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‘White Snail’ review: Delicate Belarusian debut narrative feature focuses on two lonely souls
Filmmakers Elsa Kremser and Levin Peter work with non-professional cast in a story about a model and a morgue worker
’Yakushima’s Illusion’ review: Vicky Krieps stars in Naomi Kawase’s humanistic Japanese hospital drama
Writer/director Kawase presents a delicately-handled study of the country’s challenging organ donation landscape
‘Two Seasons, Two Strangers’ review: Locarno Golden Leopard winner is poetic drama from Japan’s Sho Miyake
A Korean writer searches for creative and romantic fulfilment in Japan
‘In Transit’ review: Jennifer Ehle shines in Jaclyn Bethany’s melancholy chamber piece
Alex Sarrigeorgiou writes and stars in this study of the relationship between a painter and her subject
‘Low Rider’ review: LGBTQ+ drama follows a young British woman on a South African roadtrip
Director Campbell X follows-up ’Stud Life’ with this overstuffed feature
‘Once You Shall Be One Of Those Who Lived Long Ago’ review: Bittersweet portrait of a declining Swedish mining town
Documentary follows the few remaining residents of Malmberget in northern Sweden
‘Novak’ review: Zlatko Buric’s convincing mad scientist elevates this offbeat Greek debut
Harry Lagoussis’s ambitious feature premieres in Edinburgh competition
‘Blue Film’ review: UK rising star Kieron Moore impresses in provocative, uneven US debut
Elliot Tuttle’s Los Angeles-based camboy drama bows in Edinburgh competition
‘On The Sea’ review: Helen Walsh follows ‘The Violators’ with sensitive Welsh LGBTQ+ drama
The novelist/filmmaker’s second feature stars Barry Ward and Lorne MacFadyen
‘Mortician’ review: Sensitive, slow-burn drama follows two Iranian exiles in Canada
Abdolreza Kahani’s latest stars Nima Sadr and singer Golazin Ardestani
‘Best Boy’ review: A bizarre family contest unveils dark secrets in Canadian woodland thriller
Jesse Noah Klein’s genre-bending feature premieres in Edinburgh competition
‘Two Neighbors’ review: Opposing worlds collide in confident, spiky US debut
New York artist Ondine Vinao’s Aesop-inspired satire has echoes of Ruben Östlund
‘Concessions’ review: Michael Madsen stars in thinly sketched elegy for the moviegoing experience
Mas Bouzidi sets his feature debut in an independent US movie theatre on the verge of closure
‘Nobody 2’ review: Bob Odenkirk action sequel lacks a killer instinct
Indonesian filmmaker Timo Tjahjanto boards follow-up to surprise 2021 smash
‘The Dead Of Winter’ review: Emma Thompson saves the day in this formulaic thriller
Locarno premiere finds the beloved star playing a grieving widow who must rescue a kidnapped young woman
’Dongji Rescue’ review: Rousing Chinese war film recounts the Lisbon Maru tragedy
Zhu Yilong turns this World War II true story into an action-hero’s journey
‘The Legend Of The Happy Worker’ review: Thomas Haden Church and Josh Whitehouse star in uneven Lynchian fable
Adaptation of S.E. Feinberg’s play is directed by Duwayne Dunham, longtime David Lynch editor
‘Americana’ review: Sydney Sweeney and Paul Walter Hauser conspire in western crime saga
Tony Tost’s feature debut follows a group of mismatched characters on the hunt for a valuable Native American artefact
‘Dracula’ review: Romania’s Radu Jude presents a typically inventive study of the vampire myth
The director follows up Berlin Silver Bear-winning Kontinental ’25 with this provocative portmanteau
‘The Birthday Party’ review: Willem Dafoe heads an international cast in entertaining tale of wealthy excess
Miguel Angel Jiminez’s Mediterranean island-set thriller also stars Joe Cole, Vic Carmen Sonne and Christos Stergioglou
‘With Hasan In Gaza’ review: Palestinian filmmaker journeys through rediscovered footage in poignant documentary
Kamal Aljafari brings to Locarno a raw portrait of everyday life in Gaza, 2001, that chimes with current events
‘In The Land Of Arto’ review: Camille Cottin and Zar Amir star in thoughtful Armenian drama
Tamara Stepanyan’s feature debut opens Locarno
‘Freakier Friday’ review: Jamie Lee Curtis and Lindsay Lohan reunite for more body-switch laughs
