All Reviews articles – Page 221
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Reviews
'The Insufferable Groo': Sheffield Review
Intriguing profile of self-proclaimed master low-budget filmmaker Stephen Groo
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Reviews
'A Northern Soul': Sheffield Review
Sean McAllister follows up A Syrian Love Story with an eye-opening look at his hometown of Hull
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Reviews
'Hale County This Morning, This Evening': Sheffield Review
RaMell Ross presents a snapshot of daily life in Hale County, Alabama
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Reviews
'The Silence Of Others': Sheffield Review
Spanish citizens attempt to seek justice for atrocities carried out by General Franco’s regime
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Reviews
'A Woman Captured': Sheffield Review
Bernadett Tuza-Ritter’s debut feature documentary examines the life of a modern day Hungarian slave
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Reviews
'The Breaker Upperers': Sydney Review
Hilarious ‘womance’ comedy from New Zealand is executive produced by Taika Watiti
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Reviews
'Ocean's 8': Review
This surprisingly flat action comedy is a straight gender-swap of a limping formula
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Reviews
'Loro 2': Review
Given a split release in Italy only, international territories await a single edit.
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Reviews
'Adrift': Review
Shailene Woodley is a young woman desperately trying to reach safety in this real-life disaster movie
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Reviews
'Searching For Ingmar Bergman': Cannes Review
Margarethe Von Trotta makes a personal ode to the Swedish master
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Reviews
'The Dead And The Others': Cannes Review
A Brazilian teen attemps to escape his spiritual fate
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Reviews
'The Wild Pear Tree': Cannes Review
Nuri Bilge Ceylan’s latest sees a young graduate attempt to carve out some independence
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Reviews
'Ayka': Cannes Review
A young woman attempts to survive after abandoning her newborn in Moscow
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Reviews
'Knife + Heart': Cannes Review
A trashy murder-mystery set in Paris porn circles of the 1970s calls to mind De Palma’s signature flourishes
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Reviews
'Capernaum': Cannes Review
Lebanese director Nadine Labaki delivers a powerful story about a 12 year-old boy who takes his parents to court
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Reviews
'Lucia's Grace': Cannes Review
There’s some divine intervention afoot in this pleasant Italian comedy which closes Directors’ Fortnight