All articles by Allan Hunter – Page 19
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Reviews‘I Was, I Am, I Will Be’: Munich Review
A ‘Green Card’-style drama cuts deeper than expected in this assured second feature
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Reviews'The Wonderland': Annecy Review
Keiichi Hara follows up ‘Miss Hokusai’ with a complex coming-of-age adventure story
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Reviews'The Prince's Voyage': Annecy Review
Distinguished animation from awarded veteran Jean-Francois Laguionie
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Reviews'Mike Wallace Is Here': Sheffield Review
Dynamic documentary about the life and career of influential American newsman Mike Wallace
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Reviews'Midnight Family': Sheffield Review
Fast-paced documentary following one of Mexico City’s many private ambulances
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Reviews'Zero Impunity': Annecy Review
Hard-hitting animation which examines sexual abuse as an international weapon of war
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Reviews'Homeward': Cannes Review
This notable debut takes the form of a father-and-son road trip from Kyiv to Crimea
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Reviews'La Belle Epoque': Cannes Review
Daniel Auteuil plays a man who is given the opportunity to relive his past in order to save his marriage
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Reviews'Lillian': Cannes Review
Lillian, a Russian emigrant in New York whose visa has expired, decides to walk the long way home
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Reviews'Young Ahmed': Cannes Review
The Dardenne Brothers’ latest is a taut study of a devout 13-year-old Muslim
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Reviews'The Best Years Of A Life': Cannes Review
’Who would deny Claude LeLouche the chance to have one last roll of the A Man And A Woman dice?’
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Reviews'On A Magical Night': Cannes Review
Christophe Honoré returns to Cannes with an impish bedroom farce starring Chiara Mastroianni in the best role she has had in years
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Reviews'Family Romance LLC': Cannes Review
’Constructed reality’ feature from Werner Herzog follows a Japanese company which sells fake friends and family members
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Reviews'First Love': Cannes Review
This riotously entertaining bloodbath from Takashi Miike might be his most commercial film in a while
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Reviews'Atlantics': Cannes Review
Intense debut from French/Senegalese director Mati Diop strikes an intriguing note in Competition
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Reviews'As Happy As Possible': ACID Review
ACID opens with Alain Raoust’s first feature in over a decade