Latest – Page 59
-
Reviews
'Port Authority': Cannes Review
Two worlds collide in the New York kiki scene in Danielle Lessovitz’s feature debut
-
Reviews
'Zombi Child': Cannes Review
Bertrand Bonello’s latest is ’contemporary French cinema at its most conceptually ambitious’
-
Reviews
'The Climb': Cannes Review
Michael Angelo Covino makes his directorial debut with this sour bromance between two lifelong friends
-
-
Reviews
'Song Without A Name': Cannes Reviews
Impressive debut from Peru about a pregnant young mother has clear parallels with ‘Roma’
-
Reviews
'Bacurau': Cannes Review
A town - Bacurau - disappears from the map in this Brazilian mix of socio-political commentary with genre influences
-
Reviews
'A Brother's Love': Cannes Review
Un Certain Regard 2019 opens with this Canadian comedy of unease about two ultra-close siblings
-
Reviews
'Litigante': Cannes Review
Critics’ Week opens with Franco Lolli’s follow-up to ‘Gente de bien’
-
Reviews
'The Dead Don't Die': Cannes Review
Jim Jarmusch opens Cannes with a zombie feature which draws a gloomy portrait of our walking-dead existence
-
-
Reviews
'John Wick: Chapter 3 - Parabellum': Review
Keanu Reeves returns for a third outing as the taciturn assassin
-
Reviews
'Poms': Review
Diane Keaton leads this by-the-numbers cheerleader comedy set in a retirement home
-
Reviews
'Making Waves: The Art of Cinematic Sound': Cannes Review
Fascinating documentary about the history and craft of sound in cinema
-
Reviews
'Pokémon Detective Pikachu': Review
Ryan Reynolds lends his voice to Rob Letterman’s live-action Pokemon adventure
-
Reviews
'All I Can Say': Tribeca Review
A compelling documentary on alt rock band Blind Melon frontman Shannon Hoon leaves a bittersweet taste
-
Reviews
'Blow The Man Down': Tribeca Review
A fine, feminist noir finds something fishy in small-town Maine
-
Reviews
'17 Blocks': Tribeca Review
Filmmaker Davy Rothbart takes a two-decade journey with a struggling Washington D.C. family
-
-
Reviews
'Swallow': Tribeca Review
Piercing drama about womens’ rights over their own bodies marks an impressive debut from Carlo Mirabella-Davis
-
Reviews
'Recorder: The Marion Stokes Project': Tribeca Review
Quirky documentary which plays back the life of TV’s greatest and strangest archivist