Latest – Page 52
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FeaturesJustin Kurzel talks ‘True History Of The Kelly Gang’, reflects on “difficult” ‘Assassin’s Creed’
Australian director Justin Kurzel tells Screen about why he connected with ’Kelly Gang’ and upcoming Apple series ’Shantaram’.
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FeaturesAlice Winocour talks ‘Proxima’: “Cinema doesn’t often show women as both a mother and a super-heroine”
Alice Winocour talks to Screen about her Platform title Proxima, the story of an astrophysicist juggling astronaut training with bringing up her young daughter.
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FeaturesChile’s Pablo Larrain on creating an unapologetic modern heroine in ‘Ema’
The fiery, dance-obsessed mother at the heart of Pablo Larrain’s Ema had some Venice critics blushing.
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FeaturesDirectors of Venice doc ‘Woman’: “Weinstein, MeToo… we weren’t surprised when this all happened”
The documentary gives voice to 100 women from all walks of life on topics ranging from what it means to be a woman, to motherhood, marriage, education and darker subjects such as sexual violence and genital mutilation.
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Features‘Babyteeth’ director Shannon Murphy: “Most of my career I’ve been the only female”
Australian director is at Venice Film Festival this year for the world premiere of her debut feature Babyteeth.
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FeaturesVenice Critics’ Week’s Giona Nazzaro on the impact of the new wave of Italian festival curators
“Everything changed when we realised festivals actually make editorial choices discovering talents.”
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FeaturesAlex Gibney talks Venice documentary ‘Citizen K’, Putin and Trump
The filmmaker is presenting his documentary about exiled oligarch Mikhail Khodorkovsky out of competition.
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FeaturesHow Billie Piper tried to "reimagine" a British style for Venice title 'Rare Beasts'
Piper’s filmmaking debut has its world premiere on August 31.
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FeaturesAlberto Barbera talks Venice logistics, VR and his future as artistic director
Barbera has been weathering a storm over the lack of female filmmakers in Competition.
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FeaturesHow UTA’s Rena Ronson became one of international film’s biggest players
The UTA Independent Film Group co-head tells Jeremy Kay how careers are created through risk.
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NewsSarajevo Q&A: ‘Honeyland’ filmmakers on being propelled into Oscar contention
The documentary won three awards at Sundance earlier this year.
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FeaturesSarajevo Q&A: Emin Alper on how politics in Turkey shaped ‘A Tale of Three Sisters’
The film plays in Sarajevo’s competition this week.
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FeaturesInes Tanović discusses Sarajevo opener ‘The Son’: “I’ve encountered really harsh criticism”
Family drama marks Tanović’s second feature film as director.
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FeaturesSarajevo Film Festival turns 25: multiplex expansion, Oscar-winning guests and redefining Bosnia
This year’s event runs from August 16-23.
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FeaturesLocarno 2019: what to look out for in the industry programme
While her industry programme is packed, Locarno Pro head Nadia Dresti seeks to foster a less-is-more approach.
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FeaturesVenice director Alberto Barbera responds bullishly to provocative Competition selection
“I don’t have to adjust to what some countries think I should do.”
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FeaturesOdesa Q&A: How a YouTube video inspired Tymur Yashchenko's naval drama 'U-311 Cherkasy'
The film is based on a real-life siege of a Ukrainian naval vessel in 2014.
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FeaturesSeven hot titles from the 2019 New York Asian Film Festival
Opener ‘Samurai Marathon’, ‘Money’, ‘Maggie’ among highlights.
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FeaturesWhy the focus of the Odesa film festival is extending beyond Ukraine
General producer Julia Sinkevych talks to Screen.
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FeaturesNew York Asian Film Festival chief Samuel Jamier: ‘You’re only as good as the films you’re showing’
Festival to close on July 14 with The White Storm 2: Drug Lords.