All articles by Dan Jolin – Page 3
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Features
Guillermo del Toro on his close collaboration with Bradley Cooper on ‘Nightmare Alley’: “It changed the way I shoot things”
del Toro’s ‘The Shape of Water’ won four Oscars in 2018, including best film and best director.
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‘Everything Everywhere All At Once’ production designer on creating film’s multiverse
The film’s production designer Jason Kisvarday talks to Screen.
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Features
“I was not supposed to be a director!”: Patrick Imbert on adapting ‘The Summit Of The Gods’ for French cinema
Immersive, emotive and stunningly atmospheric, The Summit Of The Gods is a hand-drawn animated film that recreates the scale, splendour and savageness of Mount Everest.
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Features
How the Covid lockdown inspired Kenneth Branagh to make ‘Belfast’
As a director, Kenneth Branagh has long been comfortable switching between big-budget studio pictures and smaller, more intimate productions
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Denis Villeneuve talks “taxing” ‘Dune’ shoot, identifying with Paul Atreides, sequel plans
Denis Villeneuve has been obsessed by Dune since reading Frank Herbert’s book as a teenager, four decades ago.
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Lea Seydoux on defying convention: “I’ve always expressed myself in a way that’s not like other actresses”
The French actress on fitting in with the retro-toned worlds of Wes Anderson films and providing a modern flavour to Bond.
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In conversation: Maria Schrader, Dan Stevens talk sci-fi romance ‘I’m Your Man’
Director Schrader looked to the UK’s Stevens — in his first lead role in German — to play a lifelike robot. The pair discuss classic screwball comedies and the collision of human and machine.
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Features
Emmys spotlight: Hugh Grant talks ‘The Undoing’ and shedding his nice-guy image
“The nice guy of the Richard Curtis films, he died 20 years ago.”
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How the ‘News Of The World’ production designer made one set into four different towns
David Crank added Paul Greengrass to a list of collaborators that includes Terrence Malick and Paul Thomas Anderson.
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Features
The story behind Bafta-winning documentary ‘My Octopus Teacher’
The uplifting tale of a man recovering from depression through his bond with a sea creature has taken the world by surprise, charming audiences and awards voters alike.
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Features
‘Nomadland’ producers explain how the unorthodox project came together
Nomadland’s journey to the screen began with friendships forged during the 2017 awards season.
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Features
In conversation: ‘Saint Maud’ director, stars talk trickiest moments, Covid era relevance
Rose Glass, Morfydd Clark and Jennifer Ehle discuss the Bafta-nominated UK indie hit.
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How ‘Promising Young Woman’ overcame challenges and controversy
“We’re always looking for something that could be where culture may be going.”
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Features
“There are still attempts to stifle what it is to be black”: Daniel Kaluuya, LaKeith Stanfield on ‘Judas And The Black Messiah’
Judas And The Black Messiah is a drama that arrives with added contemporary resonance.
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Features
Aaron Sorkin on why ‘The Trial Of The Chicago 7’ "suddenly became relevant" in the age of Trump
Screenwriter Aaron Sorkin took on the biggest challenge of his career when he stepped up to direct expansive true-life drama ‘The Trial Of The Chicago 7’.
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Features
Anya Taylor-Joy on making a personal breakthrough in 2020 with ‘Emma’ and ’The Queen’s Gambit’
The double Golden Globe nominee tells Screen how those experiences have changed the way she feels about herself and her craft.
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Features
Cartoon Saloon founders talk ‘Wolfwalkers’, future plans: “We’re not interested in being giants”
Screen talks to its three co-founders about future plans and their acclaimed awards contender Wolfwalkers
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Features
Amanda Seyfried talks escaping mainstream musicals and comedies with ‘Mank’
The US actress talks escaping mainstream musicals and comedies in David Fincher’s portrait of 1930s Hollywood.
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Features
WSA guest of honour Alexandre Desplat reflects on his illustrious composing career
The composer is nominated as WSA film composer of the year for his ’Little Women’, ‘J’Accuse’ and ‘Adults In The Room’ scores.
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Features
Tense meetings, setbacks and a rising budget: the epic struggle to make ‘The Irishman’
Screen talks to the producer team about bringing the Mafia true tale to life.
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