Latest – Page 111
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FeaturesCannes 2022 line-up guide: Un Certain Regard titles
Screen’s guide to the Cannes Official Selection and parallel sections.
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FeaturesIndustry expects buzzy Cannes market but smaller packages
Those in attendance will grapple with a new reality shaped by the pandemic: more streaming, shorter theatrical windows, and a return to production.
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FeaturesFestival dominance but box office challenges: what next for French cinema?
French investment obligations for platforms and an overhaul of the media chronology rules could offer some respite.
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FeaturesHow will Covid caution affect turnout of Asian industry in Cannes?
While many will make the journey, others cite concerns over Covid safety.
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FeaturesWord of Mouth: why Trafalgar Releasing’s Lyn Goleby avoids reading about film on social media
The pioneering UK indie exhibitor and chair of Trafalgar Releasing believes she’s a hard demographic to reach.
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Features15 indie cinemas from around the world that are thriving post-pandemic
Screen celebrates venues that have navigated Covid to remain a force in their communities.
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FeaturesCineworld CEO on firm's challenging pandemic, how Covid settled windows debate
Mooky Greidinger spent much of the pandemic firefighting, but is optimistic about how cinemagoing will continue its post-Covid revival in 2022 and 2023.
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FeaturesFive places to feast at Jeonju International Film Festival
From bibimbap to blowfish, here is a selection of what to eat and where in the cuisine capital of South Korea.
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FeaturesWhy the UK's boutique cinema sector continues to grow despite pandemic challenges
The changing nature of development in the UK is creating new opportunities — and attractive deals — for the nation’s boutique and indie chains.
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Features‘Parasite’ and five other titles that shot in and around Jeonju
The city and surrounding area has provided locations for ‘Okja’, Netflix series ‘Sense8’ and more.
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FeaturesHow Korea’s Jeonju is resurrecting the full festival experience with “determination and safety”
Festival set to return with a fully-fledged physical edition for the first time since 2019.
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Features“We want to pull audiences back to cinemas”: Jeonju film festival director reveals bold ambitions
Lee Joon-dong reveals ambitions for this year’s festival and beyond.
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FeaturesVue International’s Tim Richards talks post-pandemic recovery: “We’re in rebuilding mode”
CEO Tim Richards acknowledges that his 228-site circuit is emerging from the pandemic as a “bruised” operation, but sees opportunity ahead.
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FeaturesHow Alamo Drafthouse Cinema fought back from bankruptcy
Shelli Taylor, CEO of Alamo Drafthouse Cinema, talks about how the Austin-based chain has emerged from Chapter 11 bankruptcy as a fitter and smarter operation — with big plans ahead.
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FeaturesWill cinemas embrace variable pricing?
North American exhibitors experimented with the strategy for the releases of ’Spider-Man: No Way Home’ and ’The Batman’.
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Features“My task is telling stories to the world”: how Ukrainian creatives are finding purpose amid war
In the Ukrainian filmmaking community, some professionals have attempted to carry on with their work in an act of resistance.
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FeaturesHow MoviePass is looking to rise again
Back under the ownership of original co-founder Stacy Spikes, MoviePass hopes to rebuild trust with audiences and exhibitors.
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FeaturesUK cinemas cheered by strong start to 2022 but still facing theatrical window challenge
Charles Gant assesses the UK exhibition sector.
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FeaturesHow Ukrainian film crews are adapting to the reality of war
Documentary filmmaker Robbie Fraser recently returned from the country.
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Features“There’s cautious optimism”: What next for North America’s post-pandemic exhibition sector?
“What has been missing is a full and robust release schedule. When we have that, we’ll be able to figure out where we are in reality…”