Latest – Page 102
-
Reviews‘Brother And Sister’: Cannes Review
A sterling cast headed by Marion Cotillard and Melvil Poupaud anchor Arnaud Desplechin’s intense sibling saga
-
Reviews‘The Night Of The 12th’: Cannes Review
Dominik Moll returns to Cannes with this fascinating police procedural
-
Reviews‘The Stranger’: Cannes Review
Joel Edgerton’s brooding performance anchors this intense Australian true crime thriller
-
Reviews‘Plan 75’: Cannes Review
This dystopian debut about aging and euthanasia in Japan is moving and understated
-
Reviews‘Cairo Conspiracy' (aka 'Boy From Heaven’): Cannes Review
A ’Name of the Rose’ style murder mystery transposed to Cairo has the potential to travel further
-
Reviews'Little Nicholas - Happy As Can Be’: Review
Charming animation exploring the creation and evolution of fictional French schoolboy Little Nicholas
-
Reviews‘Enys Men’: Cannes Review
Mark Jenkin’s Cannes debut is an offbeat Cornish folk horror more concerned with atmosphere than story
-
Reviews‘Sons Of Ramses’: Cannes Review
Clément Cogitore paints both an authentic community portrait and a serious, moody take on the Parisian crime drama
-
Reviews‘Harkis’: Cannes Review
A sensitive portrait of Algerian soldiers who fought with the French army in their country’s war for independence
-
Reviews‘El Agua’: Cannes Review
Elena López Riera makes her daring debut in Director’s Fortnight with this magical realist romantic drama
-
Reviews‘99 Moons’: Cannes Review
A frank, erotically charged portait of two lovers plays out in Cannes’ ACID programme
-
Reviews‘Love According To Dalva’: Cannes Review
Newcomers Zelda Samson and Fanta Guirassi excel in this solid if uncomfortable dramatic first feature
-
Reviews‘Corsage’: Cannes Review
Vicky Krieps is a ’chain-smoking self-absorbed uber-bitch’ in her performance of Empress Elisabeth of Austria
-
Reviews'One Fine Morning’: Cannes Review
Léa Seydoux is luminous in Mia Hansen-Løve’s intimate drama about loss and love
-
Reviews‘Hunt’: Cannes Review
‘Squid Game’ star Lee Jung-jae makes his muscular directorial debut with this kinetic, violent thriller
-
Reviews‘EO’: Cannes Review
At 84, Jerzy Skolimowski continues his career resurgence: his life story of a donkey ‘sizzles with strangeness’
-
Reviews‘Armageddon Time’: Cannes Review
James Gray returns to Cannes Competition with his self-critical, autobiographical coming-of-age tale about white privilege in America
-
Reviews‘Mariupolis 2’: Cannes Review
Killed in the city he portrays, the final film from the late Mantas Kvedaravicius was finished by his Ukrainian partner Hanna Bilobrova
-
Reviews‘Harka’: Cannes Review
Adam Bessa excels as a Tunisian street seller amidst the Arab Spring upheaval in this heartfelt dramatic debut
-
Reviews‘The Woodcutter Story’: Cannes Review
Mikko Myllylahti’s debut feature is an unpredictable Nordic oddity that plays in a familiar key of muted, comic surrealism