All articles by Michael Rosser – Page 125
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Broad Green acquires 'The Infiltrator' for US
Brad Furman’s crime thriller stars Bryan Cranston and Diane Kruger.
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Mike Leigh’s 'Pirates of Penzance' breaks box office records
Live cinema broadcast has generated more than $1m at the UK box office to date.
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Cannes: NonStop rounds-up deals
Acquisitions include Cannes Classics title Ingrid Bergman - In Her Own Words.
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'Moscow Never Sleeps' acquired for Russia
Exponenta Film takes distribution rights to Johnny O’Reilly feature.
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Cannes: CMG acquires 'Mustang' for US
Turkish feature plays in Directors’ Fortnight at Cannes Film Festival.
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Cannes: Edge enters 'Valley of Love', 'Palio
Cannes Competition title stars Isabelle Huppert and Gerard Depardieu.
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Ealing Studios acquires 'GreenAcre Films' stake
Ealing Studios has acquired a significant stake in TV and film company GreenAcre Films and forged a new creative partnership with the company that will see Ealing Studios expand its TV division.
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Colin Firth's Donald Crowhurst film begins shoot
Story of amateur sailor who attempted to sail around the world begins UK shoot.
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India's 'The Fort (Killa)' heads to France
Indian feature strikes France and French-speaking territories deal.
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Cannes title ‘Rams’ finds more homes
New Europe Film Sales has secured further sales of Un Certain Regard title Rams (Hrútar).
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'What’s Between Us' sold to Germany, Austria
What’s Between Us acquired for Germany and Austria by Pro-Fun Media Filmverleih.
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Anti-piracy law could “destroy” Russian film business
New anti-piracy measures in Russia risk destroying the film and TV industries, according to a Cannes panel.
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Vinterberg’s 'The Commune' scores sales
Spain and Korea among territories to secure distribution.
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'Macbeth' gets awards season release date
Michael Fassbender, Marion Cotillard drama to world premiere at the Cannes Film Festival this weekend.
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Cannes title 'Nahid' sold into Europe, LatAm
Un Certain Regard title Nahid has been picked up across Europe and Latin America.
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Cannes: ‘Louder Than Bombs’ drops into Screen Jury Grid
Joachim Trier’s English-language debut delivers a solid score but fails short of the current leader.