All articles by Allan Hunter – Page 20
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Reviews‘Where’s Edson?’: Sheffield Doc/Fest Review
In Brasilia, an activist struggles against a political tide to give voice to the homeless
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Reviews‘Our Land, Our Altar’: Sheffield Doc/Fest Review
Feature debut looks deep inside a Portuguese social housing estate scheduled for demolition
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Reviews‘Sundays’: Thessaloniki Review
A filmmaker tries to understand what prompted her seemingly perfect father to leave the priesthood
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Reviews‘Amor Fati’: Visions du Réel Review
A cinematic essay looks at the concept of soulmates – two sides of the same coin
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Reviews‘Sapelo’: Visions du Réel Review
An island on America’s Atlantic Coast is the setting for Nick Brandestini’s involving documentary
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Reviews‘Oceonomia’: CPH:DOX Review
A disturbingly timely look at questions of modern economics - which often can’t be answered
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Reviews‘Songs Of Repression’: CPH:DOX Review
Winner of the festival’s top prize is an illuminating look at the troubled history of tranquil Chilean village
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Reviews‘Long Live Love’: CPH:DOX Review
The relationship between a mother and her daughter evolves as the teenager recovers from cancer
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Reviews‘Sleep’: Berlin Review
Sandra Huller stars in this challenging horror that tackles the ghosts of Germany’s past
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Reviews‘Father’: Review
A father undertakes an odyssey across Serbia to be reuinted with his children
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Reviews‘Epicentro’: Sundance Review
This tender portrait of Cuba is the winner of the world documentary competition at Sundance
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Reviews‘Exil’: Sundance Review
Paranoia and racism combine in Visar Morina’s unsettling feature about a Kosovan immigrant in Germany
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Reviews‘La Leyenda Negra’: Sundance Review
An El Salvadorian immigrant struggles to fit in at her new LA school
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Reviews‘Yalda, A Night For Forgiveness’: Sundance Review
Iranian filmmaker Massoud Bakhshi focuses on one woman to highlight wider issues within a patriarchal society
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Reviews‘The Mole Agent’: Sundance Review
Charming documentary in which an 83-year-old man goes undercover in a Chilean care home
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Reviews‘This Is Not A Burial, It’s A Resurrection’: Sundance Review
A striking debut from Lesotho made under Venice’s Biennale College initiative