Latest – Page 105
-
FeaturesCosta Rican filmmakers celebrate success on the worldwide stage
Ariel Escalante Meza’s Domingo And The Mist premieres in Un Certain Regard this year.
-
FeaturesItalian buyers talk strategy, ‘wow’ movies and their best-ever deals
Screen speaks to I Wonder Pictures, Academy Two, Movies Inspired and Notorious Pictures.
-
Features‘Corsage’ producer on shooting during the pandemic
The Austrian producer of Un Certain Regard title ‘Corsage’ talks about shooting in Belgium, France, Luxembourg, Austria and Italy during a pandemic.
-
FeaturesTerritory focus: why production in Italy is thriving
Industry in Italy is forging dynamic international partnerships to compensate for a lacklustre domestic box office.
-
FeaturesHow the New Dawn production fund aims to open up the industry to marginalised filmmakers
Director Shamira Raphaela, chair of the advisory commission at New Dawn, gives us the lowdown.
-
FeaturesDirector Saim Sadiq on tackling taboos in ‘Joyland’, the first Pakistani film ever in Cannes’ official selection
‘Joyland’ is set to premiere in Un Certain Regard.
-
FeaturesThe directors of ‘God’s Creatures’ on the “radical” decision to co-direct
Saela Davis and Anna Rose Holmer’s. ‘God’s Creatures’ is screening in Cannes’ Directors’ Fortnight.
-
FeaturesArclight Films’ Gary Hamilton on why a robust sales model is best
”We’re very focused on making films wherever the best place is for the talent.”
-
FeaturesTerritory focus: Norway has much to tempt footloose productions
‘Dune’, ‘No Time Too Die’ and ’Doctor Strange’ have all shot in Norway.
-
FeaturesTerritory focus: Iceland anticipates an eruption in demand
‘Luther’ and ‘Doctor Strange In The Multiverse of Madness’ have both filmed in Iceland.
-
FeaturesWhat four key Nordic buyers are looking for in Cannes
Screen catches up with Camera Film, Fidalgo Film, NonStop Entertainment and Scanbox Entertainment Group.
-
Features‘Holy Spider’ producers on the huge challenges they faced bringing Ali Abbasi’s Cannes title to screen
The team faced years of Covid‑19 surges, shooting delays, location changes and government resistance.
-
FeaturesWhat’s driving the Nordic cinema boom?
The bumper crop of Nordic projects selected for Cannes 2022 show off an eagerness to collaborate across borders.
-
FeaturesFive Spanish sales agents talk emerging markets and tough territories
Screen speaks to Begin Again Films, Feel Content, Film Factory Entertainment, Filmax and Latido Films.
-
FeaturesAGC Studios' Bonnie Voland celebrates her 40th Cannes
“I still have the passion for it and the intensity,” says beloved marketing and publicity executive.
-
FeaturesWhat four key Spanish buyers are looking for in Cannes
Screen catches up with A Contracorriente Films, BTeam Pictures, Caramel Films and Elastica Films.
-
FeaturesAfter a triumphant Berlin, the Spanish film industry is out in force in Cannes
Spain is well-represented in the festival selections.
-
FeaturesSpain cashes in on diverse locations and increased tax rebate for film and TV production
Spain is riding high on a wave of international shoots.
-
FeaturesElectric Shadow Company heads on the UK production-finance outfit’s ambitious slate
Company launching Rupert Sanders’ The Crow remake in the Cannes market.
-
Features‘Bait’ director Mark Jenkin on his unconventional folk horror ‘Enys Men’
Jenkin was offered more conventional, bigger-budget projects after Bait, but turned them down in favour of returning to his roots,