![[Clockwise from top left]: Paul Thomas Anderson, Chloe Zhao, Ryan Coogler, Park Chan-wook](https://d1nslcd7m2225b.cloudfront.net/Pictures/274x183/9/0/0/1467900_writerdirectors_192733.jpg)
All Sundance articles – Page 70
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FeaturesSundance London Party
Photos from the Big Sundance London Party, held at The Langham on April 26.
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CommentSundance London: The cows come home
Sundance hit The Moo Man gets a warm welcome at its UK premiere.
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NewsRedford launches second Sundance London
At a subdued press conference at London’s O2 arena this morning, Robert Redford helped launch the second edition of Sundance London (April 25-28).
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FeaturesSundance London: Exporting Sundance
The organisers of Sundance London reveal how the programme was tailored for its second edition and why the UK is a good fit. Wendy Mitchell reports
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NewsSundance London talks include Barbara Kopple, Jeff Nichols
Sundance London (April 25-28) has unveiled the talks and musical performances at its Festival Hub under Cinewrold at the O2.
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NewsSundance London adds three films
Additions include Jeff Nichols’ 2012 Cannes Competition title Mud [pictured].
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NewsSundance London adds UK Spotlight
Sundance London has unveiled its programme for the second edition set to run April 25-28 at London’s O2, with selections including Shane Carruth’s Upstream Color, documentary Muscle Shoals, and Lake Bell’s critically acclaimed directorial debut In A World…[pictured].
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NewsRoadside, SPWA take In A World
Roadside has acquired US rights and SPWA picked up international to Lake Bell’s Sundance world premiere and feature directorial debut.
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NewsKino Lorber snaps up Computer Chess
The distributor has acquired all US rights to Andrew Bujalski’s comedy following its world premiere at Sundance last month.
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NewsCohen Media Group takes May In The Summer
The US distributor has picked up all US rights from Elle Driver to Cherien Dabis’ Amreeka follow-up after its recent world premiere in Sundance.
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FeaturesSundance deals: Big spenders
This year’s Sundance Film Festival (Jan 17-27) saw a flurry of pick-ups — with buyers paying a lot of money for the right films. Jeremy Kay reports
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