Latest – Page 81
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FeaturesWho are the frontrunners for the best animated feature Oscar?
Disney and Pixar face some serious competition from rival players for the prize this year.
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FeaturesThe BFI’s 10 biggest distribution awards of 2022
Titles include ’Ali & Ava’, ’The Worst Person In The World’ and ‘Aftersun’.
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FeaturesJames Gray on how ‘Armageddon Time’ was inspired by his family: “Dad was worse in real life”
James Gray returns to his Queens roots with coming-of age drama Armageddon Time. The filmmaker tells Sceen what inspired him to mine his own childhood.
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FeaturesRuben Östlund talks ‘Triangle Of Sadness’ success, Charlbi Dean, and being the “comedian” of film
Ruben Östlund is the director who loves to make audiences squirm — and never more so than with his Palme d’Or-winning satire Triangle Of Sadness. He tells Demetrios Matheou what drives his cinema of discomfort
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FeaturesThe BFI’s 10 biggest production awards of 2022
Titles to make the list include ‘Chuck Chuck Baby’, ’Layla’ and ‘Starve Acre’.
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FeaturesAntoine Fuqua on ‘Emancipation’, the Will Smith slap: “He was treated like he murdered someone”
Antoine Fuqua takes on the most serious subject of his career with big-budget slavery drama Emancipation, starring Will Smith.
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FeaturesTeam Screen’s top films of 2022
Screen’s editorial team has selected their top five year films of the year plus their favourite scene.
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FeaturesNina Gold breaks down casting of ‘The Wonder’, ‘Empire Of Light’ and ‘Catherine Called Birdy’
Nina Gold has cast three strong contenders competing for film awards this year. The UK casting director talks to Screen about actor choices on those titles and her approach to the highly collaborative profession
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FeaturesScreen critics’ top documentaries of 2022
Five of Screen’s expert critics select their favourite documentaries from 2022.
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FeaturesHow ‘The Fabelmans’ team brought Steven Spielberg’s childhood to screen
The Fabelmans is Steven Spielberg’s most personal film to date. Screen talks to two key collaborators — screenwriter Tony Kushner and producer Kristie Macosko Krieger.
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FeaturesSearchlight execs talk box office success of ‘The Menu’
Satire is studio’s highest grossing North American release since The Shape Of Water in 2017.
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FeaturesNew talent focus: ‘Behind The Haystacks’ filmmaker Asimina Proedrou on giving up her parallel career in mining
Behind The Haystacks is making waves on the festival circuit, winning awards from Thessaloniki to Goa.
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FeaturesRon Howard on directing rescue drama ‘Thirteen Lives’: “The degree of difficulty was higher than I expected”
The veteran filmmaker drew on experiences making documentaries to tell the dramatic true story
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FeaturesIn conversation: Sebastian Lelio and Florence Pugh on making ‘The Wonder’ and their “fantastic friendship”
The duo discuss the power of storytelling, gender-neutral awards and Ireland’s unpredictable weather.
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Features‘My Father’s Dragon’ filmmakers talk teaming with Netflix, lockdown pros and cons
Cartoon Saloon’s latest feature could bring the company a fifth Oscar nomination. My Father’s Dragon director Nora Twomey and producer Paul Young tell Nicholas Barber about the journey to bring the quest tale to life.
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FeaturesScreen critics’ top films of 2022
Screen’s critics have selected their top films of 2022, plus the best documentaries and standout performances.
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FeaturesMy Screen Life: Passion Pictures’ Lizzie Gillett on cold-water swimming, the industry’s class problem
Lizzie Gillett is the UK-based director of Passion Pictures’ feature division.
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FeaturesPaul Dano on moving into the next phase of his career in ‘The Fabelmans’
Dano takes on a role inspired by Steven Spielberg’s father in the veteran filmmaker’s semi autobiographical drama.
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Features“Bafta View is great this year”: Anonymous awards voters talk early favourites and how they are watching them
The first in the 2022-23 series of Screen’s Awards Whispers.
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Features“I wanted a sense of faded grandeur”: ‘Empire Of Light’ team on creating the film’s look
Sam Mendes drew on his own life experiences to create Empire Of Light — set in the early 1980s on the south coast of England. Screen talks to the filmmaker and key design department heads.