All articles by Jeremy Kay – Page 529
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News'Warcraft' star Travis Fimmel to lead 'All Quiet On The Western Front'
EXCLUSIVE: The Warcraft star has joined the anti-war film from Roger Donaldson.
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NewsLisa Schwartz named IFC Films/Sundance Selects co-president
The company veteran most recently served as evp of distribution, operations and business development for Sundance Selects and IFC Films and pioneered the day-and-date model.
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FeaturesArgentina: Hot projects
SCREEN SUBSCRIBERS: From domestic crime thrillers to broad comedies about debauched youth, Jeremy Kay previews a selection of the most anticipated local productions poised for release this year.
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FeaturesArgentina: Talking points
SCREEN SUBSCRIBERS: Two leading Argentinian producers and a top distributor discuss the state of the local industry and reveal their international ambitions. Interviews by Jeremy Kay.
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FeaturesArgentina: Damian Szifron interview
SCREEN SUBSCRIBERS: After the global success of Wild Tales, Argentinian writer-director Damian Szifron is taking advantage of the kudos. He tells Jeremy Kay about signing up for The Six Million Dollar Man remake.
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FeaturesArgentina: INCAA's new boss
SCREEN SUBSCRIBERS: In an exclusive interview only weeks into his four-year term as the head of Argentina’s national film body, Alejandro Cacetta speaks to Jeremy Kay about partnering with private investors, embracing a multi-platform future and working with the new government.
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NewsFilmNation to sell 'Zero Days'
Glen Basner will commence international sales in Berlin on Participant Media’s cyber warfare documentary by Alex Gibney ahead of its world premiere in competition on February 17.
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NewsMichael Robson on the rise at D Films
EXCLUSIVE: The Toronto distributor has promoted Michael Robson to senior vice-president of acquisitions and new business development.
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FeaturesArgentina: Overview - a breath of fresh air
SCREEN SUBSCRIBERS: Argentina is booming, with record admissions, dynamic directors making films local audiences are flocking to see, and widening global ambitions.
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NewsRaven Banner unveils genre quartet for EFM
EXCLUSIVE: The Toronto-based distributor and sales agent arrives at the EFM with four new titles to introduce to buyers.
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NewsEuropaCorp acquires 'The Circle'
Sources confirmed the North American deal on Tuesday that is understood to have closed for a little under $10m.
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NewsSXSW Midnighters includes 'Hush', 'Carnage Park'
Mike Flanagan’s eagerly anticipated film that thrilled buyers at a secret screening in Toronto last September is among the ten-strong genre roster in the 23rd edition of the festival, set to run from March 11-19 in Austin, Texas.
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NewsUS Briefs: Spotlight acquires int'l rights to 'Courage'
Plus: Production begins on The Last Word; Keira Knightley circles Collateral Beauty; Music Box acquires Sundance entry The Innocents; and more…
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NewsZeal Media Co launches with 'Billionaire Boys Club'
The team behind the Kevin Spacey-Ansel Elgort drama that Good Universe will be selling in Berlin have deepened their ties.
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NewsWeinsteins closing in on 'Mary Magdalene'
The company is reportedly finalising a North American rights deal for the Biblical era biopic that would see it partner once again with See-Saw Films.
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NewsCinema do Brasil promotes Panorama pair
The Brazilian promotional body will attend the EFM for the tenth consecutive year to talk up a slate of national films that includes Panorama selections Time Was Endless and Don’t Call Me Son.
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FeaturesEFM preview: changing fortunes
The Sundance plays made by Fox Searchlight for The Birth Of A Nation and Amazon for Manchester By The Sea will be hot topics at the European Film Market (EFM). Jeremy Kay explores what the deals mean for the independent sector.
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NewsCinesite opens animation studio in Montreal
Top brass at the effects and feature animation studio said on Monday the 54,000 sq ft Canadian hub – backed by Québec’s investment arm, among others – will get nine features into production and create 500 permanent jobs by 2020.
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News'Kung Fu Panda 3' rules North America on $21m
FEBRUARY 8 UPDATE: DreamWorks Animation’s latest tentpole held on to top spot as a trio of new openers arrived with a whimper including Berlinale opener Hail, Caesar! from the Coen Bros.