Latest – Page 82
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FeaturesFive years of #MeToo: What has changed in the UK?
Key UK figures including Maya Amsellem, Mia Bays, Aisha Bywaters, Sarah Brocklehurst, Sadie Frost, Jen Smith and Eva Yates discuss the progress and pitfalls.
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FeaturesCharlotte Wells on casting Paul Mescal in ‘Aftersun’: “It was nice to play with an audience’s expectation of him”
Writer/director Charlotte Wells and lead producers Adele Romanski and Amy Jackson tell Screen about the film’s remarkable journey.
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FeaturesWhy Brian Tyree Henry signed up for ‘Causeway’ without reading the script: “I didn’t really care what my part was”
‘Causeway’ actor Brian Tyree Henry discusses working with director Lila Neugebauer and co-star Jennifer Lawrence.
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FeaturesFilms of the year 2022: Fionnuala Halligan
Fionnuala Halligan is Screen’ s executive editor for reviews and new talent.
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FeaturesFilms of the year 2022: Allan Hunter
Allan Hunter has worked for Screen since 1990. He is based in Edinburgh and is co-director of Glasgow Film Festival.
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FeaturesFilms of the year 2022: Tim Grierson
Tim Grierson is Screen’s senior US critic, based in Los Angeles, he has written for the publication since 2005.
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FeaturesFilms of the year 2022: Wendy Ide
Wendy Ide joined Screen in 2015 as a UK-based critic, and also writes for The Observer and Sight & Sound.
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FeaturesFilms of the year 2022: Jonathan Romney
A longtime contributor to Screen, Jonathan Romney also writes for Film Comment, Sight & Sound and The Observer, and teaches at the UK’s National Film and Television School.
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Features“History, unfortunately, is cyclical”: ‘Blue Jean’ filmmakers on the drama’s important warning
Director Georgia Oakley and producer Hélène Sifre tell Screen why they felt they had to tell this story.
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FeaturesIs France’s defiantly traditional film industry waking up to gender equality?
A handful of female French directors enjoyed success in 2022.
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Features‘Living’ team talk Bill Nighy, positivity and how they nabbed ‘Ikiru’ rights
In converting Japanese film Ikiru to UK drama Living, director Oliver Hermanus, screenwriter Kazuo Ishiguro and producer Stephen Woolley were able to add a note of positivity and optimism — as they explain to Screen.
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FeaturesEmma Thompson doesn’t want to be called “brave” for ‘Good Luck To You, Leo Grande’ nudity
After a career spanning 40 years, Emma Thompson has taken one of her most daring roles to date.
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FeaturesThe industry takeaways from the 2022 Red Sea film festival
The event itself was well organised, well attended and, above all, well-funded.
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FeaturesHow Joseph Kosinski convinced Tom Cruise to make a 'Top Gun' sequel
Producer Jerry Bruckheimer and director Joseph Kosinski tell Screen about the film’s epic journey.
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FeaturesBaftas 2023: which titles are in the running for outstanding British film?
With 10 nominees, the category always presents a fascinating snapshot of UK film.
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FeaturesWill a new breed of Italian blockbuster attract theatrical audiences back to homegrown films?
There is an acknowledgement that Italian cinema has not changed much in the last 30 years, missing the rise of genre movies and failing to cultivate a younger audience.
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FeaturesRian Johnson talks ‘Knives Out’ Netflix deal, playing Mafia with ‘Glass Onion’ cast
With Knives Out and sequel Glass Onion, Rian Johnson breathes new life into a film genre that had been neglected by Hollywood for decades.
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Features‘She Said’ writer on the “huge responsibility” to #MeToo survivors
Rebecca Lenkiewicz wanted to honour the journalists and survivors at the centre of the Weinstein scandal.
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FeaturesTodd Field on being given the creative freedom to make ‘TÁR’: “They gave me enough rope to hang myself”
With his first film in 16 years, Todd Field returns with TÁR — a provocative drama about the rise and fall of a classical music star.
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FeaturesSarah Polley on making ‘Women Talking' and why the story meant so much to her
In Women Talking, an ultraconservative religious community’s female members must decide how to confront the sexual abuse they are experiencing. Its writer/director Sarah Polley talks to Screen.