All Interview articles – Page 95
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FeaturesAndré Singer, Night Will Fall
André Singer talks to Melanie Goodfellow about his powerful Holocaust documentary, Night Will Fall, which has a groundbreaking broadcast launch on January 27.
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FeaturesFadel Almheiri, Abood Kandaishan
Emirati filmmaker Fadel Almheiri explains to Melanie Goodfellow how nostalgia for a bygone way of life in the UAE inspired his tragicomic Abood Kandaishan.
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FeaturesMario G. Haddad, Empire International
Mario G. Haddad, CEO of pan-Arab distributor Empire International, talks to Melanie Goodfellow about the Gulf theatrical market, as well as plans for the pan-Arab launch of Emirati feature From A To B.
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FeaturesWaleed Al Shehhi, Dolphins
Emirati filmmaker Waleed Al Shehhi tells Melanie Goodfellow about his passion for Andrei Tarkovsky and how he finally faced his fears and shot his debut feature Dolphins.
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FeaturesNujoom Al Ghanem, Nearby Sky
Emirati filmmaker Nujoom Al Ghanem talks to Liz Shackleton about how she worked with trail-blazing camel owner Fatima Ali Alhameli and building a film industry in the Emirates.
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FeaturesChaitanya Tamhane, Court
Chaitanya Tamhane talks to Liz Shackleton about making his debut feature Court, which won two prizes at this year’s Venice Film Festival.
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FeaturesRashid Masharawi, Letters From Al Yarmouk
Palestinian filmmaker Rashid Masharawi talks to Melanie Goodfellow about his documentary capturing life in the besieged Yarmouk refugee camp on the edge of Damascus.
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FeaturesKhadija Al-Salami, I Am Nojoom, Age 10 And Divorced
Yemeni director Khadija Al-Salami tells Melanie Goodfellow about her struggle to bring the issue of child brides to the big screen in I Am Nojoom, Age 10 And Divorced.
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FeaturesAli Mostafa, From A To B
Emirati director Ali Mostafa talks to Melanie Goodfellow about his pan-Arab road movie From A to B, which screens in his hometown of Dubai on Thursday as part of DIFF’s Arabian Nights line-up.
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FeaturesAfia Nathaniel, Dukhtar
Afia Nathaniel talks to Liz Shackleton about the challenges in funding and shooting a female-centric film in a remote corner of northern Pakistan.
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FeaturesTimothy Spall, Mr. Turner
Timothy Spall talks to John Hazelton about tackling the biggest role of his career in Mr. Turner, becoming detective to ‘discover’ his character and the ever-present spectre of unemployment.
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FeaturesSteve James, Life Itself
Documentarian Steve James talks to John Hazelton about capturing the career and spirit of Roger Ebert while avoiding the pitfalls of hagiography.
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FeaturesNick Broomfield, Tales Of The Grim Sleeper
Nick Broomfield tells Wendy Mitchell why his doc Tales Of The Grim Sleeper is about a whole neighbourhood, not just one killer.
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FeaturesAMPAS’s global reach
AMPAS boss Dawn Hudson talks to Wendy Mitchell about advancing the Academy’s influence across the world and its efforts to protect film’s legacy
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FeaturesBritdoc: truth in the telling
Britdoc chief executive Jess Search tells Wendy Mitchell about how the non-profit organisation works holistically across a film’s lifecycle, and how it took a calculated risk with Citizenfour
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FeaturesLaura Poitras, Citizenfour
Film-maker Laura Poitras becomes part of the story with her history-in-the-making documentary, Citizenfour, about NSA whistleblower Edward Snowden.
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FeaturesJean-Pierre and Luc Dardenne, Two Days, One Night
Belgian auteurs Jean-Pierre and Luc Dardenne talk to John Hazelton about casting their biggest star yet, Marion Cotillard, in the workplace drama, Two Days, One Night — Belgium’s foreign language Oscar entry.
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FeaturesAbderrahmane Sissako, Timbuktu
The spread of Islamic fundamentalism across Africa has flung many ordinary Muslims’ lives into turmoil. Timbuktu director Abderrahmane Sissako tells Elbert Wyche why he wanted to express their story
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FeaturesPawel Pawlikowski, Ida
Pawel Pawlikowski tells Jeremy Kay about exploring the Poland of his childhood in Ida, and why he wanted to portray universal themes of faith and identity within the context of a very personal journey
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FeaturesGuido Rud, FilmSharks International
FilmSharks International’s Guido Rud tells Jeremy Kay about building a slate ripe for sales and remakes.