All articles by Jonathan Romney – Page 12
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Reviews
‘Republic Of Silence’: Venice Review
A vivid, emotionally-charged insider view of conflict and displacement from Syria’s Diana El Jeiroudi
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Reviews
‘La Caja’: Venice Review
Lorenzo Vigas sets his quietly powerful drama in Mexico’s northern state of Chihuahua
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Reviews
‘Lost Illusions’: Venice Review
Xavier Giannoli directs an opulent take on Balzac’s sprawling opus
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Reviews
‘Official Competition’: Venice Review
Antonio Banderas and Penelope Cruz unite with Oscar Martinez for this bitingly funny film world send-up
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Reviews
‘Spencer’: Venice Review
Kristen Stewart brings her own magnetism to the role of Princess Diana during a lonely Christmas at Sandringham in Pablo Larrain’s ’fable from a true tragedy’
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Reviews
‘The Hand Of God’: Venice Review
Paolo Sorrentino delivers a highly personal memoir that truly breathes on the big screen
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Reviews
‘The Power Of The Dog’: Venice Review
A powerful turn from Benedict Cumberbatch anchors Jane Campion’s prairie-set period drama
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Reviews
‘Vortex’: Cannes Review
Gaspar Noé’s last taboo is old age and dementia and an utterly sobering experience
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Reviews
‘The Tsugua Diaries’: Cannes Review
Miguel Gomes and Maureen Fazendeiro deliver .the oddest, most playful product of lockdown cinema.
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Reviews
‘France’: Cannes Review
A surprising swerve from formerly austere auteur Bruno Dumont showcases Lea Seydoux as the title character
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Reviews
‘Paris, 13th District’: Cannes Review
Jacques Audiard reinvents his own cinema with this fresh story of lovers inter-twined in today’s Paris
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Reviews
‘Titane’: Cannes Review
For her follow-up to Raw, Julia Ducournau delivers ’a deranged cocktail of outrage, excess, conceptual ferocity and sheer silliness’
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Reviews
‘Bergman Island’: Cannes Review
Mia Hansen-Løve takes Vicky Krieps and Tim Roth on a pilgrimage to Sweden
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Reviews
‘Evolution’: Cannes Review
An intense, stylised rendition of a Holocaust-themed stage play by Kata Weber and Kornel Mundruczo
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Reviews
‘Intregalde’: Cannes Review
Romania’s new wave director Radu Muntean returns with a cast of characters who can’t see the woods for the trees
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Reviews
‘Compartment No. 6’: Cannes Review
Unlikely travelling companions bond on a train ride from Moscow to Murmansk in Juho Kuosmanen’s Competition title
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Reviews
‘Let It Be Morning’: Cannes Review
An Israeli Arab visiting his hometown finds himself under military seige
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Features
Cannes regular Sergei Loznitsa on his archive documentary ‘Babi Yar. Context’
In his latest film, the Ukrainian director examines a notorious Second World War massacre.
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Reviews
‘The Divide’: Cannes Review
Catherine Corsini’s Competition entry is set in the emergency of a Paris hospital during the fallout from a gilets jaune demonstration