All Screen articles in February 24 2017 – Page 53
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News
Berlinale sets out position on freedom of expression, showing support for Palestine ahead of 2025 edition
The festival has published a Q&A titled ‘Questions & Answers for a Respectful and Open Dialogue During the Berlinale’.
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Features
Berlinale Pro head Tanja Meissner on her vision for EFM, working closer with the festival
Meissner delivers her first European Film Market this week.
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News
Marcelo Caetano’s Cannes Critics Week title ‘Baby’ closes UK theatrical deal (exclusive)
Film about a young man abandoned by his parents who turns to sex work on the streets of Sao Paolo is sold by M-Appeal.
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News
Bafta Elevate 2025/26 cohort includes ‘Mr Gay Syria’, ‘Kanaval’ directors
The cohort comprises documentary and factual filmmakers from underrepresented backgrounds.
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Features
Zoe Saldaña on the “therapeutic” experience of making ‘Emilia Perez’
The actress describes how being the daughter of immigrants gave her a special affinity for the role of Rita.
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Features
Oscar-nominated cinematographer Ed Lachman on striving for a “heightened reality” in Pablo Larrain’s ‘Maria’
The cinematographer received the only Oscar nomination for Pablo Larrain’s Maria Callas biopic.
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News
International producers join Oscar nominees list after Academy designations
Producers designated in the best picture, animated feature and documentary feature categories.
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News
Blue Fox EFM-bound with Ed Harris, Jessica Lange in ‘Long Day’s Journey Into Night’ (exclusive)
Jonathan Kent directs new version of Eugene O’Neill stage classic, set to world-premiere in Dublin this month.
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News
‘Cam Sehpa,’ Turkish remake of ‘The Coffee Table,’ wraps for MorbidoGate
Project originated from a genre IP showcase at the Cannes festival.
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News
Vietnam hit ‘The Real Sister’ lands US, ANZ sales ahead of EFM
Skyline Media will introduce the title to buyers in Berlin
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News
‘Hitman 2’ holds Korea box office lead as ‘Nocturnal’ opens in third
Mystery romance ‘Secret: Untold Melody’ continued to perform in second.
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News
Entertainment Squad adds ‘Lavender Men’ to sales slate (exclusive)
A US release through LGBTQ label PrideFlix is set for the spring.
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Features
How ‘Black Box Diaries’ filmmaker Shiori Ito took control of her own story
A survivor of a 2015 sexual assault, Shiori Ito chose to tell her own story with her film Black Box Diaries. She tells Screen why it was vital to shine light on her life’s darkest moment.
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Features
Australia’s Troy Lum on his distribution and production businesses: “Supporting creativity is my aim”
Australian distributor Troy Lum is a key buyer of international and arthouse films through Kismet, and he produces too — now through Brouhaha Entertainment. He explains how he maintains his portfolio.
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Features
James Mangold breaks down four key scenes from ‘A Complete Unknown’: “Our special effect is Timothee Chalamet”
Bob Dylan drama A Complete Unknown is a story about the collision between a musical genius and a world in thrall to him. Writer/director James Mangold discusses four key scenes.
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Features
“We are dying to find a comedy”: UK sellers talk hopes for EFM
While sellers are all feeling enthusiastic about a trip to EFM, there are challenges facing both the global and local industries that are weighing heavily on their minds.
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News
CAA Media Finance, Jean-Felix Dealberto board Berlin-bound thriller ‘After This Death’ (exclusive)
The film is produced by David Hinojosa’s 2AM and Anita Gou’s Kindred Spirit.
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News
‘Dog Man’ barks up £3.2m to top UK-Ireland box office; ‘Macbeth’, ‘September 5’ in top five
‘A Complete Unknown’ nears £10m; ‘The Brutalist’ holds well again to overtake awards favourites.
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News
First look at Carmen Maura in psychological horror ‘Vieja Loca’ (exclusive)
Spain’s JA Bayona produces the film directed by first-time Argentinian filmmaker Martin Mauregui.
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Features
Felicity Jones explains why she studied the work of Anthony Hopkins to prepare for ‘The Brutalist’
Delays to the shoot gave Felicity Jones valuable time to prepare for Brady Corbet’s epic drama The Brutalist. It was a role worth waiting for, she tells Screen.