Latest – Page 281
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FeaturesComposers: Johann Johannsson, 'Sicario'
Johann Johannsson’s score for Sicario rumbles and intimidates “like a beast lurching in slow motion”, he tells Tiffany Pritchard, who meets five of the composers in contention this awards season
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FeaturesComposers: Tom Holkenborg (aka Junkie XL), 'Mad Max: Fury Road'
More commonly known as Junkie XL, the Dutch composer turned to religious themes and heavy metal to score Mad Max: Fury Road
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FeaturesComposers: Alexandre Desplat, 'The Danish Girl'
The politically engaged composer discusses why he was drawn to Suffragette and The Danish Girl
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FeaturesComposers: Carter Burwell, 'Carol', 'Anomalisa'
The self-taught composer of Carol and Anomalisa used very different methods to score - and conduct - both films
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FeaturesComposers: Daniel Pemberton, 'Steve Jobs'
Having worked with Ridley Scott, Guy Ritchie and now Danny Boyle on Steve Jobs, Daniel Pemberton is rapidly becoming one of the industry’s most sought-after composers.
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FeaturesQ&A: Evgeny Afineevsky talks 'Winter On Fire'
The director discuss his documentary about the recent Ukrainian Revolution.
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FeaturesQ&A: Liz Garbus on 'What Happened, Miss Simone?'
The director discusses her Nina Simone documentary.
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FeaturesPalm Springs Q&A: Raam Reddy, 'Thithi'
The director discusses his India-US drama, which premired at Locarno in August.
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FeaturesPalm Springs Q&A: Thomas Stuber, 'A Heavy Heart'
The Leipzig-based director tells Jeremy Kay about earning the trust of his star, stage veteran Peter Kurth, who portrays a former East German boxer who receives life-changing news
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FeaturesPalm Springs Q&A: Andrew Steggall, 'Departure'
The director on his coming-of-age love story set in the south of France.
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FeaturesAnthony Dod Mantle talks shooting 'In The Heart Of The Sea'
Inspired by Turner and Delacroix, cinematographer Anthony Dod Mantle tells Mark Salisbury how intensity was key for In The Heart Of The Sea.
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FeaturesThe VFX of 'Ex Machina'
In a year of stunning visual-effects work, Ex Machina’s bewitching robot stands out as a peerless use of VFX. Mark Salisbury speaks to the team that created her.
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FeaturesEmmanuel Lubezki on the gruelling shoot of 'The Revenant'
Cinematographer Emmanuel Lubezki talks to Mark Salisbury about the gruelling shoot in ice and snow that ensured The Revenant became a wholly immersive viewing experience
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FeaturesCharlotte Rampling and Tom Courtenay talk '45 Years'
Charlotte Rampling and Tom Courtenay speak to Elbert Wyche about portraying a married couple shocked from their quietude by a ghost from the past, in Andrew Haigh’s 45 Years
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FeaturesShooting in France: Bon Voyage
France’s reputation as an expensive place to shoot for both local and international film-makers may be about to change with significant enhancements to the country’s tax credits.
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FeaturesFilms Distribution: academy of film
The founders of Paris-based sales outfit Films Distribution talk to Melanie Goodfellow about their diverse slate, which includes foreign-language Oscar hopeful Son Of Saul.
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FeaturesRendez-vous in Paris
International buyers are heading to Paris for a first glimpse at the new French films of the year at Unifrance’s annual Rendez-vous with French Cinema.
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FeaturesOdeon & UCI sale: a second chance
Will an upswing in the fortunes of the UK and European cinema industry in 2015 mean the long-awaited sale of Odeon & UCI may finally happen?
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FeaturesThe 54 films to tempt festival directors in 2016
From debut feature directors to seasoned veterans, Screen looks ahead to the films most likely to tempt international festival directors in 2016