All articles by Jonathan Romney
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Reviews‘Company’ review: Casey Affleck directs, co-writes and stars in atmospheric but convoluted slice of American Gothic
Nick Nolte, Scott McNairy, Ben Mendelsohn and Emily Alyn Lind also star in Affleck’s twisting Venice competititon premiere
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Reviews‘No Paradise If You Are Killed By A Woman’ review: Tense, blunt-edged Kurdish war thriller follows a female sniper in Iraq
Halkawt Mustafa’s female-led action drama brings glossy genre mechanics to a story of Kurdish resistance
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Reviews‘Conversation With The Sea’ review: Kamel El Basha anchors Muayad Alayan’s uneven Palestinian drama
A Jerusalem-set mystery turns one man’s private reckoning into a pointed portrait of Palestinian life in Israel
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Reviews‘Woman Unknown’ review: May el-Toukhy’s Venice competition title is formal yet ferocious post-war Danish drama
Mathilde Arcel puts in a terrific lead performance in the director’s follow-up to Long Story Short and Queen Of Hearts
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Reviews‘Holy Wood Dust’ review: Victor Kossakovsky’s study of trees lacks the revelatory magic of his best works
The Russian documentarist’s follow-up to Trillion and Architecton premieres out of competition in Venice
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Reviews‘Imperium’ review: Sergei Loznitsa surveys the 1970s Soviet empire in revealing archive epic
Italian archive footage forms the basis of an expansive documentary with clear contemporary resonance
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Reviews‘House Of The Wind’ review: A tender Cameroonian study of solitude and unexpected kinship
Auguste Bernard Kouemo Yanghu’s debut finds emotional force in an ageing mother’s search for connection
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Reviews‘The State Of Us’ review: A boisterous Bradford night out turns sentimental in dewey-eyed UK debut
Ollie Gardner and Jake Harvey’s first feature follows a pair of Northern friends coping with terminal illness
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Reviews‘Fruit Gathering’ review: Karlovy Vary’s Crystal Globe winner is delicate LGBTQ Myanmar drama
Aung Phyoe’s fine-tuned feature debut is powered by an impressive central performance from Nandar Myat Aung
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Reviews‘Vertiginous’ review: Quentin Dupieux’s outre comedy tackles complex issues of identity through crude animation
The French auteur’s latest work closes Cannes Directors’ Fortnight
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Reviews‘Red Rocks’ review: Bruno Dumont assembles a charming young cast for his beguiling childhood fantasy
Dumon’s distinctive, accessible new feature bows in Cannes Directors’ Fortnight
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Reviews‘The Unknown’ review: Léa Seydoux brings conviction to an ambitious but frustrating body-swap mystery
Niels Schneider also stars in Arthur Harari’s twisting Cannes Competition title
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Reviews‘Another Day’ review: Adèle Exarchopoulos is the beating heart of Jeanne Herry’s naturalistic study of alcoholism
The Cannes Competition title also stars Mathilde Roehrich and Brigitte Sy
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Reviews‘Rehearsals For A Revolution’ review: Four decades of Iranian history informs this timely, moving documentary
Pegah Ahangarani’s deeply personal film hits the sweet spot between intimate diary and political narrative
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Reviews‘John Lennon: The Last Interview’ review: Steven Soderbergh’s poignant doc is undercut by egregious AI visuals
Uneven Cannes Special Screening is structured around Lennon and Yoko Ono’s final interview
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Reviews‘Atonement’ review: Involving, balanced US-Iraq war drama stars a magnetic Hiam Abbass
Boyd Holbrook and Kenneth Branagh also star in Reed Van Dyk’s Directors’ Fortnight debut
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Reviews‘Fatherland’ review: Sandra Hüller and Hanns Zischler command Pawel Pawlikowski’s finely-honed literary drama
Black-and-white Cannes Competition title follows Nobel-winning author Thomas Mann and his daughter Erika
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Reviews‘Forsaken’ review: Docudrama about 2020 murder of a French schoolteacher is uneasy retelling of a national trauma
Vincent Garenq’s exploration of the Samuel Paty murder combines careful reconstruction with more heavy-handed flourishes
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Reviews‘Butterfly Jam’ review: Barry Keoghan, Riley Keough and Harry Melling star in unconvincing Cannes Directors’ Fortnight opener
Kantemir Balagov follows ‘Closeness’ and ‘Beanpole’ with drama set in New Jersey’s Circassian community
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Reviews‘The Electric Kiss’ review: Pierre Salvadori’s 1920s Paris-set Cannes opener lacks genuine spark
Anaïs Demoustier and Gilles Lellouche star in retro romcom set against bohemian Paris