All Features articles – Page 114
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Features
Why ‘Dune’ hair and make-up stylist Donald Mowat avoids relying on special effects
It fell on Donald Mowat to ensure no ringlet, skin tone, blemish or tribal marking was out of place on the Legendary/Warner Bros tentpole.
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Features
'Ron’s Gone Wrong': the team behind new UK animation studio Locksmith discuss its first feature
It was more than 10 years ago that writer/director Sarah Smith hit on the idea of creating a UK-based animation studio that could rival the output of US powerhouses such as Disney and Pixar.
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Features
UK awards campaigners react to the Bafta 2022 longlists
“What happened to Joanna Hogg’s The Souvenir: Part II?” asks one.
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Features
‘Encanto’ filmmakers talk working with Lin-Manuel Miranda to create "a definitive Latin American Disney musical"
The filmmaking team talks to Screen about their journey of cultural enchantment.
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Features
Siân Heder on ‘Coda’ success: “I hope it means more stories like this get told”
Writing and directing a film about a deaf family was one steep learning curve for Sian Heder.
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Features
Steven Knight on writing ‘Spencer’: “I wanted a happy ending”
“I didn’t want it to be unsympathetic to the royal family,” says Spencer screenwriter Steven Knight.
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Features
Lin-Manuel Miranda talks directing ‘Tick, Tick…Boom!’, working with Netflix, other 2021 projects
A writer, performer and now debut filmmaker who has a hand in no fewer than four of the titles jockeying for attention during this busy awards season.
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Features
Five talking points from the Bafta Film Awards 2022 longlists
Impact of longlists, studios vs. streamers… and where are the British films?
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Features
NFTs: just a craze, or a gamechanger for the content industries?
A group of Hong Kong companies are trying to turn the craze into a business model for the content industries.
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Features
Maggie Gyllenhaal on directing ‘The Lost Daughter’: "No one had to come to me with a spoonful of bullshit sugar"
“I know I want to be a director. I know I want to write. And I don’t know if I want to keep acting.
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Features
UK-Ireland box office sees big rise in 2021, but female directors, indie films worryingly absent
“If anybody had offered these kinds of numbers for 2021, we would have bitten their hand off.”
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Features
How the Covid lockdown inspired Kenneth Branagh to make ‘Belfast’
As a director, Kenneth Branagh has long been comfortable switching between big-budget studio pictures and smaller, more intimate productions
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Features
Nine talking points for the global film industry in 2022
The struggles of indie films, shrinking theatrical windows and two full years of Covid uncertainty.
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Features
North American box office up 100% in 2021, but it was a tough year for indie distributors
Older, more affluent patrons were slow to get back into the filmgoing habit after cinemas began to open their doors.
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Features
Can French cinema repeat its stellar 2021 festival run?
The annual Unifrance Rendez-Vous in Paris, which runs January 11-17, will provide some clues.
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Features
Rebecca Hall on the personal journey behind her directing debut ‘Passing’
Rebecca Hall’s personal journey to making her directing debut Passing started some 17 years ago.
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Features
Denis Villeneuve talks “taxing” ‘Dune’ shoot, identifying with Paul Atreides, sequel plans
Denis Villeneuve has been obsessed by Dune since reading Frank Herbert’s book as a teenager, four decades ago.
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Features
‘King Richard’ director Reinaldo Marcus Green: “We didn’t want to sugarcoat anything”
Reinaldo Marcus Green may never have been a teenage tennis phenomenon, but he still brought an athlete’s perspective to King Richard.
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Features
‘The Power Of The Dog’ director Jane Campion talks casting Benedict Cumberbatch, switching shoot to New Zealand
Growing up in Wellington, New Zealand, Jane Campion and her friends used to sit atop grocery boxes and pretend they were riding horses
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Features
Five talking points for the UK industry in 2022
Public film funds, UK exhibitors and indie producers all face challenges heading into the new year.