Latest – Page 130
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FeaturesEgypt’s Mohamed Diab talks Palestinian drama ‘Amira’, working with Marvel and US projects
Diab is currently directing Marvel series Moon Knight after a trio of Arab-language features, 678, Clash and Amira.
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FeaturesCan Saudi Arabia’s fledgling film industry overcome global concerns to defy expectations?
It’s gearing up for a high-profile few months, culminating in the Red Sea International Film Festival (December 6-15).
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FeaturesMediapro head Jaume Roures talks ‘Official Competition’, his dislike of the red carpet
Roures has ‘Official Competition’ at Venice and ‘The Good Boss’ at San Sebastian.
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Features‘The Hand Of God’ producer Lorenzo Mieli on Netflix, Billy Wilder and his new slate
Prolific Rome-based film and TV producer is in Venice with two Golden Lion contenders.
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FeaturesHow Europe’s indie producers are fighting to retain IP and revenues amid streaming boom
Producers are raising their voices to demand more favourable partnerships with the new players.
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Features“A part of me was afraid”: Maggie Gyllenhaal on producing, writing and directing ‘The Lost Daughter’
Maggie Gyllenhaal and Israeli producers Talia Kleinhendler and Osnat Handelsman-Keren bonded over Elena Ferrante’s writing.
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FeaturesIsabelle Huppert on “showing malevolence” on screen, being a cinema owner and Venice title ‘Promises’
The French actress is back in Venice starring in Thomas Kruithof’s political drama.
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FeaturesMaking ‘Spencer’: producer Paul Webster on the most difficult shoot of his career
Pablo Larrain’s ’Spencer’ faced covid, Brexit and casting challenges.
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Features‘The Power Of The Dog’ producer Tanya Seghatchian talks New Zealand shoot, navigating Covid-19
”It was beguiling to come across a piece of material that wasn’t well-known, that we knew we could put our mark on.”
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FeaturesVenice 2021 preview: Screen’s guide to the Competition titles
Screen profiles the Venice Competition section, which includes new titles from Pedro Almodovar, Paolo Sorrentino, Jane Campion and Pablo Larrain.
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FeaturesVenice 2021 preview: Critics’ Week and Giornate degli Autori highlights
Critics’ Week opens with a debut feature from director Jake Wachtel, ’Karmalink’.
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FeaturesVenice 2021 preview: Screen’s guide to the Out Of Competition titles
The Venice Film Festival runs September 1-11.
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FeaturesVenice 2021 preview: Screen’s guide to the Horizons titles
The Venice Film Festival runs September 1-11.
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FeaturesKarlovy Vary 2021: Why Sonja Tarokić focused on warring teachers for her debut feature ‘The Staffroom’
Starring Marina Redžepovic, ‘The Staffroom’ chronicles petty cliques and power struggles between both teachers and parents.
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FeaturesKarlovy Vary 2021: Philip Barantini talks filming ‘Boiling Point’ in one take
Boiling Point is based on a 2019 BIFA-nominated short, with both versions starring Stephen Graham and shot in one take.
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FeaturesKarlovy Vary 2021: Andrius Blaževičius talks love and freedom in ‘Runner’
Runner is the follow-up to Blaževičius’ debut feature The Saint, which premiered at Busan in 2016.
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FeaturesSarajevo 2021: Cristina Grosan on how a death inspired ‘Things Worth Weeping For’
The Hungarian-Romanian filmmaker discusses her debut drama-comedy.
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FeaturesSarajevo 2021: Sebastian Meise on the “inhuman scandal” behind ‘Great Freedom’
The Austrian director reflects on making his award-winning feature and the scandal behind the story.
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FeaturesSarajevo 2021: Antoneta Alamat Kusijanović on the character dynamics of ‘Murina’
The Croatian filmmaker discusses her feature directorial debut, which won the Camera d’Or at Cannes.
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FeaturesSarajevo 2021: Dušan Kasalica reveals the fairytale that inspired ‘The Elegy of Laurel’
Montenegrin filmmaker discusses the origins and messages behind his fantastical feature.