Latest – Page 5
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Features‘I Swear’ access co-ordinator on how film productions can create a truly open set
Small changes on a production can bring huge opportunity and reward for cast and crew with disabilities and neurodivergence.
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FeaturesMy Screen: Life Katja Adomeit on producing Berlinale opener ‘No Good Men’ and finding peace with her Icelandic horse
Germany-born Katja Adomeit has spent most of her career in Denmark, first at Zentropa and, since 2011, through her own dynamic outfit Adomeit Film.
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FeaturesSpanish films make strong showing in Berlin line-up and industry sections
Source: Rosa Hadit Hernández, Colectivo Colmena ‘Sad Girlz’ The Berlinale has long embraced the Spanish film industry, culminating in Carla Simon’s Golden Bear win for Alcarràs in 2022. This year, it is Ian de la Rosa’s turn to shine in Panorama with his first feature Iván & ...
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Features‘Sunny Dancer’ director George Jaques on avoiding cancer cliches: “I wanted to make a film about joy”
I said, ‘I’m not going to do any long, drawn-out hospital scenes. I’m not going to have any bald kids. I’m going to make this feral’”
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FeaturesBerlin 2026: The buzz titles from Hong Kong and China
The Year of the Horse begins with three titles in the Berlinale from China and the latest in the blockbuster Boonie Bears franchise.
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FeaturesHong Kong Filmart set for landmark 30th edition with return of Producers Connect and AI Hub
Hong Kong Filmart has cemented its position as the gateway to Asia for its 2026 edition, taking place March 17-20.
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FeaturesHow public and private sector support is boosting Spanish producers
Spanish producers are thriving thanks to generous support that is opening doors for diverse voices and international partners.
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FeaturesEFM 2026: 20 buzz titles from France
Screen highlights the buzz titles ready to entice international buyers at the 2026 European Film Market (EFM), which runs February 12-18.
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FeaturesEFM 2026: The hot projects from Spain
Look out for nine feature projects and one series by Spanish filmmakers in the European Film Market.
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FeaturesEFM 2026: The buzz titles from Europe
Screen highlights the buzz titles ready to entice international buyers at the 2026 European Film Market (EFM), which runs February 12-18.
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FeaturesEuropean buyers cautious as Berlinale begins: “We are being very selective”
What are the prospects for the 2026 edition of the Berlinale and its market in the second year under new leadership?
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FeaturesBerlin 2026: The buzz titles from Taiwan
EFM’s Taiwanese films include the story of an underdog baseball team, a supernatural comedy and the latest from a Berlinale award-winner.
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FeaturesJapan has strong presence at Berlinale with films from acclaimed directors and emerging talent
Japen enjoyed a record-breaking year at the box office in 2025.
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FeaturesEFM 2026: 20 buzz titles from the UK
Screen presents a selection of the buzziest projects from UK available to international buyers at this year’s EFM.
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FeaturesEFM 2026: 15 buzz titles from North America
Screen presents a selection of the buzziest projects from North America available to international buyers at this year’s EFM.
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Features“The coolest kind of masterclass”: Chase Infiniti on the six-month audition process for ‘One Battle After Another’
The actress has picked up a Bafta nomination for her debut film role in One Battle After Another
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FeaturesInga Ibsdotter Lilleaas on unscripted moments and finding out her ‘Sentimental Value’ character was initially written as comic relief
Joachim Trier’s family drama has catapulted the Norwegian actress from an international unknown to Oscar and Bafta nominee
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FeaturesBerlinale’s 2026 Co-Production Market selection sees strong showing from genre titles
Genre projects are strongly represented in this year’s Berlinale Co-Production Market selection
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FeaturesUK sales agents gear up for busy European Film Market
Warner Bros uncertainty, new North American buyers and a revised UK Global Screen Fund are all key topics for UK sales agents.
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FeaturesBerlinale head Tricia Tuttle on why she believes the industry needs “a 12-month year”
Berlinale festival director on what she learned from last year and the new talent to be found in this year’s selection.