All articles by Wendy Ide, Senior international critic – Page 20
-
Reviews‘Into The Ice’: CPH:DOX Review
CPH:DOX opens with an overwhelming experience of glaciology and climate change in Greenland
-
Reviews‘I Love My Dad’: SXSW Review
SXSW-winner takes cringe comedy to the next level when a hapless father catfishes his own son
-
Reviews‘It Is In Us All’: SXSW Review
Cosmo Jarvis explores the complexity of masculinity in Antonia Campbell-Hughes’ Irish dramatic feature debut
-
Reviews‘Attica’: Review
Academy-award nominated documentary gives a voice to the silenced men of the Attica prison uprising of 1971
-
Reviews‘Wake Up Punk’: Glasgow Review
The spirit of punk lives on in Nigel Askew’s documentary featuring Joe Corré and the Westwood-McLaren clan
-
Features‘Parallel Mothers’ star Penelope Cruz on her intense working relationship with Pedro Almodovar
Penelope Cruz has made seven feature films with Pedro Almodovar over the past 25 years.
-
Reviews‘Her Way’: Glasgow Review
Laure Calamy’s fiery César award-nominated performance drives Cécile Ducrocq’s spirited first feature
-
Reviews‘Ashgrove’: Glasgow Review
Dystopian melodrama from Canada uses improvised acting to explore a global pandemic
-
Reviews‘Unrest’: Berlin Review
Cyril Schäublin is awarded Best Director prize in Berlin’s Encounters for his austere account of Swiss watchmaking
-
-
Reviews‘That Kind Of Summer’: Berlin Review
Belinale habitue Denis Côté returns with a frank and difficult examination of female hypersexuality
-
Reviews‘Grand Jeté’: Berlin Review
Isabelle Stever’s bold and troubling drama of a reunited mother-son relationship pushes beyond motherly love
-
Reviews‘The Passengers Of The Night’: Berlin
Charlotte Gainsbourg leads Mikhaël Hers’ gentle, optimistic drama set in 1980s Paris
-
Reviews‘Nana: Before, Now & Then’: Berlin Review
Kamila Andini’s fourth feature is a melancholy drama set during the Indonesian communist purge of the 1960s
-
Reviews‘This Much I Know To Be True’: Berlin Review
Back to stripped-down basics with Nick Cave and his long-term visual collaborator Andrew Dominik
-
Reviews‘Everything Will Be OK’: Berlin Review
Rithy Panh’s iconic figurines imagine an overthrow of the human race with little hope for the future
-
Reviews‘Flux Gourmet’: Berlin Review
Peter Strickland’s new absurdist drama of sonic caterers in artistic residence is his funniest yet
-
Reviews‘Beautiful Beings’: Berlin Review
Gudmundur Arnar Gudmundsson’s sophomore Icelandic feature finds tenderness in a cruel adolescent world
-
Reviews‘Nobody’s Hero’: Berlin Review
Alain Guiraudie’s tale of terrorism marks a tonal shift that favours stereotypes over satire
-
FeaturesBerlin 2022: Screen’s guide to the Special, Forum and Generation titles
The Berlinale unfolds this year as an in‑person event, while the European Film Market has been forced online for a second time