” in his series of features about war.
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FeaturesStéphane Brizé on his Venice competition title ‘A Good Little Soldier’: “It’s a feminist film”
French filmmaker Stéphane Brizé explores corporate conformity and the human cost of capitalism in his TIFF Special Presentation A Good Little Soldier.
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Features‘Our Share Of Sand’’s UK filmmakers talk shooting in India, with child actors, in three languages
The Venice Critics’ Week premiere the feature debut of Shalini Adnani and is produced by Sara Bonakdar.
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FeaturesThe lowdown on the 2026 Toronto lineup
Screen profiles all the world and key premieres at Toronto International Film Festival.
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FeaturesToronto 2026 preview: Screen’s guide to the Discovery and Centrepiece strands
TIFF runs September 10-20.
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FeaturesToronto 2026 preview: Screen’s guide to the Platform and Midnight Madness titles
TIFF runs September 10-20.
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FeaturesToronto 2026 preview: Screen’s guide to TIFF Docs
Screen International previews the Toronto International Film Festival’s Discovery and TIFF Docs strand. TIFF runs September 10-20.
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FeaturesToronto 2026 preview: Screen’s guide to the Special Presentations
TIFF runs September 10-20.
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FeaturesToronto 2026 preview: Screen’s guide to the Gala titles
Toronto International Film Festival runs September 10-20.
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Features“We should give actors wings so they can fly even higher”: Alexandre Desplat on his scores for ‘Frankenstein’, ‘Jurassic World Rebirth’ and ‘The Social Reckoning’
The prolific French composer has two Oscars, three Baftas and more than 200 screen credits to his name.
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Features“I made a deal with a butcher”: Hildur Gudnadottir on creating a bone orchestra for the ‘28 Years Later’ sequel
The Icelandic composer is guest of honour at this year’s World Soundtrack Awards.
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Features“It’s addictive working with Paul Thomas Anderson”: Jonny Greenwood on their long collaboration and scoring ‘One Battle After Another’
The Radiohead founding member has collaborated with Anderson on six films so far, and says he has started working on the seventh.
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FeaturesFrom a minimalist flutes-only approach to ‘The Drama’ to a full-on rock score for ‘Masters Of The Universe’, Daniel Pemberton never wants to repeat himself
The UK composer’s scores this year also include Project Hail Mary and animated sequel The Bad Guys 2.
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FeaturesPornographer or auteur? As Venice shows 1967’s ‘Deadly Sweet’ as its ‘pre-opening’ night film, Alberto Barbera defends the legacy of Tinto Brass
To many, Tinto Brass is an ageing satyr of European cinema – but the artistic directors of Venice and Locarno hold a different view
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FeaturesWhat is powering the return of US ‘originals’ at the global box office?
International distribution executives reflect on the hows, whys and wherefores of this year’s global success stories.
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FeaturesAwards season preview: the early contenders and why some titles are skipping a festival launch
“For certain movies there’s no upside in going to a festival,” says an awards strategist.
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FeaturesVenice Production Bridge head talks new location market: “My aim is to provide producers with everything”
The new location market “completes the chain of services” offered to producers, says VPB head Pascal Diot, who has headed the event since its inception in 2012.