All Features articles
-
FeaturesHow success of ‘I’m Still Here’ and ‘The Secret Agent’ has helped to drive Brazilian box office
Both films contributed to a significant growth in the market share of Brazilian cinema domestically.
-
FeaturesWho are the new US indie distributors?
Stiff headwinds in the US theatrical marketplace have not stopped a host of fresh distribution companies from springing up, looking to take advantage of new ways to reach audiences.
-
FeaturesMy Screen: Life Katja Adomeit on producing Berlinale opener ‘No Good Men’ and finding peace with her Icelandic horse
Germany-born Katja Adomeit has spent most of her career in Denmark, first at Zentropa and, since 2011, through her own dynamic outfit Adomeit Film.
-
FeaturesEuropean buyers cautious as Berlinale begins: “We are being very selective”
What are the prospects for the 2026 edition of the Berlinale and its market in the second year under new leadership?
-
FeaturesBerlinale’s 2026 Co-Production Market selection sees strong showing from genre titles
Genre projects are strongly represented in this year’s Berlinale Co-Production Market selection
-
FeaturesWill new US buyers provide “much-needed impetus” to the 2026 European Film Market?
US buyers and sellers are looking for the European Film Market to get the year off to the strongest possible start.
-
FeaturesBerlinale Pro director Tanja Meissner on the changes to look out for at this year’s European Film Market
Film sales market might not be as “feverish” as it used to be, but EFM is still expecting around 12,000 participants and has new offers for producers, buyers and sellers.
-
FeaturesBerlin 2026: Screen’s guide to the Panorama titles
Strand includes films from Hong Sangsoo, George Jaques and Danielle Arbid.
-
FeaturesBerlin 2026: Screen’s guide to the Special and Special Gala titles
This year includes films from Gore Verbinski, Maite Alberdi and Shahrbanoo Sadat.
-
FeaturesBerlin 2026: Screen’s guide to the Perspectives titles
Perspectives strand for international fiction feature debuts comes with a €50,000 prize. The festival runs February 12-22.
-
FeaturesBerlin 2026: Screen’s guide to the Competition titles
Section includes new films from Kornel Mundruczo, Angela Schanelec, Karim Ainouz and Warwick Thornton.
-
Features‘Run Amok’ team on making their school shooting musical: “We’re using art to heal”
Molly Ringwald, Patrick Wilson, and writer-director NB Mager discuss finding a new perspective on school shootings.
-
News‘Blue Moon’ screenwriter Robert Kaplow on how he made Ethan Hawke cry
Robert Kaplow dreamed for decades of writing about lyricist Lorenz Hart. The Blue Moon screenwriter tells Screen how he finally achieved his goal, with help from Richard Linklater and Ethan Hawke.
-
FeaturesBafta flashback: ‘This Is England’ producer Mark Herbert on his Sylvester Stallone moment and taking the bus with Javier Bardem
“This was the first time my wife had met a seat filler. It was fish-out-of-water vibes.”
-
FeaturesHow pandemic-era BTS concerts and Korean folklore inspired ‘KPop Demon Hunters’
Writer/directors Maggie Kang and Chris Appelhans discuss the evolution of the Golden Globe-winning musical animation phenomenon – the most-watched film of all time on Netflix
-
Features‘Weapons’ director Zach Cregger on being inspired by “extreme emotional turmoil” and the origins of Aunt Gladys
Weapons has made Zach Cregger the hottest genre director in town. But the film was written from a place of personal catharsis, not career ambition, he tells Screen
-
FeaturesKaouther Ben Hania on mixing drama and documentary in ‘The Voice Of Hind Rajab’: “It’s a privilege to show this story”
For the Tunisian filmmaker, it was important to incorporate a documentary element into the scripted feature. “It’s not me who wrote the thriller, it’s the reality of war,” she tells Screen
-
Features‘Dead Man’s Wire’ filmmakers talk Covid, casting choices, and provoking debate
Dead Man’s Wire depicts a real-life hostage situation that played out across the media in 1977. Director Gus Van Sant and screenwriter Austin Kolodney talk about bringing the dramatic events to life.
-
FeaturesJosh Safdie on working with a bigger budget on ‘Marty Supreme’ and why Timothée Chalamet was perfect for “outcast” lead role
“It was a big movie. It’s period. It’s international. The costumes, you can’t just go to thrift stores and buy them. I wanted lots of extras. I needed to recreate reality.”
-
Features‘One Battle After Another’ duo Paul Thomas Anderson and Leonardo DiCaprio on improvising and film industry optimism
The director and star of One Battle After Another first mooted working together with Boogie Nights, then waited nearly three decades to actually do so