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‘Growth Of The Soil’ review: Herbert Nordrum and Asta Kamma August are exceptional in visceral Norwegian period drama
Hans Petter Moland’s deliberate, meticulous film has been selected as Norway’s official Oscar submission
‘In My Father’s Room’ review: A woman gets to know her late father in delicate debut from Japanese novelist-turned-filmmaker Maha Harada
Yu Aoi and Issey Ogata star in the film, which premieres in San Sebastian competition
‘Ghost Song’ review: Fatih Akin’s San Sebastián opener is emotionally satisfying supernatural romance
A strong perormance from newcomer Mariam Dawoud anchors Akin’s tender Hamburg-set love story
‘Shaun The Sheep: The Beast Of Mossy Bottom’ review: Aardman’s Halloween adventure is a spooky stop-motion delight
Shaun and his flock are faced with a monstrous problem in a charming family adventure
‘It’s My Time’ review: Michelle Yeoh charms as a Chinese septuagenarian Rubik’s Cube champ in uplifting real-life drama
Bai Xue’s drama has its North American premiere as a Toronto Gala Presentation
‘Resident Evil’ review: Zach Cregger follows ‘Weapons’ with high-octane, back-to-basics reboot of hit video game franchise
Austin Abrams impresses in Sony’s darkly funny horror actioner which rolls out globally from September 16
‘Bad Lieutenant: Tokyo’ review: Takashi Miike’s muddled addition to the bad cop franchise lacks his signature flair
The film follows Abel Ferrara’s ’Bad Lieutenant’ and Werner Herzog’s ’Bad Lieutenant: Port Of Call New Orleans’
‘A Talent For Murder’ review: Helen Mirren is spiky author Patricia Highsmith in Anton Corbijn’s underwhelming thriller
Alden Ehrenreich and Olivia Cooke also star in the director’s Toronto Gala premiere
‘Paradise Lost’ review: Yeon Sang-ho’s AI thriller struggles to bring its provocative premise to life
The Train to Busan director explores grief through virtual reality in an uneven high-concept mystery
‘Angh’ review: A vivid, haunting 1960s-set elegy for an Indian community facing cultural erasure
Theja Rio’s powerful debut explores the spiritual cost of assimilation in a remote Nagaland village
‘Salvation’ review: Assured Scottish influencer drama is driven by sterling performance from Liam Harkins
Tom Nicoll’s sensitive, insightful feature premieres in Toronto’s Discovery strand
‘Onwards And Sideways’ review: Rhys Ifans and Laura Linney form a bittersweet bond in John Madden’s poignant Parkinson’s drama
Madden’s latest work premieres in Toronto before opening in the UK on November 16
‘Alpha Gang’ review: Chris Pine, Léa Seydoux and Cate Blanchett are stylish alien invaders in diverting, overstretched sci-fi
Dave Bautista, Lily-Rose Depp and Riley Keough also star in the Zellner brothers’ follow-up to ‘Sasquatch Sunset’
‘Prima Facie’ review: Cynthia Erivo takes the stand in underwhelming adaptation of acclaimed one-woman play
The film premieres in Toronto before heading to London
‘Masc’ review: A raw, unguarded performance from Joshua Griffin powers sensitive London-set study of masculinity
The bold debut feature from Swedish visual artist Bertil Nilsson bows in Toronto Platform
‘The Life And Deaths Of Wilson Shedd’ review: Amanda Seyfried and Scoot McNairy lead sober prison drama
Tim Blake Nelson’s latest feature premieres as a Toronto Gala Presentation
‘The Debut’ review: A superb Julianne Moore takes centre stage in Jesse Eisenberg’s wry community theatre comedy
Eisenberg’s follow-up to Oscar-winner ‘A Real Pain’ also stars an impressive Paul Giamatti
‘Misty Green’ review: A scorching performance from Rosalind Eleazar powers Chris Rock’s thorny Hollywood satire
Rock’s Toronto Gala Prentation also stars Adam Driver, Daniel Kaluuya and Anna Kendrick
‘I Play Rocky’ review: Peter Farrelly turns story behind Sylvester Stallone’s breakout into a sentimental, uninspiring pastiche
Anthony Ippolito plays Stallone alongside a cast that also includes Tracy Letts, Jay Duplass and AnnaSophia Robb
‘Babies’ review: Seth Rogen and Anna Kendrick face a big decision in likable LA crowdpleaser
Issa Rae and David Strathairn also star in Lauren Miller Rogen’s Toronto Gala Presentation premiere
’Brace Your Heart’ review: Quietly powerful exploration of trauma and community in a remote Swedish mountain village
Amanda Kernell follows Charter and Sámi Blood with nuanced tale of a female Sámi reindeer herder struggling to make her mark
‘Your Mother Your Mother Your Mother’ review: Mahershala Ali is outstanding as a Muslim assassin in Bassam Tariq’s audacious follow-up to ‘Mogul Mowgli’
The film premieres as a Toronto Special Presentation before heading to London
‘Up Against It’ review: Trudie Styler’s aggressively sentimental tearjerker fails to make the most of stars Antonio Banderas and Eva Birthistle
Toronto Gala Presentation title takes a glossy approach to its thorny material
‘The Assassin(s)’ review: Hur Jin-ho turns 1974 assassination attempt on South Korean president into gripping, propulsive thriller
Yoo Hai-jin, Park Hae-il and Lee Min-ho star in the director’s follow-up to ’A Normal Family’
‘Everybody Wants To F*ck Me’ review: A committed Taron Egerton boosts London-set sex comedy
Jonathan Schey’s feature debut premieres as a Toronto Special Presentation
‘Wild, Wild East’ review: Second World War thriller set in occupied Poland starts strong but can’t sustain its intrigue
Jan Holubek’s Venice Platform premiere is part Western, part noir.
