Latest – Page 414
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FeaturesA new sphere
Launched at the AFM, the Hemisphere Media Capital fund is utilising Japanese partners to invest in studio films. Liz Shackleton talks to co-founder Jean-Luc De Fanti
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FeaturesHeadline grabbers
From Buckingham Palace to Wall Street and the Middle East to Eastern Europe, the real world is a rich source of material for film-makers. Leonard Klady reports on the pitfalls and the box-office potential of stories which are ripped from the headlines
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FeaturesIllumination’s bright vision
Despicable Me, the first production from Chris Meledandri’s Universal-owned Illumination Entertainment, heralds the arrival of a new star player in CG-animation. Mike Goodridge talks to Meledandri about his production model and to Universal Pictures International chief David Kosse about the film’s stellar global performance
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FeaturesCracking the US market
At the recent AFM, there was a new breed of buyer seeking innovative means to bring Asian product to American audiences. Liz Shackleton investigates.
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FeaturesBenelux eyes cuts
Production has been brisk but producers are bracing themselves for cuts. By Geoffrey Macnab
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FeaturesHoly men and Hollywood
The French box office is looking strong for 2010 on the back of Hollywood summer hits and local breakouts. By Jean-Philippe Guerand
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FeaturesBruno Barde
On the 10th anniversary of the Marrakech Film Festival, its artistic director Bruno Barde talks to Screen about choosing films, attracting celebrity guests and the future of the festival.
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FeaturesTerraferma
After the international success of Golden Door, acclaimed Italian director Emanuele Crialese returns with Terraferma, a modern take on immigration. Sheri Jennings reports from the set.
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FeaturesWorld In Action
Screen profiles the 65 films submitted for the foriegn-language film Oscar, including first-time entrants Ethiopia
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FeaturesBen Gibson, London Film School
LFS director Ben Gibson talks about the school’s future as a film hub, why internationalism is important, and the breadth of the new MA in Film Curating.
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FeaturesWeekly International Box Office - December 03 - 05
Deathly Hallows summoned a further $57.1m from 62 territories at a screen average of $4,026 to retain its international crown for a third consecutive week.
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Features14th Tallinn International Film Festival Black Nights, Estonia
Winners at the Black Nights Festival, Tallinn, Estonia.
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FeaturesAmanda Nevill
After this week’s announcement that the BFI would be taking on a number of key activities formerly overseen by the Film Council, Screen’s Wendy Mitchell spoke to BFI Director Amanda Nevill about how the BFI would have to change moving forward.
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FeaturesGareth Edwards
Gareth Edwards talks about the unique guerrilla style of filmmaking he used on his highly acclaimed debut feature Monsters, and about his next sci-fi film in the works.
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FeaturesLatin American industry heats up at Ventana Sur
Organisers and attendees of this week’s Ventana Sur market in Buenos Aires explain why Latin America needs its own market, and why deals should be strong for this year’s diverse crop of films.
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FeaturesForeign affairs
Screen profiles all 65 films submitted for this year’s foreign-language Academy Award — a true smorgasbord of styles, genres and personal and political subjects
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FeaturesA bigger stage
The Asia Pacific Screen Awards (Dec 2), now in their fourth year, aim to boost the profile and earning potential of films from the region — on awards night and beyond. Sandy George reports
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FeaturesWeekly international box office - Nov 26 - 28
Deathly Hallows conjured up $115.6m from 16,093 screens in 61 territories in its second weekend to remain top of the international chart.