Latest – Page 32
-
-
Reviews‘Framing Agnes’: Sundance Review
Reframing trans history as a community conversation via ‘chat show’ device
-
Reviews‘2nd Chance’: Sundance Review
Ramin Bahrani takes a fascinating, surprising look at US body armour company Second Chance
-
Reviews‘Call Jane’: Sundance Review
Elizabeth Banks and Sigourney Weaver anchor Phyllis Nagy’s timely 1960s abortion drama
-
Reviews‘Master’: Sundance Review
A traditional American college is the setting for Mariama Diallo’s confident blend of social commentary and horror
-
Reviews‘Downfall: The Case Against Boeing’: Sundance Review
Source: Courtesy of Sundance Institute | photo by Netflix ‘Downfall: The Case Against Boeing’
-
Reviews‘Riotsville, U.S.A.’: Sundance Review
Sierra Pettengill’s impressive archival doc traces the recent history of America’s militarised response to unrest
-
Reviews‘892’: Sundance Review
A superb John Boyega joins a strong cast in Abi Damaris Corbin’s military veteran drama
-
Reviews‘Fresh’: Sundance Review
Mimi Cave explores the dark side of modern dating in her visceral debut
-
Reviews‘Mars One’: Sundance Review
Vivid, Black working-class drama from Brazil has niche breakout appeal
-
Reviews‘Emergency’: Sundance Review
Timely social commentary satire falls short of its subject’s worthy mark
-
Reviews‘A Love Song’: Sundance Review
Dale Dickey and Wes Studi’s intimate performances anchor arthouse debut
-
Reviews‘Fire Of Love’: Sundance Review
Miranda July narrates sensitive tribute to French volcanologists
-
Reviews‘When You Finish Saving The World’: Sundance Review
Jesse Eisenberg makes his directorial debut with this biting family drama
-
Reviews‘Scream’: Review
For all its cheeky self-reflexivity, this ‘Scream’ actually has a lot on its mind
-
-
Reviews‘The Matrix Resurrections’: Review
Keanu Reeves and Carrie-Anne Moss reunite for another spin around the simulation
-
Reviews‘Spider-Man: No Way Home’: Review
Peter Parker can’t erase his own destiny in Marvel’s touching final act
-
Reviews‘The Sea Ahead’: Red Sea Review
Ely Dagher’s striking first feature is a poetic look at a woman who returns home, finding a city she no longer recognises
-
Reviews‘Don’t Look Up’: Review
An all-star cast can’t dig Adam McKay’s ironic disaster movie out of a comet-sized hole