‘Faith’ review: Erin Doherty and James McAvoy drive delicate, genre-fluid exploration of grief and the unknown
Paul Andrew Williams’ wrenching follow-up to Dragonfly bows as a Toronto Special Presentation
‘A Long Winter’ review: A sheltered young man faces a seismic shift in Andrew Haigh’s masterful 1950s Rocky Mountain drama
Haigh follows All Of Us Strangers and 45 Years with this atmospheric study of a splintering family
‘Lovers In The Blue Night’ review: Anapurna Roy’s modest second feature interweaves migrant lives and loves in Mumbai
Roy returns to Venice Horizons after winning the best director prize in 2025 for her debut film Songs Of Forgotten Trees
‘A Bit Of Light’ review: Ali Asgari’s profoundly affecting drama finds hope amid despair in contemporary Tehran
The Iranian filmmaker makes his Venice Competition debut with the story of a doctor pushed to breaking point
‘Sumo: Spirit Weighs Nothing’ review: Cinematic, empathetic doc gets in the ring with Japan’s most iconic sport
Erik Shirai’s absorbing film will next play London after berths in Telluride and Venice
‘Big Little Things’ review: A gay Chinese woman invents a boyfriend to appease her family in candid, personal debut
Writer/director Michelle Zhou takes inspiration from her own life for Venice Horizons drama
‘Ground Floor’ review: Absurdist Hungarian comedy effectively turns a run-down apartment block into state of the nation satire
Ádám Tompa stars in director Gábor Reisz’s follow-up to 2023 Venice Horizons winner Explanation For Everything
‘The Fire Within You’ review: Vanessa Scalera’s invigorating performance fuels Italian Christmas-from-hell drama
Edoardo De Angelis’s darkly comic feature premieres in Venice competition
‘Being Heumann’ review: Ruth Madeley impresses as US disability advocate Judy Heumann in broad period drama
Sian Heder follows CODA with cutesy dramatisation of Heumann’s 1977 San Francisco sit-in which opens Toronto
‘Stuffed’ review: Jodie Comer and Harry Melling bond over taxidermy in bold, bracing gothic musical
The debut of UK filmmaker Theo Rhys premieres in Toronto’s Discovery strand
‘NAZA’ review: Urgent, gut-punch doc from ‘No Other Land’ directors interviews Israeli operatives about their actions in Gaza
Yuval Abraham and Rachel Szor’s wrenching Venice competition film is executive-produced by Jonathan Glazer
‘Until The Day Ends’ review: Vivid if limited portrait of revolutionary youth in modern-day Serbia
Jelena Maksimović’s fiction debut relies heavily on the charisma of lead Jelena Maksimović
‘Guria’ review: Textured community portrait finds humour and hardship in post-Soviet Georgia
Levan Koguashvili’s black-and-white Venice Spotlight title finds its own distinctive rhythm amid poverty and tradition
‘The Uprising’ review: A stirring Andrew Garfield is unable to energise Paul Greengrass’s listless period drama
The writer/director’s take on England’s 1381 Peasants’ Revolt also stars Tom Hollander, Jamie Bell and Thomasin McKenzie
‘A Good Little Soldier’ review: A magnetic Alba Rohrwacher anchors Stéphane Brizé’s study of toxic workplace culture
Vincent Lindon also stars in timely, darkly comic Venice competition title
‘Dau’ review: Ilya Khrzhanovsky’s sprawling new installment in his conceptual project is an affecting study of Soviet tyranny
The Venice competition title follows previous features and a 2019 art installation
‘Place To Be’ review: Ellen Burstyn and Taika Waititi star in odd-couple comedy which never quite takes flight
Kornél Mundruczó follows up Berlin title ‘At The Sea’ with Venice out of competition premiere
‘The Color Of The Sun’ review: Sensual Okinawa-set coming-of-age tale makes for a striking, enigmatic debut
Venice Horizons title is visually assured exploration of adolescence against the tensions of contemporary Okinawa
‘I Matter’ review: Romanian children’s home drama is sometimes conventional, always authentic
Roma actress and filmmaker Alina Serban’s heartfelt feature bows in Venice Spotlight
