Latest – Page 194
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FeaturesCannes Q&A: Pedro Almodóvar talks 'Pain And Glory'
He talks to Screen International about the joy of working with Antonio Banderas and Penélope Cruz and the temptation of television.
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FeaturesHow to work with the Spanish film industry
The Spanish industry is booming, with several films playing at Cannes this year.
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FeaturesDirector Midi Z, actor-writer Wu Kexi on their Cannes debut with the #MeToo-themed 'Nina Wu'
Kexi has previously starred in three of Midi Z’s films.
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FeaturesWerner Herzog talks Cannes history, 'Family Romance, LLC.', and why he'll never act in a romantic comedy
The German filmmaker’s ’Family Romance, LLC’ is playing as a Special Screening.
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FeaturesCannes red carpet protest organisers on gender equality campaign’s impact, next steps
One year on from the launch of Collectif 50/50’s groundbreaking gender equality charter, Screen talks to the organisers about what they have achieved.
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FeaturesJessica Hausner on her English-language debut 'Little Joe': "This film plays with genre"
Her fifth feature is the first to screen in Competition after three of her previous films were selected for Un Certain Regard.
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FeaturesCannes Q&A: Diao Yinan on 'The Wild Goose Lake'
Yinan is making his Cannes Competition debut with his fourth feature.
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FeaturesFuture Leaders 2019: programmers and curators to watch
When it comes to the champions of new talent and custodians of lost classics, these are the up-and-coming programmers and curators to watch.
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FeaturesFuture Leaders 2019: programmers and curators - Asia, Africa and Australia
These are the up-and-coming programmers and curators to watch out for.
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FeaturesFuture Leaders 2019: programmers and curators - Europe
These are the up-and-coming programmers and curators to watch out for.
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FeaturesFuture Leaders 2019: programmers and curators - Americas
When it comes to the champions of new talent and custodians of lost classics, these are the up-and-coming programmers and curators to watch.
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FeaturesKleber Mendonca Filho talks returning to Cannes Competition with genre mash-up 'Bacurau'
“[Bacurau] is not Aquarius 2,” says Mendonça Filho, who is defying expectations with his new film.
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FeaturesHylnur Palmason on his Iceland-set Critics' Week selection 'A White, White Day'
It was a family affair for Icelandic director Hlynur Pálmason on the set of his second feature film.
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FeaturesHow Melina Leon became the first female Peruvian director to play in Cannes with 'Song Without A Name'
Leon’s feature directorial debut screens in Directors’ Fortnight.
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FeaturesHow Nadine Labaki's 'Capernaum' became a $44m sleeper hit in China
Social media platforms Douban and Tik Tok contributed to the film’s $44m (RMB300m) China box office.
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FeaturesCannes Market: Hong Kong and China buzz titles
China has four titles in official selection and sidebars.
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FeaturesAsif Kapadia on the story behind his 'Diego Maradona' documentary
The controversial football star spoke to the director over the course of two years.
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FeaturesJérome Paillard on the past, present and future of the Cannes Marché du Film
Jérome Paillard explains how he helped turn the business-shy Cannes Film Festival into the largest cinema market in the world.
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Features"There was no plan at all, except to survive": Waad al-Kateab, Edward Watts on their Cannes title 'For Sama'
The film plays as a Special Screening on May 15.