Locarno Reviews – Page 3
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Reviews
‘Cop Secret’: Locarno Review
Genre spoof directed with considerable wit by Iceland’s national goalkeeper, Hannes Thor Halldorsson
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Reviews
‘Ida Red’: Locarno Review
Melissa Leo, Josh Hartnett headline a Oklahoma backwoods-set crime thriller
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Reviews
‘Soul Of A Beast’: Locarno Review
Early fatherhood and doomed young love are at the centre of Lorenz Merz’s ‘assaultively stylish’ Zurich-based drama
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Reviews
‘Hinterland’: Locarno Review
Back to Vienna of old with Stefan Ruzowitsky’s propulsive post-war thriller
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Reviews
‘Respect’: Locarno Review
Jennifer Hudson tries on the role of the Queen of Soul in Locarno’s closing film
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Reviews
‘Vengeance Is Mine, All Others Pay Cash’: Locarno Review
Indonesian auteur Edwin adapts Eka Kurniawan’s free-wheeling novel for the big scree
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Reviews
‘She Will’: Locarno Review
Charlotte Colbert’s unusual Gothic feature plays out in the world between art and horror
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Reviews
‘Beckett’: Locarno Review
Locarno opens with a chase across the Piazza Grande, courtesy of Netflix and John David Washington
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Reviews
‘O Fim Do Mundo’: Locarno Review
Basil Da Cunha’s impressive second feature is set in the slowly gentrifying Reboleira district of Lisbon
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Reviews
‘Days Of The Bagnold Summer’: Locarno Review
Inbetweeners star Simon Bird delivers an unexpectedly gentle portrait of a mother and her son with his directorial debut
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Reviews
‘Technoboss’: Locarno Review
A highly idiosyncratic comedy/musical that might just achieve cult status
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Reviews
‘A Voluntary Year’: Locarno Review
A German father-daughter comedy/drama which calls to mind ‘Toni Erdmann’
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Reviews
‘Instinct’: Locarno Review
An erotic thriller starring Carice Van Houten from ‘Game Of Thrones’, this ’Instinct’ feels quite basic
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Reviews
‘Echo’: Locarno Review
Rúnar Rúnarsson’s doc/fiction hybrid examines life around the Icelandic festival season
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Reviews
‘7500’: Locarno Review
Flawed but impressive, Patrick Vollrath’s debut is set entirely inside the cockpit of a hijacked plane
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Reviews
‘Maternal’: Locarno Review
A home for unmarried mothers is the setting of documentarist Maura Delpero’s first fiction feature