All articles by Jonathan Romney
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Reviews‘In The Shadows’ review: Jasmine Jobson packs a punch as British-Somali boxer Ramla Ali in restrained biopic
Anthony Wonke’s feature will be released in the UK on October 30 following its London Film Festival premiere
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Reviews‘Milo’ review: Marion Cotillard and Théodore Pellerin head moody, dramatically inert French thriller
The latest from veteran French filmmaker Nicole Garcia premieres in San Sebastian
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Reviews‘Saints’ review: Rising star Victoria Luengo brings spiky energy to uneven Spanish heist thriller
The second feature from Basque filmmaker Mikel Gurrea premieres in San Sebastian
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Reviews‘What Remains’ review: A couple head in different directions in meditative, visually striking Turkish road movie
Yesim Ustaoglu’s distinctive feature premieres in San Sebastian, and will be released in Turkey by Mubi
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Reviews‘In My Father’s Room’ review: A woman gets to know her late father in delicate debut from Japanese novelist-turned-filmmaker Maha Harada
Yu Aoi and Issey Ogata star in the film, which premieres in San Sebastian competition
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Reviews‘Ghost Song’ review: Fatih Akin’s San Sebastián opener is emotionally satisfying supernatural romance
A strong perormance from newcomer Mariam Dawoud anchors Akin’s tender Hamburg-set love story
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Reviews‘Ground Floor’ review: Absurdist Hungarian comedy effectively turns a run-down apartment block into state of the nation satire
Ádám Tompa stars in director Gábor Reisz’s follow-up to 2023 Venice Horizons winner Explanation For Everything
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Reviews‘Until The Day Ends’ review: Vivid if limited portrait of revolutionary youth in modern-day Serbia
Jelena Maksimović’s fiction debut relies heavily on the charisma of lead Jelena Maksimović
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Reviews‘Dau’ review: Ilya Khrzhanovsky’s sprawling new installment in his conceptual project is an affecting study of Soviet tyranny
The Venice competition title follows previous features and a 2019 art installation
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Reviews‘Company’ review: Casey Affleck directs, co-writes and stars in atmospheric but convoluted slice of American Gothic
Nick Nolte, Scott McNairy, Ben Mendelsohn and Emily Alyn Lind also star in Affleck’s twisting Venice competititon premiere
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Reviews‘No Paradise If You Are Killed By A Woman’ review: Tense, blunt-edged Kurdish war thriller follows a female sniper in Iraq
Halkawt Mustafa’s female-led action drama brings glossy genre mechanics to a story of Kurdish resistance
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Reviews‘Conversation With The Sea’ review: Kamel El Basha anchors Muayad Alayan’s uneven Palestinian drama
A Jerusalem-set mystery turns one man’s private reckoning into a pointed portrait of Palestinian life in Israel
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Reviews‘Woman Unknown’ review: May el-Toukhy’s Venice competition title is formal yet ferocious post-war Danish drama
Mathilde Arcel puts in a terrific lead performance in the director’s follow-up to Long Story Short and Queen Of Hearts
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Reviews‘Holy Wood Dust’ review: Victor Kossakovsky’s study of trees lacks the revelatory magic of his best works
The Russian documentarist’s follow-up to Trillion and Architecton premieres out of competition in Venice
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Reviews‘Imperium’ review: Sergei Loznitsa surveys the 1970s Soviet empire in revealing archive epic
Italian archive footage forms the basis of an expansive documentary with clear contemporary resonance
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Reviews‘House Of The Wind’ review: A tender Cameroonian study of solitude and unexpected kinship
Auguste Bernard Kouemo Yanghu’s debut finds emotional force in an ageing mother’s search for connection
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Reviews‘The State Of Us’ review: A boisterous Bradford night out turns sentimental in dewey-eyed UK debut
Ollie Gardner and Jake Harvey’s first feature follows a pair of Northern friends coping with terminal illness
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Reviews‘Fruit Gathering’ review: Karlovy Vary’s Crystal Globe winner is delicate LGBTQ Myanmar drama
Aung Phyoe’s fine-tuned feature debut is powered by an impressive central performance from Nandar Myat Aung
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Reviews‘Vertiginous’ review: Quentin Dupieux’s outre comedy tackles complex issues of identity through crude animation
The French auteur’s latest work closes Cannes Directors’ Fortnight
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Reviews‘Red Rocks’ review: Bruno Dumont assembles a charming young cast for his beguiling childhood fantasy
Dumon’s distinctive, accessible new feature bows in Cannes Directors’ Fortnight