All articles by Allan Hunter – Page 19
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Reviews
‘Here Are The Young Men’: Galway Review
Three boys leave school on a high which soon turns sour in Eoin C Macken’s starry Dublin-set drama
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Reviews
‘The Winter Lake’: Galway Review
A strong cast, including 2019 Screen Stars Of Tomorrow Emma Mackey and Anson Boon, should help it gain some attention.
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Reviews
‘Paradise’: Cannes Market Review
In Tahiti, two cousins represent the past and the future of an island at the crossroads
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Reviews
‘Coalesce’: ACID 2020 Review
Modern Cambodia under the lens in a perceptive debut from Jesse Miceli
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Reviews
‘Where’s Edson?’: Sheffield Doc/Fest Review
In Brasilia, an activist struggles against a political tide to give voice to the homeless
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Reviews
‘Our Land, Our Altar’: Sheffield Doc/Fest Review
Feature debut looks deep inside a Portuguese social housing estate scheduled for demolition
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Reviews
‘Sundays’: Thessaloniki Review
A filmmaker tries to understand what prompted her seemingly perfect father to leave the priesthood
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Reviews
‘Amor Fati’: Visions du Réel Review
A cinematic essay looks at the concept of soulmates – two sides of the same coin
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Reviews
‘Sapelo’: Visions du Réel Review
An island on America’s Atlantic Coast is the setting for Nick Brandestini’s involving documentary
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Reviews
‘Oceonomia’: CPH:DOX Review
A disturbingly timely look at questions of modern economics - which often can’t be answered
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Reviews
‘Songs Of Repression’: CPH:DOX Review
Winner of the festival’s top prize is an illuminating look at the troubled history of tranquil Chilean village
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Reviews
‘Long Live Love’: CPH:DOX Review
The relationship between a mother and her daughter evolves as the teenager recovers from cancer
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Reviews
‘Sleep’: Berlin Review
Sandra Huller stars in this challenging horror that tackles the ghosts of Germany’s past
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Reviews
‘Father’: Review
A father undertakes an odyssey across Serbia to be reuinted with his children
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Reviews
‘Epicentro’: Sundance Review
This tender portrait of Cuba is the winner of the world documentary competition at Sundance
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Reviews
‘Exil’: Sundance Review
Paranoia and racism combine in Visar Morina’s unsettling feature about a Kosovan immigrant in Germany