All Features articles – Page 113
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FeaturesRuth Negga on the powerful impact of her ‘Passing’ role, producing ambitions
Negga plays a character who chooses to ‘pass’ as white in Rebecca Hall’s directorial debut.
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FeaturesAwards whispers: anonymous voters react to Bafta longlists, Golden Globes and SAG nominations
” I would love to see [the Golden Globes] make a comeback so we can have some fun and glamour back in our increasingly self-righteous industry.”
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FeaturesJavier Bardem talks ‘Being The Ricardos’, authenticity in casting, upcoming projects
Javier Bardem plays Cuban-American band leader Desi Arnaz in Aaron Sorkin’s ’Being The Ricardos’. Screen talks to the Spain-born star about a trio of roles shining this awards season
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FeaturesOlivia Colman on the joys of playing an “absolutely honest” character in ‘The Lost Daughter’
Olivia Colman was drawn to Maggie Gyllenhaal’s The Lost Daughter for its honest depiction of a flawed mother.
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FeaturesHow Andrew Garfield learned to sing for ’Tick, Tick… Boom!’: “I had a whole village helping me"
Andrew Garfield had always backed away from singing roles until Lin-Manuel Miranda came calling for ‘Tick, Tick… Boom!’.
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Features‘Everything Everywhere All At Once’ production designer on creating film’s multiverse
The film’s production designer Jason Kisvarday talks to Screen.
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FeaturesHanna Bergholm on why her Sundance genre film ‘Hatching’ is really a mother-daughter drama
The Finnish writer-director is a talent to watch.
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FeaturesSundance Q&A: ‘Watcher’ director Chloe Okuno on her spiritual nod to ‘Rosemary’s Baby’ and the therapy of horror
U.S. Dramatic Competition entry premieres on January 21.
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FeaturesBanjos and bassoons: how ‘The French Dispatch’ composer Alexandre Desplat collaborates with Wes Anderson
The fifth feature collaboration to date between the composer and Anderson has a “more American, jazzy/bluesy” feel.
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Features“The beginning of an explosion”: ‘The Mitchells Vs The Machines’ team on advances in animation
“There are a lot of X-Men on screen, and I don’t know any X-Men. But I do know families that don’t get along.”
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Features14 Asian films to tempt festival directors in 2022
Hirokazu Kore-eda, Park Chan-wook and Makoto Shinkai all have films ready for 2022.
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FeaturesSundance Q&A: Christian Tafdrup on embracing darkness with ‘Speak No Evil’
The Danish director’s third feature has its world premiere in Sundance Midnight.
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Features58 European films to tempt festival directors in 2022
The hot list of films from established and rising directors.
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FeaturesDinners, dancing and skiing in Copenhagen: how international filmmakers are celebrating Sundance 2022
Despite the online switch, filmmakers are finding ways to mark the occasion.
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FeaturesSundance Q&A: ‘Mars One’ director Gabriel Martins on why Brazil’s indie filmmakers are “staring into an empty space”
Brazilian filmmaker on dreams, disappointment, family and what Jair Bolsonaro has done to his country.
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Features‘Belle’ creator Mamoru Hosoda on global collaboration, Japanese cinema and advances in computer animation
“I always liked the underlying story of Beauty And The Beast,” says Hosoda about the fairy tale on which Belle is loosely based.
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Features‘No Time To Die’ sound team describe the “unique magic on set… that’s very hard to create afterwards”
Simon Hayes had a special plan for the film’s Jamaican club scene in No Time To Die.
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Features13 UK films to tempt festival directors in 2022
Includes new titles from Joanna Hogg and Florian Zeller, plus debuts from Prasanna Puwanarajah and Charlotte Regan.
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FeaturesCinematographer Ari Wegner on her year with Jane Campion making 'The Power of the Dog'
“Her only caveat was she wanted someone who would be up for being with her for the entire year before we shot,” recalls Wegner.
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Features“I was not supposed to be a director!”: Patrick Imbert on adapting ‘The Summit Of The Gods’ for French cinema
Immersive, emotive and stunningly atmospheric, The Summit Of The Gods is a hand-drawn animated film that recreates the scale, splendour and savageness of Mount Everest.