Features
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FeaturesFernando Meirelles talks Netflix awards hopeful 'The Two Popes'
’I’m Catholic myself, but a very bad Catholic.’
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Features
Toronto 2019 Q&A: Solstice Studios’ Crystal Bourbeau on why she is optimistic about international distribution
Bourbeau joined the company in December 2018 as head of acquisitions and international.
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Features
Toronto 2019 Q&A: Neon’s Jeff Deutchman on the company’s theatrical confidence
Neon has titles including Bong Joon Ho’s ‘Parasite’ and Céline Sciamma’s ‘Portrait Of A Lady On Fire’.
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Features
How did the English South Coast stand in for the Hamptons in Roger Michell’s ‘Blackbird’?
The family drama has had Kate Winslet strolling around set in pyjamas and slippers.
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Features
Show them the money: who’s funding female filmmakers?
Female-focused production companies are on the rise around the globe, but racial and gender disparity persists.
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Features
Toronto 2019 preview: Screen’s guide to the Special Presentations
‘Jojo Rabbit’, ‘Hope Gap’ and ‘Greed’ are among the new titles.
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Features
Toronto 2019 preview: Screen’s guide to the Platform titles
Films include Sarah Gavron’s ‘Rocks’ and Anthony Chen’s ‘Wet Season’.
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Features
Alex Gibney talks Venice documentary ‘Citizen K’, Putin and Trump
The filmmaker is presenting his documentary about exiled oligarch Mikhail Khodorkovsky out of competition.
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Features
How Billie Piper tried to "reimagine" a British style for Venice title 'Rare Beasts'
Piper’s filmmaking debut has its world premiere on August 31.
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Features
Can Red Sea Film Festival reconcile its bold vision with Saudi Arabia’s political controversy?
Saudi Arabia is receiving ongoing criticism for its human rights record.
