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All Q&A articles – Page 21
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FeaturesBusan: Eddie Cahyono, Ifa Isfansyah enter 'The Wasted Land'
Indonesian filmmakers Eddie Cahyono and Ifa Isfansyah talk about their APM project The Wasted Land and the thriving indie filmmaking scene in Jogjakarta.
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Features'Ilo Ilo' director Anthony Chen talks Asian Film Academy and challenges
Singaporean filmmaker Anthony Chen is in Busan this year at the Asian Film Academy (AFA) as directing mentor.
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FeaturesEric Khoo talks 'In the Room', '7 Letters'
Singaporean director Eric Khoo has two films in Busan’s A Window On Asian Cinema section.
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FeaturesMozez Singh talks Busan opener 'Zubaan'
Nine years in the making, Mozez Singh’s feature directorial debut is the story of a young man who escapes his humble roots in Punjab to become a big shot in the corporate world in both Delhi and Dubai.
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FeaturesJonathan Wolf, AFM
The managing director of the American Film Market talks to Jeremy Kay about new initiatives for AFM 2015 and why next year’s event will have a heavier focus on screenings.
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FeaturesAsha Lovelace, 'The Dragon Can’t Dance'
The Trinidadian filmmaker is at the Trinidad + Tobago film festival’s Caribbean Film Mart pitching her second feature, an adaptation of her father Earl Lovelace’s acclaimed novel of the same name.
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FeaturesStorm Saulter, 'Sprinter'
The Jamaican director burst on to the scene with his acclaimed 2010 crime drama Better Mus’ Come and attends the Caribbean Film Mart at the trinidad + tobago film festival to pitch his second feature.
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FeaturesMaking 'Bazodee'
The recent world premiere at the trinidad + tobago film festival of the musical romance culminates a nine-year journey by Claire Ince.
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FeaturesYermek Tursunov on his Kazakh Oscar entry 'Stranger'
Stranger focuses on one boy’s meditative search for the meaning of life.
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FeaturesFrank Hall Green, ‘Wildlike’
Green’s award-winning coming-of-age drama about a troubled teen who flees from her uncle into the Alaskan interior has won hearts and minds on the US festival trail and stars Ella Purnell, Bruce Greenwood and Brian Geraghty.
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FeaturesTIFF 2015: Fridrik Thor Fridriksson and Bergur Bernberg, 'Horizon'
Icelandic filmmaking veteran Fridrik Thor Fridriksson returns to Toronto with Horizon, which he directed alongside photographer and budding filmmaker Bergur Bernburg.
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FeaturesTIFF 2015: Roar Uthaug, 'The Wave'
Director Roar Uthaug’s fourth feature The Wave (Bolgen) has the proud distinction of being Scandinavia’s first disaster movie.
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FeaturesTIFF 2015: Jeremy Irons talks 'The Man Who Knew Infinity'
The British actor discusses his role as a brilliant mathematician alongside co-star Dev Patel in Matthew Brown’s period drama.
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FeaturesPan Nalin, 'Angry Indian Goddesses'
Indian director Pan Nalin (Samsara) comes to Toronto with the world premiere of Angry Indian Goddesses, which screens in Special Presentations and is sold by Mongrel Media.
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FeaturesTIFF 2015: Ben Wheatley reveals the story behind 'High-Rise'
Ben Wheatley had his biggest budget to date to create the dystopian world portrayed in JG Ballard’s novel High-Rise. Michael Rosser speaks to the UK film-maker about his vision to “shoot on location in the past”.
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FeaturesMichael Luisi, WWE Studios
The president of WWE Studios, the film subsidiary of World Wrestling Entertainment, is in Toronto scouring the ground for titles.
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FeaturesAlexandra-Therese Keining, 'Girls Lost'
With gender identity making headlines around the globe, Alexandra-Therese Keining’s Girls Lost (Pojkarna) couldn’t be more timely.
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FeaturesJean-Jacques Annaud, 'Wolf Totem'
The director of The Name Of The Rose, The Lover and Seven Years In Tibet, among others, talks to Gabrielle Altheim about his epic adventure set in Inner Mongolia in the 1960s.
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FeaturesRichard Abramowitz, Abramorama
The self-distribution pioneer heads to Telluride, Venice and Toronto with a handful of titles and a bucketload of advice for the filmmakers he meets all over the world.
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FeaturesKen Kwapis talks 'A Walk In The Woods'
The adaptation of Bill Bryson’s account of the Appalachian Trail brings Robert Redford and Nick Nolte together on screen for the first time since Redford’s 2012 thriller The Company You Keep.