Latest – Page 289
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FeaturesNaji Abu Nowar talks Jordan's Oscar submission 'Theeb'
Director Naji Abu Nowar describes how the optimism and energy of the Arab Spring inspired him to make his debut feature, Theeb, Jordan’s entry to the best foreign-language film Oscar.
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FeaturesDeniz Gamze Ergüven talks French Oscar submission 'Mustang'
Deniz Gamze Ergüven reveals how the production of her debut feature Mustang is itself a tale of female emancipation.
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FeaturesOscars 2016: Latin American contenders
The last time a Latin American film won the foreign-language Oscar was in 2009 with The Secret In Their Eyes, now remade with Nicole Kidman. Screen meets four of this year’s hot contenders.
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FeaturesLisa Aschan talks 'White People'
The Swedish director of hit She Monkeys talks about her detention centre story, which plays in competition this week in Thessaloniki.
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FeaturesScreen November 13 2015
Browse the digital edition of Screen International here, which includes a focus on the best foreign-language Oscar contenders…
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FeaturesGiulio Ricciarelli talks German Oscar submission 'Labyrinth Of Lies'
Making a film about how Germany dealt with the aftermath of the Holocaust was an educational journey for Labyrinth Of Lies director Giulio Ricciarelli, as he tells Jeremy Kay.
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FeaturesLaszlo Nemes talks Hungary's Oscar submission 'Son Of Saul'
Since its debut at Cannes, Laszlo Nemes’ Son Of Saul has become one of the most admired films of recent years. So why did so few financiers want to back it?
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FeaturesOscars 2016: Mark Johnson talks chairing foreign-language category
Mark Johnson, chairman of AMPAS’s foreign-language film award committee, tells Matt Mueller about the quiet revolution that has led to films such as Amour and Ida winning the coveted Oscar
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FeaturesOscars 2016: inside the 81 Best Foreign-Language Film submissions
The 81 features submitted for foreign-language Oscar contention will be whittled down to a shortlist of nine in mid-December, before being narrowed further to the final five nominations. Screen delivers the lowdown on this year’s contenders.
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FeaturesBox office analysis: foreign-language films in the US
SCREEN SUBSCRIBERS: The top 40 foreign-language films at the US box office to date in 2015 and how they have performed.
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FeaturesJack Zagha Kababie, 'Almacenados'
SCREEN SUBSCRIBERS: The Mexican director talks about his two-hander Almacenados (Warehoused), an existential drama about the relationship between two warehouse employees that screens in the México Primero section of the Los Cabos International Film festival this weekend.
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FeaturesQ&A: David Leon, 'Orthodox'
Former Screen Star of Tomorrow David Leon on making his debut film in the orthodox Jewish community, bare-knuckle boxing, and working with Oliver Stone.
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FeaturesA Good year: Miriam Segal on 'Infiltrator', 2016 slate
With her first production Infiltrator in the bag, Good Films producer Miriam Segal has ambitious plans for her slate in 2016.
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Features“You don’t always need a ton of money”: the story behind micro-budget Sundance hit 'Tangerine'
Director Sean Baker and co-star Mya Taylor on the making of their innovative, worthy awards contender Tangerine.
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FeaturesAFM 2015: Screen's dailies
Read Screen International’s daily magazines from the American Film Market (AFM) here.
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FeaturesGrandview: surveying the talent
With writers such as Bridge Of Spies’ Matt Charman on their books, former CAA agents Matt Rosen and Jeff Silver have LA-based management firm Grandview off to a flying start.
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Features
From learners to 'Veteran'
Korean producer Kang Hye-jung of Filmmaker R&K discusses her long collaboration with director husband Ryoo Seung-wan — including their local box-office smash Veteran — and the challenges of finding new Korean directing voices.
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FeaturesStefano Sollima's life of crime
SCREEN SUBSCRIBERS: The Italian director’s latest box office hit Suburra has inspired a 10-part series deal with Netflix.
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FeaturesChina & HK: indie and arthouse space facing challenges
SCREEN SUBSCRIBERS: Despite another record year at the Chinese box office, buyers, sellers and distributors in the independent and arthouse space have less to celebrate.