All articles by Dan Jolin – Page 3
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FeaturesEmmys spotlight: ‘Succession’ star Sarah Snook talks season 3’s shock ending - “I genuinely got blindsided”
The Australian actress tells Screen about her absolute trust in showrunner Jesse Armstrong
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FeaturesEmmys Spotlight: ‘Scenes From A Marriage’ showrunner on directing Oscar Isaac and Jessica Chastain
Hagai Levi has also worked on ‘In Treatment’ and ‘The Affair’.
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FeaturesBillie Eilish and Finneas O’Connell talk Oscar-nominated ‘No Time To Die’ song, writing for Pixar’s ‘Turning Red’
”You get to pretend you’re a 40-year-old spy who’s had his heart broken. What a thrill to write from that perspective!”
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FeaturesQuestlove on the mammoth editing challenge of ‘Summer Of Soul’
Questlove’s documentary about ‘the Black Woodstock’ condenses 40 hours of concert footage down into an Oscar-nominated feature.
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FeaturesAlana Haim on her toughest ‘Licorice Pizza’ scene, future acting plans
Alana Haim has tasted musical success with her siblings in the band Haim, but she’s now receiving acting plaudits for making her movie debut in Paul Thomas Anderson’s latest.
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FeaturesThe movie musical's changing fortunes at the Oscars - and what next for the genre
The movie musical’s relationship with the Oscars dates all the way back to 1930, and several song-powered titles are in the mix for awards this year.
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FeaturesLady Gaga on the truth behind her Method approach to ‘House of Gucci’
The pop icon spent months in character while making Ridley Scott’s Italian fashion world crime epic.
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FeaturesGuillermo del Toro on his close collaboration with Bradley Cooper on ‘Nightmare Alley’: “It changed the way I shoot things”
del Toro’s ‘The Shape of Water’ won four Oscars in 2018, including best film and best director.
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Features‘Everything Everywhere All At Once’ production designer on creating film’s multiverse
The film’s production designer Jason Kisvarday talks to Screen.
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Features“I was not supposed to be a director!”: Patrick Imbert on adapting ‘The Summit Of The Gods’ for French cinema
Immersive, emotive and stunningly atmospheric, The Summit Of The Gods is a hand-drawn animated film that recreates the scale, splendour and savageness of Mount Everest.
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FeaturesHow the Covid lockdown inspired Kenneth Branagh to make ‘Belfast’
As a director, Kenneth Branagh has long been comfortable switching between big-budget studio pictures and smaller, more intimate productions
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FeaturesDenis Villeneuve talks “taxing” ‘Dune’ shoot, identifying with Paul Atreides, sequel plans
Denis Villeneuve has been obsessed by Dune since reading Frank Herbert’s book as a teenager, four decades ago.
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FeaturesLea Seydoux on defying convention: “I’ve always expressed myself in a way that’s not like other actresses”
The French actress on fitting in with the retro-toned worlds of Wes Anderson films and providing a modern flavour to Bond.
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FeaturesIn conversation: Maria Schrader, Dan Stevens talk sci-fi romance ‘I’m Your Man’
Director Schrader looked to the UK’s Stevens — in his first lead role in German — to play a lifelike robot. The pair discuss classic screwball comedies and the collision of human and machine.
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FeaturesEmmys spotlight: Hugh Grant talks ‘The Undoing’ and shedding his nice-guy image
“The nice guy of the Richard Curtis films, he died 20 years ago.”
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FeaturesHow the ‘News Of The World’ production designer made one set into four different towns
David Crank added Paul Greengrass to a list of collaborators that includes Terrence Malick and Paul Thomas Anderson.
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FeaturesThe story behind Bafta-winning documentary ‘My Octopus Teacher’
The uplifting tale of a man recovering from depression through his bond with a sea creature has taken the world by surprise, charming audiences and awards voters alike.
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Features‘Nomadland’ producers explain how the unorthodox project came together
Nomadland’s journey to the screen began with friendships forged during the 2017 awards season.
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FeaturesIn conversation: ‘Saint Maud’ director, stars talk trickiest moments, Covid era relevance
Rose Glass, Morfydd Clark and Jennifer Ehle discuss the Bafta-nominated UK indie hit.
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FeaturesHow ‘Promising Young Woman’ overcame challenges and controversy
“We’re always looking for something that could be where culture may be going.”
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