All Interview articles – Page 79
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FeaturesSquareOne Entertainment talks growing production
As German films continue to wow local audiences, distributor SquareOne Entertainment is expanding into production and decreasing the number of international films it buys.
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FeaturesKen Adam in his own words
In an interview made available to Screen, the iconic Oscar-winning production designer, who died earlier this month, recalls working on eight Bond films and with Stanley Kubrick.
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FeaturesIrene Taylor Brodsky, 'Beware The Slenderman'
The SXSW premiere tells the true story of the internet’s elusive Boogeyman and the two 12-year-old girls who believed they had to kill for him and asks, who is responsible?
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FeaturesJeff Nichols on the making of 'Midnight Special'
On the back of buzzy premieres in Berlinale and most recently SXSW, Jeff Nichols has earned acclaim for his fourth film, which marks his first collaboration with a major studio and makes its way into US cinemas on Friday through Warner Bros.
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FeaturesDuncan Kenworthy talks his under-the-radar strategy for 'The Pass'
How the Love Actually producer guided the gay-footballers chamber piece from Royal Court sell-out to BFI Flare opening-night film.
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FeaturesTi West talks SXSW revenge Western 'In A Valley Of Violence'
The genre director known for horror titles The House Of The Devil and The Innkeepers has just wowed SXSW with his Western starring Ethan Hawke as a mysterious drifter and John Travolta as a ruthless, one-legged marshall.
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FeaturesAnne Hamilton, 'American Fable'
Jeremy Kay talks to the first-time feature director and former Terrence Malick intern about her SXSW selection, which premieres in Visions on Sunday.
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FeaturesAlex Taylor, 'Spaceship'
The British director’s SXSW short Kids Might Fly won a special jury prize in 2010 and he returns to Austin, Texas, with a story of alien abduction and teen angst.
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FeaturesAdam Pinney, 'The Arbalest'
Mike Brune stars in the SXSW Narrative Feature Competition selection as Foster Kalt, a toy inventor who reflects on his lifelong obsession with one Sylvia Frank.
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FeaturesJake Oelman and Robert Oelman, 'Learning To See'
Jake Oelman on his SXSW film about his father Robert, a former psychologist who left his life behind to move to Colombia where he spends his days photographing rare insects.
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FeaturesMike Flanagan and Trevor Macy, 'Hush'
Director Mike Flanagan and producer and Intrepid Pictures principal Trevor Macy talk to Jeremy Kay about their latest horror film and Netflix acquisition ahead of its world premiere at SXSW on Saturday.
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FeaturesOutpostVFX founder on growing business outside of London
By moving out of London, investing in new talent and pioneering free software Bournemouth-based OutpostVFX is attracting a range of US indies.
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FeaturesGregori Viens, 'And Punching The Clown'
Ahead of the world premiere in SXSW in 24 Beats Per Second on March 13, the director talks to Jeremy Berkowitz about grounding his films in reality, the impact of social media, and titles that start with the letter “A”.
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FeaturesAmr Waked on 'The Marriott Cell'
Lucy star Amr Waked explains why he was drawn to the adaptation of Mohamed Fahmy’s jail memoir The Marriott Cell and discusses upcoming films.
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FeaturesHow one US distributor scored 35 César nominations
Cohen Media Group talks acquiring European Oscar and César hopefuls and its expansion into exhibition.
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FeaturesHow Simon Fitzmaurice battled MND to make 'My Name Is Emily'
A diagnosis of motor neurone disease did not thwart Simon Fitzmaurice’s ambitions to make his first feature, which has gone on to score awards and distribution deals.
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FeaturesNew Sparta Films: strength in numbers
New Sparta Films MD Nicki Hattingh reveals the company’s roadmap for future growth.
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FeaturesBerlin Q&A: Rafi Pitts, 'Soy Nero'
The Iranian film-maker discusses his competition entry about ‘Green Card soldiers’ and living in exile from his home country.
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NewsBerlin head Dieter Kosslick talks refugees, future changes
Berlinale director discusses Meryl Streep, Fire At Sea and the digital future.
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FeaturesBerlin Q&A: Gianfranco Rosi, 'Fire At Sea'
Screen spoke to the director about the unique process of making his documentary about the migrant crisis, and how he didn’t emerge from the process unscathed.