Latest – Page 438
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FeaturesAustralia: a brand new day?
Editor Mike Goodridge introduces Screen’s Australia territory focus.
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Features
Tribeca takes on distribution
The ambitious Tribeca Film Festival (April 21-May 2) is exploring ways of reaching out to audiences far beyond its New York base. Jeremy Kay reports
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FeaturesThe bigger picture
Blacklight Transmedia has ambitious plans to create original franchises that can be exploited across multiple platforms ― and has a rare first-look deal with Imagine Entertainment. Jeremy Kay reports.
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FeaturesFestivals cope with ash cloud chaos
Festivals on both sides of the Atlantic had to scramble to re-organise events in light of the volcanic travel chaos; Cannes says it will watch “the evolution of the situation.”
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FeaturesAvatar helps Chinese box office grow 134% during first quarter
The Chinese film market has demonstrated an explosive growth in the first quarter of 2010, also thanks to local hits.
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FeaturesSenn Moses
The managing director of Cimarron Group Asia talks to Liz Shackleton about introducing aspects of Western-style marketing to Asia.
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FeaturesGabriele Salvatores
Oscar-winning director Gabriele Salvatores tells Andreas Wiseman about mixing fantasy and reality in his latest film, Happy Family.
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FeaturesWeekly International Box Office - April 16-18
ScreenDaily brings you the weekly international box-office news.
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Features
Screen's Global Top 10 - April 16-18
Screen International’s top 10 films worldwide this weekend.
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Features
The specialised space race
The UK’s specialist distributors are competing to secure screens for their arthouse and foreign-language fare in a squeezed exhibition sector. Geoffrey Macnab reports.
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FeaturesA sporting chance
The soccer World Cup in South Africa (June 11-July 11) will attract global audiences in their billions. How will international distributors compete? Jeremy Kay reports
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FeaturesThe track record behind the Title
The last year may have seen some costly underperformers in The Boat That Rocked and Green Zone but, as Leonard Klady reports, Universal-owned Working Title Films can draw on a stellar track record and a series of franchises to move forward.
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FeaturesThe European property market
This month, Screen begins ongoing coverage of the European book scene - always a fertile hunting ground for movie producers. Patricia Dobson previews 30 of the tastiest unoptioned books and graphic novels set for publication in 2010-11.
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FeaturesShooting for the stars
Despite a tough market, event film and mini-series still make sense for European broadcasters keen to build audience loyalty. But attracting high-profile talent can be vital for financing and sales. Andy Fry reports
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FeaturesThe small screen’s big guns
High-end TV movies and mini-series are becoming more ambitious in scope, and increasingly use high-profile theatrical talent on both sides of the camera. On the eve of MIP-TV (April 12-16), John Hazelton explores the evolution of the event TV business in the US.
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Features
Direct response unit
The UK Film Council’s latest three-year plan, launched on April 1, is designed to meet the needs of an industry facing mounting market challenges. Chief executive officer John Woodward explains strategy to Mike Goodridge
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FeaturesBetting on the box office?
This week, a US Commission will vote on whether a film’s projected box office takings should be traded on a futures exchange. Jeremy Kay looks at the implications.
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FeaturesWhy libraries are losing value
With the MGM and Miramax catalogues both on the block, John Hazelton explores the health of the dwindling library business and looks at whether emerging platforms will improve revenues