All articles by John Hazelton – Page 85
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News
Franklin to direct City of Night for Meyers
Meyers Media Group and McDonald Entertainment are to co-finance City of Night, a thriller to be directed by Carl Franklin.
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News
Two Lefts unveils development projects
Two Lefts Don’t Make A Right Productions has announced new development projects involving director Doug Liman, actor Stanley Tucci and comics creator Stan Lee.
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News
Gravitas signs 100th operator deal
Gravitas Ventures, a distributor of independent films and documentaries to the North American VOD marketplace, has signed a licensing deal with Shaw Communications that will bring the cable operator 30 hours of film content a month.
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News
MIB3 corrals $132m at international box office
Men in Black 3 took over box offices worldwide this weekend, opening with an estimated $132m internationally and an estimated $55m in North America for a global tally of $187m.
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News
Kim named Korean marketing director at Fox
Twentieth Century Fox has appointed Elan Kim marketing director, Korea.
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News
Shadow People to Anchor Bay for North America, UK and Australia
Anchor Bay Films has acquired all rights for North America, the UK and Australia/New Zealand to ShadowPeople from Arclight Films.
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News
MIB3 topples Avengers at US box office
Sony’s Men in Black 3 finally knocked Marvel’s The Avengers off the top of the North American box office chart this weekend, opening over three days with an estimated $55m.
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Features
Kiarostami's Like Someone goes to Sundance Selects for US
Sundance Selects is acquiring all US rights to Abbas Kiarostami’s Cannes competition entry Like Someone in Love.
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News
Indomina takes US on Holy Motors
The Indomina Group has acquired US distribution rights to Leos Carax’s French drama Holy Motors.
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News
Reality goes to Oscilloscope for US
Oscilloscope Laboratories has acquired US rights to Matteo Garrone’s Cannes competition film Reality.
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News
IFC Midnight gets Taste of Money for North America
IFC Midnight is acquiring North American rights to The Taste of Money, director Im Sang-Soo’s Cannes competition entry.
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