All South Korea articles – Page 48
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Hide and Seek tops Korean box office
Next Entertainment World (NEW) has topped South Korea’s weekend box office with debut director Huh Jung’s horror thriller Hide And Seek.
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Moebius cleared for release with cuts
Maverick auteur Kim Ki-duk’s controversial Moebius has finally been given the greenlight by the Korean Media Rating Board (KMRB) for local release - with two and a half minutes cut from the original.
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Sightseers wins two at PiFan
The 17th Puchon International Film Festival (PiFan) wrapped with Ben Wheatley’s Sightseers bagging the top Best of Puchon Award as well as the Best Actress Award for Alice Lowe.
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IMAX, CJ CGV to add 35 theatres
IMAX in partnership with CJ CGV Holdings, operator of South Korea’s largest multiplex cinema chain, has announced the addition of 35 new IMAX theatres to the companies’ existing commitment in South Korea and China.
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South Korean box office hits record high
Both local and foreign films see admission jumps in the first half of 2013.
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Korea's Secretly Greatly to get US release
South Korea’s Showbox/Mediaplex has sold box office hit Secretly Greatly to Dreamwest Pictures for North America.
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South Korea, China sign tentative co-pro pact
South Korea’s Ministry of Culture, Sports and Tourism (MCST) has announced that it has signed a tentative accord on co-production with China in Seoul. The accord lays the groundwork for a Korea-China co-production treaty to be signed within the year.
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Open Road gets Nut Job
Open Road Films has acquired all US rights to the 3D animated family film The Nut Job and set a Jan 17 2014 release date.
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JS out of running for Rhythm and Hues
The beleaguered US effects house said on Tuesday [19] that the South Korean bidder JS Communications indicated it will miss the Mar 19 deadline set by the bankruptcy court to execute a sale agreement in connection with its stalking horse bid.
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Korean company eyes Rhythm & Hues
The beleaguered Oscar-winning Los Angeles-based VFX house has caught the eye of South Korean entertainment and media company JS Communications.
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Liam Neeson joins The Nut Job
Liam Neeson has joined the all-star voice cast on Canadian animator ToonBox Entertainment and South Korea-based Redrover Co’s animation comedy The Nut Job.
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Schwarzenegger to open Busan West
Kim Jee-woon, Arnold Schwarzenegger and screenwriter and Dodge College alumnus Andy Knauer will open the Busan West Film Festival, set to run from Mar 8-10.
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Jeonju names int'l Competition jury
South Korea’s Jeonju International Film Festival (JIFF) has announced award-winning Kazakhstani film-maker Darezhan Omirbayev will head its International Competition jury this year.
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Well Go buys New World
Well Go USA Entertainment announced on Thursday [13] it had acquired all North American rights in Berlin to Hoon-jung Park’s South Korean action thriller.
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Korean admissions up 21.9% to 195m
South Korean box office admissions jumped a massive 21.9% in 2012 compared to the year before, according to a recent Korean Film Council (KOFIC) report.
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Busan West expands programme, launches competition
The annual pan-Asian film festival staged by Chapman University’s Dodge College of Film And Media Arts in partnership with South Korea’s Busan International Film Festival takes place from Mar 8-10 in California.
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Annapurna Pictures to finance Lady Vengeance adaptation
Megan Ellison and Annapurna will finance the Charlize Theron starring vehicle and produce Sympathy For Lady Vengeance alongside Theron’s Denver & Delilah Films and CJ Entertainment. Panorama Media will handle international sales.
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IMAX adds 15 theatres to South Korea’s CJ CGV Holdings circuit
The expanded revenue share deal will add 15 IMAX theatres to China and will bring the number of the company’s theatres in South Korea and China to 65.
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Fortissimo's Touch of the Light sells to Cinema de Manon for Korea
Taiwan’s official submission to the Academy Awards to be released this coming spring in Korea.
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Well Go USA swoops on North American rights to The Thieves
Choi Dong-hoon’s South Korean heist thriller was a summer smash in its home country where it reportedly generated more than 10m admissions – the first film to do so since tsunami action film Haeundae three years ago.