Latest – Page 123
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FeaturesWhy the Black Nights Discovery Campus is the cornerstone of Tallinn festival’s industry focus
The new talent initative is designed to give regional talent an international boost.
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FeaturesAtlas Workshops to showcase a new generation of Moroccan filmmakers
2022 looks set to be a promising year for Moroccan cinema.
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![Erige Sehiri eliseortioucampion (1)[1]](https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/0/3/5/1358035_erigesehirieliseortioucampion11_330769.jpg)
FeaturesErige Sehiri’s ‘Fig Trees’ promises rare snapshot of Tunisia’s rural youth
The fiction feature captures contemporary Tunisian society through the prism of teenage female fig pickers.
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![lemohang photo courtesy of Urucu[1]](https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/8/4/8/1357848_lemohangphotocourtesyofurucu1_254035.jpeg)
FeaturesWhy Lemohang Jeremiah Mosese is urgently seeking development funds for ‘The Chattering of Teeth’
Project is Mosese’s second feature after award-winning This is Not a Burial, It’s a Resurrection.
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FeaturesMarrakech’s Atlas Workshops poised to ride Arab, African indie cinema wave
The Workshops are running online from November 22-25.
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FeaturesHow are producers making documentaries with real impact without preaching and turning off audiences?
Producers need to balance supporting a filmmaker’s vision while raising funding and finding an audience.
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FeaturesIDFA Bertha Fund head: “Whenever there is a rise in applications, it comes from Latin America”
Isabel Arrate Fernandez, head of the Bertha Fund, on why applications doubled in 2020.
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FeaturesLouis Hothothot on how IDFA opening film ‘Four Journeys’ brought him back to his family
The film tells the story off how China-born Hothothot was an illicit second child during China’s one-child era.
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FeaturesSydney Film Festival director Nashen Moodley talks date changes, fainting audience members
Moodley discussed staging this year’s event, the most talked about films and the pros and cons of the on-demand elements.
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FeaturesNew talent focus: ‘Carajita’ directors Ulises Porra and Silvina Schnicer
The Spanish and Argentinian filmmaking duo on how they pressed reset on their San Sebastian favourite Carajita.
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FeaturesMy Screen Life: ReFrame's Andria Wilson Mirza on why being allowed to fail is part of the fight for equality
The equalities expert and festival lover on her proudest moment and how films were her comfort growing up.
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FeaturesRising Spanish director David Pantaleón on his ode to anti-masculinity ‘Our Father’
Pantaleón’s debut feature is screening at the Seville European Film Festival this week.
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FeaturesLiliana Torres talks drawing on her own real-life heartbreak for docu-drama ‘What Went Wrong?’
‘What Went Wrong?’ is making its debut at the Seville European Film Festival this week.
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FeaturesWhy filmmakers should be exploring the ‘metaverse’
The industry should prepare to engage audiences in the next iteration of the internet, according to former Digital Domain exec John Canning.
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Features50 films to watch this awards season: 2022 edition
Screen presents its guide to the titles likely to dominate conversation across key categories.
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Features“It’s tough out there”: UK crew shortage reaching crisis point, say indie producers
As the UK’s production boom continues unabated, the shortage of skilled crew is raising alarm across the industry.
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FeaturesHow Geneva Digital Market is transforming virtual into reality
GDM digital head Paola Gazzani Marinelli talks demystifying new ways of storytelling.
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FeaturesMSR Media’s Philippe Martinez talks selling to platforms and shooting in St Kitts & Nevis
MSR is currently filming ‘Christmas In The Caribbean’ with Elizabeth Hurley.
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FeaturesDo the firearms rules need to be further tightened on UK film and TV sets?
More training is needed for safe sets, especially with experienced crews in short supply.
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FeaturesHow Geneva film festival is attracting fresh visions and high-profile talent
New festival director Anaïs Emery discusses the return of the event and a mission to get audiences back into cinemas.