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‘Once Upon A Time In A Cinema’ review: Dublin opener is nostalgic drama set in 1980s Limerick
David Gleeson bases his feature on his own experiences growing up in a family of Irish cinema owners
‘Soumsoum, The Night Of The Stars’ review: Gentle magical-realist fable follows a spiritual connection in rural Chad
Mahamat-Saleh Haroun’s follow-up to Lingui, The Sacred Bonds is a less propulsive, more pensive work
‘The Loneliest Man In Town’ review: Viennese musician Al Cook stars in slow, meditative drama
Berlin Competition title will most appeal to Cook’s existing fans
‘Roya’ review: An imprisoned Iranian teacher struggles to hold herself together in vivid, challenging political drama
Mahnaz Mohammadi’s follow-up to ’Son-Mother’ features an expressive performance from Melisa Sözen
‘Home Stories’ review: Eva Trobisch weaves an ambitious portrait of a modern German family
The director follows ‘Ivo’ and ‘All Is Well’ with meticulously-crafted Berlin Competition title
‘My Wife Cries’ review: A Berlin couple attempt to connect in Angela Schanelec’s typically inscrutable drama
The director’s Berlin Competition title should appeal to the filmmaker’s devotees
‘Truly Naked’ review: Forthright and unflinching sex industry drama set in a British seaside town
Dutch director Muriel d’Ansembourg bows her feature debut in Berlin Perspectives
‘The Blood Countess’ review: Isabelle Huppert sinks her teeth into Ulrike Ottinger’s lavish vampire spoof
Ottinger’s extravagant Berlin Special Gala is pitched for cult and crossover appeal
‘Forest High’ review: Quietly assured Belgian debut follows three women working at a remote Alpine refuge
Manon Coubia’s Perspectives title is a restrained meditation on solitude, memory and place
‘Arru’ review: A reindeer herder fights to save her ancestral lands in bracing Indigenous debut
Elle Sofe Sara’s Sami Berlin Panorama drama is rooted in land, music and memory
‘Dust’ review: Anke Blonde’s claustrophobic late-90s Belgian drama lacks high-stakes tension
The film stars Jan Hammenecker and Arieh Worthalter as successful software developers on the brink of disaster
‘The Education Of Jane Cumming’ review: Real-life 19th-century scandal inspires elegant, toothless period drama
Sophie Heldman’s second feature is set in an all-girls Scottish boarding school
‘Wax & Gold’ review: Ruth Beckermann explores Addis Ababa’s Hilton Hotel as a microcosm for modern Ethiopia
The Austrian filmmaker’s follow-up to ‘Favoriten’ premieres as a Berlin Special Screening
‘A Family’ review: Mees Peijnenburg follows ‘Paradise Drifters’ with fractured portrait of messy divorce
Lukas Dhont co-produces the uneven Dutch drama, which stars Carice van Houten
‘Nightborn’ review: Hanna Bergholm follows ‘Hatching’ with audacious motherhood horror
Seidi Haarla and Rupert Grint star in the director’s English-language Berlin competition title
‘Rosebush Pruning’ review: Callum Turner, Elle Fanning and Riley Keogh head stylish, soulless Karim Aïnouz drama
The English-language Berlin Competition title also stars Jamie Bell, Lukas Gage, Tracy Letts and Pamela Anderson
‘Allegro Pastell’ review: German drama is precise, emotionless study of millennial malaise
Anna Roller adapts Leif Randt’s book about a shaky long-distance Berlin-Frankfurt romance
‘Dao’ review: Alain Gomis returns with sprawling meditation on migration, ritual and memory
The director follows ’Félicité’ with an expansive docu-drama spanning France and Guinea-Bissau
‘A Prayer For The Dying’ review: Johnny Flynn and John C. Reilly fight for survival in American West
Berlin Perspectives title is a striking, if tonally uneven debut from Dara Van Dusen
‘Yellow Letters’ review: Ilker Catak follows ‘The Teachers’ Lounge’ with powerful Turkish drama
Ozgu Namal and Tansu Bicer star in Catack’s meticulously-calibrated Berlin competition title
