![[Clockwise from top left]: 'The Voice Of Hind Rajab', 'A House Of Dynamite', 'Jay Kelly', 'After The Hunt', 'The Smashing Machine'](https://d1nslcd7m2225b.cloudfront.net/Pictures/274x183/1/7/0/1459170_veniceawards_837515.jpg)
Latest – Page 4
-
Reviews‘Short Summer’ review: Delicate debut depicts a Russian childhood in the shadow of war
Nastia Korkia’s drama, set during the second Chechen war, plays Hamburg after winning Venice’s Lion of the Future award
-
Reviews‘The Fence’ review: Isaach de Bankolé roots Claire Denis’ atmospheric West Africa thriller
Matt Dillon and Mia McKenna-Bruce also star in this uneven adaptation of the 1979 play ‘Black Battles With Dogs’
-
Reviews‘Two Pianos’ review: Arnaud Desplechin drama features a virtuoso performance from Charlotte Rampling
François Civil and Nadia Tereszkiewicz also star in this tale of a concert pianist distracted by matters of the heart
-
Reviews‘Spying Stars’ review: Vimukthi Jayasundara meditates on grief in lyrical Sri Lankan sci-fi drama
A scientist returning from space to bury her father encounters a dystopic world in Busan Competition title
-
Reviews‘Six Days In Spring’ review: A Côte d’Azur vacation proves revelatory in intimate Joachim Lafosse drama
Eye Haïdara impresses as the divorced woman at the heart of Joachim Lafosse’s San Sebastian Competition title
-
Reviews‘Sundays’ review: Astute family drama finds a Spanish teenager drawn to convent life
Newcomer Blanca Soroa shines in Alaúda Ruiz de Azúa’s’s sensitive San Sebastian Competition title
-
Reviews‘Franz’ review: Agnieszka Holland’s creative portrait of Czech writer Franz Kafka
Holland takes an unconventional approach to the biopic, which hits familiar narrative beats
-
Reviews’By Another Name’ review: A dying filmmaker attempts a final project in South Korean drama
Busan Competition title is latest work from Hong Sang-soo apprentice Lee Jea-han
-
Reviews‘In-I In Motion’ review: Juliette Binoche’s directorial debut is account of her 2008 dance-drama
Binoche worked with British choreographer and dancer Akram Khan on performance In-I
-
Reviews‘Los Tigres’ review: Alberto Rodríguez’s aquatic thriller sees a sibling duo lured into crime
Antonio de la Torre and Bárbara Lennie star in the Spanish director’s tense San Sebastian Competition title
-
Reviews‘Gloaming In Luomu’ review: Zhang Lu delivers an enigmatic Chinese small-town mystery
A woman searches for her missing boyfriend in the Korean-Chinese filmmaker’s Busan Competition title
-
Reviews‘Seven O’Clock Breakfast Club For The Brokenhearted’ review: Seoul-set romance explores love and loss
Moving Busan Competition drama follows a young woman struggling to move on from a relationship
-
Reviews‘Beautiful Dreamer’ review: Sensitive South Korean drama explores the impact of suicide
A mother and daughter attempt to move on from the death of the family patriarch in Lee Kwang-kuk’s Busan premiere
-
Reviews‘Without Permission’ review: An exiled filmmaker returns to Iran in Hassan Nazer’s bold docudrama
Real Iranian children discuss love and hope in the British-Iranian director’s Busan Competition feature
-
Reviews‘The Second Child’ review: Lim Soo-jung stars in atmospheric South Korean horror-tinged mystery
A mother and daughter attempt to move on from tragedy in Yu Eun-jeong’s Busan Competition premiere
-
Reviews‘Leave The Cat Alone’ review: Enigmatic Japanese debut depicts a marriage blown off course
Shigaya Daisuke’s Tokyo-set relationship drama bows in Busan Competition
-
Reviews‘Funky Freaky Freaks’ review: South Korean debut is frantic tale of high school jealousy and revenge
Hyper-stylised Busan Competition entry is grounded by strong performances
-
Reviews‘En Route To’ review: A surprise teenage pregnancy fuels this accomplished South Korean debut
Yoo Jae-in’s Korean Academy of Film Arts graduation project premieres in Busan Competition
-
Reviews‘27 Nights’ review: Daniel Hendler’s colourful drama contemplates attitudes to ageing
The actor-director also stars alongside Marilú Marini’s carefree octogenarian in Netflix’s San Sebastián opener
-
Reviews‘Another Birth’ review: Lyrical Tajikistan drama sees a young girl search for a mythical creature
Busan competition title is first in intended trilogy from US-based Tajik filmmaker Isabelle Kalandar