Latest – Page 13
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FeaturesCreative Week: Channel The Change
BBC strategy, TV consolidation and the boom in digital talent were among the hot topics at this year’s Creative Week conference in London. Andreas Wiseman reports.
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FeaturesCreative Skillset: Invest in the future
The urgent need to invest in and develop talent sits at the forefront of Creative Skillset’s ambitions for the future growth of the film and TV sectors.
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FeaturesThe Weinstein Company: stirring drama
As The Weinstein Company ramps up its scripted TV productions and acquisitions, Andreas Wiseman talks to the executives behind the push.
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FeaturesMIPTV: Transmedia’s transitions
As the digital-focused MIPTV champions a new age of storytelling this month, Melanie Goodfellow explores how TV drama and film producers are tentatively branching out into other platforms
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FeaturesAFM 2013: Market forces
This year’s American Film Market (Nov 6-13) will take place against a backdrop of US economic instability, but it’s the small screen that is likely to be the hot topic of conversation, as Jeremy Kay reports
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FeaturesThe VoD invasion
John Hazelton examines the rising international demand for entertainment libraries thanks to new distribution platforms across VoD and SVoD.
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FeaturesUK tax relief: Take your partners
The UK is introducing tax credits for television production, high-end animation and video games this month. Michael Rosser explores how the relief could further strengthen a TV powerhouse
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FeaturesCase Study: Titanic
The UK-Canada-Hungary co-production for TV written by Julian Fellowes will be seen in more than 85 countries.
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FeaturesFine tuning
Movie acquisitions for US TV channels are steady but the picture will soon get more complex as studio output deals come up for renewal and SVoD players step up.
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FeaturesCase Study: Parade's End
Tom Stoppard reteams with Shakespeare In Love producer David Parfitt for the BBC-HBO mini-series Parade’s End, which shot in the UK and Belgium.
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FeaturesEuropean pictures
How are Europe’s broadcasters adapting their film acquisition policies in the face of changing consumer patterns and economic crisis?
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FeaturesThink big, start small
The barrier between film and TV is coming down as UK producers exploit different platforms to match finance with creative ambition.
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FeaturesCase study of a dramatic success
How did Carnival Films finance its 2010 hit, Downton Abbey? Ben Dowell reports
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Features
Cash of the titans
Will its ground-breaking deal with HBO encourage the UK’s Sky — and the territory’s other broadcasters — to increase their own investment in high-end TV drama? Matt Mueller reports
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FeaturesThe box of delights
No longer simply a refuge for a career in decline, serious TV drama is alive and thriving in the US as film talents including Kate Winslet and Martin Scorsese clamour to work on the small screen. But can this trend continue?