All Q&A articles – Page 24
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FeaturesCannes: Screen at 40 - Mike Goodridge, Editor (2009-12)
After 19 years at Screen, including 12 years as the Los Angeles-based US editor, Mike joined Protagonist Pictures as CEO in 2012.
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FeaturesCannes: Screen at 40 - Michael Gubbins, Editor (2004-09)
Michael is the co-founder of film and media analyst and consultancy SampoMedia, specialising in audience-driven digital change. He leads and moderates industry events around the world and serves as Chair of the Film Agency of Wales.
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FeaturesCannes: Screen at 40 - Colin Brown, Editor-in-chief (1998-2008)
Based in Brooklyn, Colin is the Editorial Director for the online marketplace Slated as well as a Managing Partner in the pan-Arab film distribution company, MAD Solutions (organizers of the inaugural Arab Cinema Center at the 2015 Cannes Film Festival). An Adjunct Professor at New York University, Colin also advises ...
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FeaturesCannes: Screen at 40 - Boyd Farrow, Editor (1994-98)
Boyd joined Screen in 1990, became editor in 1994 and left the magazine in 1999. He switched his focus away from film journalism to write about other industries, taking over the editorship of CNBC Business in 2009. Three years ago, he moved to Berlin, where he now lives.
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FeaturesCannes: Screen at 40 - Nick Roddick, Editor (1987-88)
After Screen, Nick was founding editor of Moving Pictures. He has worked for the European Film Market and the European Film Awards, freelanced as a journalist and runs consultancy firm Split Screen, advising for various film festivals and national film bodies.
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FeaturesCannes: Screen at 40 - Terry Ilott, Editor (1983-87)
Terry left Screen to write My Indecision Is Final: The Rise And Fall Of Goldcrest Films. He returned to journalism, as editor of Screen Finance and managing editor of Variety Europe, before setting up a consultancy business, Bridge Media, in 1993. In 2000, he was part of an investment group ...
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FeaturesCannes: Screen at 40 - Adrian Hodges, co-editor (1982-83)
After Screen, Adrian joined Thorn EMI as an acquisition executive and later moved into development with British Screen. Since 1990, he has been working full time as a screenwriter. His film credits include Metroland, Tom And Viv and My Week With Marilyn, while his TV work includes David Copperfield and ...
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FeaturesCannes: Screen at 40 - Colin Vaines, co-editor (1982-83)
Colin left Screen to run the UK’s National Film Development Fund and went on to senior executive roles at Columbia Pictures, Miramax Films, The Weinstein Company and Graham King’s GK Films. He returned to freelance production in 2010 with Ralph Fiennes’ Coriolanus.
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FeaturesCannes: Screen at 40 - Quentin Falk, Editor (1979-82)
Quentin has authored books on Anthony Hopkins, Alfred Hitchcock, Graham Greene, Lew Grade and the Rank Organisation and been a critic for the Daily Mail, The Daily Telegraph and the Sunday Mirror.
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FeaturesCannes: Screen at 40
To celebrate 40 years of Screen International, several of our illustrious previous editors reflect on their favourite Cannes memories.
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FeaturesCannes: Screen at 40 - Wendy Mitchell, Editor (2012-14)
Wendy first joined Screen in 2005 and, alongside her new position as a film programme manager at the British Council, is still a contributing editor.
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FeaturesThe filmmakers of 'Becoming Bulletproof'
A documentary about the making of a Western by a group of filmmakers and actors living with disability has taken the US festival circuit by storm, winning numerous awards and acclaim.
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FeaturesParvez Sharma, ‘A Sinner In Mecca’
On the eve of the world premiere at Toronto’s Hot Docs of his first film in almost eight years, the openly gay Muslim filmmaker tells Jeremy Kay why he is putting himself front and centre.
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FeaturesGeena Davis and Trevor Drinkwater, Bentonville Film Festival
Geena Davis and ARC Entertainment’s inaugural event is about to kick off in Arkansas with a focus on impacting the quantity and quality of females and minorities in entertainment.
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FeaturesTimur Bekmambetov, 'Unfriended'
The Russian director of Wanted and the Night Watch takes a break from shooting Ben-Hur in Italy to tell Elbert Wyche about his producer role on a new genre he calls ‘screenmovie’.
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FeaturesNATO chief: Netflix model ‘makes no sense for movie industry'
The Netflix model ‘makes no sense for the movie industry at large’, says John Fithian, president and CEO of NATO (National Association Of Theatre Owners) on the eve of the group’s annual Las Vegas convention.
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FeaturesSteve Hoover, 'Crocodile Gennadiy'
Steve Hoover talks to Elbert Wyche about his Tribeca documentary on Gennadiy Mokhnenko’s work with vulnerable children in Ukraine.
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FeaturesStephen Fingleton talks 'The Survivalist'
The first-time director talks to Elbert Wyche about his Tribeca Film Festival world premiere and post-apocalyptic drama based on his 2012 Blacklist screenplay.
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NewsCannes chief Thierry Fremaux talks 2015 line-up
Talking after the announcement of the Cannes Film Festival’s Official Selection on Thursday, festival chief Thierry Fremaux reveals Ben Wheatley’s High-Rise might still make it into competition and his habitual fears for the films he selects.
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FeaturesTalking Tribeca
As the 14th annual New York jamboree kicks off, Jeremy Kay talks to festival director Genna Terranova (main picture), Tribeca Enterprises evp Paula Weinstein (centre) and director of short film programming and initiatives Sharon Badal about their work.