![[Clockwise from top left]: 'The Voice Of Hind Rajab', 'A House Of Dynamite', 'Jay Kelly', 'After The Hunt', 'The Smashing Machine'](https://d1nslcd7m2225b.cloudfront.net/Pictures/274x183/1/7/0/1459170_veniceawards_837515.jpg)
All articles by Mike Goodridge – Page 23
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CommentMillennium: a new era for Europe
Sweden’s Millennium Trilogy could mark a watershed moment in the way producers think about scoring a pan-continental hit - and it doesn’t involve thinking about the US market
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FeaturesWas the Marché the real deal?
Buyers on the Croisette were decisive — and surprisingly plentiful — for international sales companies with solid projects.
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CommentThe trouble with critics
Cannes is the world’s greatest showcase for international cinema, but film-makers take a bold risk exposing their works to the festival’s critical hothouse
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ReviewsTales From The Golden Age (Amintiri Din Epoca De Aur)
Dirs: Cristian Mungiu, Ioana Maria Uricaru, Hanno Hofer, Razvan Marculescu, Constantin Popescu. Romania, 2009, 134 mins (varied)
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NewsRalph Fiennes revs up thrilling Coriolanus with Icon
Ralph Fiennes spoke exclusively to ScreenDaily yesterday (May 16) about his directorial debut Coriolanus.
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NewsLevine, Belsito leave IMDB Pro
Sydney Levine and Peter Belsito have left online industry database IMDB Pro after 18 months at the company.
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Features
Interview with John Cameron Mitchell
Director John Cameron Mitchell talks exclusively to Screen International about his new project, which starts shooting in New York on June 1.
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FeaturesBreaking the boundaries
Slumdog Millionaire shot Anil Kapoor onto a global stage. Now, he tells Mike Goodridge, he’s discovering what Indian film-makers can learn from Hollywood.
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CommentEntertaining the text generation
With technology integral to their lives, teens are growing up expecting everything to be available immediately — and for free. Can the film industry still meet their needs?
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NewsBill Pohlad and Bob Berney buy rights to Bright Star
Bill Pohlad and Bob Berney’s new North American distribution venture has bought US rights to Jane Campion’s competition entry Bright Star.