All Features articles – Page 300
-
Features
Harvey Keitel on his career and Hollywood
US star discusses Youth, Bad Lieutenant and the Robert De Niro way of reading a script.
-
Features
Barry Ward and Simone Kirby, 'Jimmy's Hall'
Jimmy’s Hall premiered in competition at Cannes and opens in limited release via Sony Pictures Classics on July 3 in Los Angeles and New York with San Francisco, Chicago and Washington, D.C. to follow.
-
Features
Marcin Koszałka, 'The Red Spider'
The debut of Polish director Marcin Koszałka will world premiere in competition at the Karlovy Vary International Film Festival.
-
Features
Ives Rosenfeld, 'Aspirantes'
Young footballer drama to open the Forum of Independents section at the Karlovy Vary International Film Festival.
-
Features
Dietrich Brüggemann, 'Heil'
Stations of the Cross director returns with a Neo-Nazi satire, which plays in competition at the Karlovy Vary International Film Festival.
-
Features
Tomasz Mielnik, 'Journey to Rome'
Surreal road movie to open East of the West competition at the Karlovy Vary International Film Festival.
-
Features
Daniel Dencik, 'The Gold Coast'
Swedish born director to screen period drama in competition at the Karlovy Vary International Film Festival.
-
Features
Richard Gere, 'Time Out of Mind'
Richard Gere, who has played gigolos, billionaires, and cops, is now playing a homeless man in Time Out of Mind, which opens the Karlovy Vary International Film Festival tonight (July 3).
-
Features
ECA and Screen International drinks reception, CineEurope
Members of the Event Cinema Association (ECA) were invited to meet sponsors and delegates involved in the event cinema industry at CineEurope, Barcelona.
-
Features
Air New Zealand
As keen supporters of the film and entertainment industry, Air New Zealand offers a daily London-LAX service, on-board innovation and an exceptional understanding of passenger needs.
-
Features
Digital’s phase two
An array of new presentation options are emerging as digital cinema reaches market saturation. But cost, complexity and legacy projection equipment remain significant issues, reports Adrian Penningon.
-
Features
The data revolution
Data analytics helped Netflix brew up its hit show House Of Cards, but as a useful industry tool it’s still in its infancy. Nikki Baughan explores the potential of data for other broadcasters, exhibitors and studios.
-
Features
Virtual reality bytes
Studios and VFX facilities are experimenting with animated and live-action virtual reality in anticipation of a new consumer mass market. Adrian Pennington reports.
-
Features
IMAX: Size matters
With its global expansion strategy in full flow and a raft of blockbusters to fill its screens, the picture continues to look rosy for IMAX. CEO Richard Gelfond and EMEA president Andrew Cripps sit down with Matt Mueller.
-
Features
CineEurope’s mass appeal
As CineEurope (June 22-25) enters its fourth year in Barcelona, Nikki Baughan looks at the evolution of Europe’s largest exhibition and distribution showcase.
-
Features
The premium cinema blend
With cutting-edge premium cinema systems being pushed into the global marketplace, are mainstream exhibitors ready to make the technological and financial leap to adopt them? John Hazelton reports.
-
Features
ILM London: A force to be reckoned with
With Avengers: Age Of Ultron tearing up the box office and Star Wars: The Force Awakens on its hard drives, ILM London is looming large on the UK VFX scene. Michael Rosser speaks to head Ben Morris
-
Features
Drawing power: animation special
While Hollywood continues to dominate animation globally, European distributors and producers are increasingly looking to grab a slice of the pie. Geoffrey Macnab looks at the state of play.
-
Features
Karlovy Vary’s golden jubilee
As the Czech film festival celebrates its 50th anniversary, artistic director Karel Och talks Michael Rosser through Karlovy Vary’s sometimes rocky history, and this year’s ‘daring’ line-up.
-
Features
Seville International: Passion Projects
Seville International, the boutique sales arm of eOne, consolidated its growing reputation in Cannes as a home for visionary film-makers. Jeremy Kay reports.