Sequel to the 2003 hit comedy also stars Julia Butters and Sophia Hammons
‘Weapons’ review: Julia Garner and Josh Brolin lead ‘Barbarian’ filmmaker’s inventive new horror
Zach Cregger tells a twist-laden tale about a group of missing schoolchildren
‘The Book Of Sijjin And Illiyyin’ review: Indonesian chiller filters possession narrative through Muslim mythology
Hadrah Daeng Ratu’s culturally specific shocker is her fourth collaboration with writer Lele Laila
‘The Naked Gun’ review: Liam Neeson and Pamela Anderson headline pleasingly reverential comedy sequel
Seth MacFarlane produces this latest instalment of the hit cop-comedy franchise
‘Mother Of Flies’ review: Fantasia’s Cheval Noir winner is a visceral, thoughtful folk horror
The latest from cult filmmakers the Adams Family is heading to Shudder
‘The Woman’ review: South Korean filmmaker Hwang Wook delivers ponderous psychological thriller
Follow up to director’s Fantasia 2024 prizewinner ’Mash Ville’ is overstuffed murder mystery
‘Hellcat’ review: Claustrophobic US horror sees woman trapped in Airstream trailer
Editor-turned-director Brock Bodell’s debut features a compelling performance from Dakota Gorman
‘I Live Here Now’ review: Julie Pacino’s vividly realised debut plays out in remote California motel
The director’s highly sylised feature blends elements of Argento, Lynch and ‘Alice In Wonderland’
‘Omniscient Reader: The Prophecy’ review: Ahn Hyo-seop heads adaptation of South Korean web comic sensation
Kim Byung-woo’s uneven creature feature also stars K-pop singers Nana and Jisoo
‘The Fantastic Four: First Steps’ review: Pedro Pascal and Vanessa Kirby head underwhelming Marvel superhero reboot
Ebon Moss-Bachrach and Joseph Quinn also star for director Matt Shakman
‘The Well’ review: Muted Canadian eco-thriller finds humanity on the brink of collapse
Oscar-nominated documentarian Hubert Davis makes the move into fiction with this sombre drama
‘Terrestrial’ review: A Hollywood success story hides a secret in dark US comedy
Latest from ’Hot Tub Time Machine’ director Steve Pink premieres at Fantasia
‘Cielo’ review: A young girl embarks on a quest across Bolivia in this uncertain fable
Alberto Sciamma’s visually inventive feature comes to Fantasia after multiple wins at Fantasporto
‘Adult Children’ review: Galway prizewinner is smart, breezy US coming-of-age drama
Film Fleadh’s best international independent feature is reminiscent of the work of Lynn Shelton
‘Friendship’ review: Tim Robinson and Paul Rudd go head-to-head in bromance gone sour
Cringe comedy is first major feature role for Robinson, creator and star of Netflix series ‘I Think You Should Leave’
‘I Know What You Did Last Summer’ review: Uninspiring sequel to ’90s slasher lacks a killer hook
Original stars Freddie Prinze Jr and Jennifer Love Hewitt return for another round of murder
‘Fuck The Polis’ review: FIDMarseille winner is a personal, lyrical portrait of modern Greece
Rita Azevedo Gomes’s documentary won the festival’s international competition grand prix
’Better Go Mad In The Wild’: Karlovy Vary Crystal Globe winner follows Czech twins living off-grid
Miro Remo’s documentary pays tribute to idosyncratic brothers Frantisek and Ondrej Klisik
‘Horseshoe’ review: Four estranged siblings confront their dead father in crowdpleasing Irish debut
Edwin Mullane and Adam O’Keeffe’s well-balanced debut premieres in Galway
’Gerry Adams: A Ballymurphy Man’ review: Absorbing portrait of the controversial Irish politician
Trisha Ziff’s documentary blends extensive interviews with a wealth of archive footage
‘Girls & Boys’ review: A Dublin meet-cute takes a darker turn in promising Irish debut
Writer/director Donncha Gilmore explores the attraction between two very different Trinity College students
‘The Negotiator’ review: Portrait of US senator George J Mitchell, Good Friday Agreement architect
Affectionate, limited documentary is directed by ‘Kneecap’ producer Trevor Birney
‘Don’t Call Me Mama’ review: Complex Norwegian debut follows an ill-fated small town affair
A wealthy socialite seduces a teenage asylum seeker in elegantly uncomfortable Karlovy Vary competition title
