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All Q&A articles – Page 20
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FeaturesQ&A: Soheila Golestani & Mahtab Nasirpour, 'Two'
Screen spoke to the Iranian director and lead actress of the Iranian film playing in the debut competition at Tallinn Black Nights Film Festival.
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FeaturesOscars 2016: Mark Johnson talks chairing foreign-language category
Mark Johnson, chairman of AMPAS’s foreign-language film award committee, tells Matt Mueller about the quiet revolution that has led to films such as Amour and Ida winning the coveted Oscar
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FeaturesJack Zagha Kababie, 'Almacenados'
SCREEN SUBSCRIBERS: The Mexican director talks about his two-hander Almacenados (Warehoused), an existential drama about the relationship between two warehouse employees that screens in the México Primero section of the Los Cabos International Film festival this weekend.
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FeaturesQ&A: David Leon, 'Orthodox'
Former Screen Star of Tomorrow David Leon on making his debut film in the orthodox Jewish community, bare-knuckle boxing, and working with Oliver Stone.
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FeaturesDaniel Pemberton talks composing 'Steve Jobs'
The composer on scoring for Danny Boyle’s Oscar contender.
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FeaturesHansal Mehta talks gay victimisation drama 'Aligarh'
Hansal Mehta discusses his latest film Aligarh, about the victimisation of a gay university professor, which played as the opening film of this year’s Mumbai Film Festival.
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FeaturesCaradog James, 'Don’t Knock Twice'
The Welsh director of cult hit The Machine talks to Jeremy Kay ahead of the AFM about his latest film, a supernatural horror starring Katee Sackhoff.
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FeaturesRome: Claudio Cupellini talks 'Alaska'
The Italian director discusses trading gritty TV series Gomorrah for love story Alaska.
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NewsAntonio Monda on his first year as Rome artistic director
New festival artistic director talks strengthening the programme, budget cuts and his desire to get Steven Spielberg to Rome.
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FeaturesMichael Kutza, Chicago International Film Festival
The festival founder and artistic director talks to Jeremy Berkowitz about how he gave up medical studios to pursue his love of film and set up the longest running competitive festival in the US.
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FeaturesJonas Cuaron talks the highs and lows of making 'Desierto'
The Mexican writer-director on making his ‘desert version’ of Gravity.
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FeaturesIan Harnarine, 'Doubles With Slight Pepper'
The Brooklyn-based, Canadian filmmaker son to Trinidadian immigrants was in Port Of Spain last month to pitch his drama at the trinidad + tobago film festival’s Caribbean Film Mart.
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FeaturesQ&A: Matthew Liu, Heyi Pictures
Matthew Liu, president of Youku Tudou’s film arm Heyi Pictures, talks about the company’s international expansion plans and the convergence of the film and internet industries in China.
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FeaturesQ&A: Nabil Ayouch, director of 'Much Loved'
Nabil Ayouch talks about his latest film, which has attracted controversy in its native Morocco.
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Features'Suffragette' director Sarah Gavron on women behind the camera
SCREEN SUBSCRIBERS: Sarah Gavron on her BFI London Film Festival opener Suffragette and the challenges of being a female film-maker.
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FeaturesBusan: Larry Yang talks 'Mountain Cry'
Larry Yang, director of Busan closing film Mountain Cry, explains how he adapted a rural Chinese story set in the 1980s for contemporary audiences in China and overseas.
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FeaturesJoe Menendez, 'Ladrones'
A film about opportunity seems fitting for director Joe Menendez and writer Jon Molerio, who have finally collaborated on their first project 16 years after a fateful encounter.
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FeaturesTom Shu-yu Lin talks 'Zinnia Flower'
Taiwanese filmmaker Tom Shu-yu Lin explains how making drama Zinnia Flower became a cathartic part of the grieving process after losing his wife.
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FeaturesBusan: O Muel opens 'Eyelids'
Korean director O Muel is back in Busan with the world premiere of Eyelids in the Korean Cinema Today – Vision section.
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FeaturesBusan: Zhang Yang takes 'Paths Of The Soul'
The latest feature from Beijing-based filmmaker Zhang Yang is the ultimate road movie – following a group of Tibetan Buddhists as they make a 2,000km pilgrimage to and from Lhasa, prostrating themselves every few metres of the way.