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All Q&A articles – Page 23
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FeaturesRadu Muntean, 'One Floor Below'
Romanian director Radu Munteans talks about his latest feature One Floor Below, which has just premiered in Cannes’ Un Certain Regard
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FeaturesAlice Winocour, 'Disorder'
Alice Winocour’s action horror-thriller Disorder, starring Matthias Schoenaerts and Diane Kruger, premiered in Un Certain Regard (Indie Sales is selling).
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FeaturesValérie Donzelli, 'Marguerite and Julien'
The French director talks to Melanie Goodfellow about her fifth film, premiering In Competition at Cannes.
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FeaturesShin Su-won, 'Madonna'
Korean director Shin Su-won is following up her second feature fiction film Pluto - a gritty high school thriller that won a Special Mention at the 2013 Berlinale - with Madonna in Un Certain Regard.
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FeaturesJonas Carpignano, 'Mediterranea'
Italian-American film-maker Jonas Carpignano returns to Cannes with Critics’ Week entry Mediterranea.
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FeaturesMaiwenn, 'Mon Roi'
Actress and director Maïwenn hits the red carpet this Sunday with her Palme d’Or contender Mon Roi, a searing tale of a passionate but dysfunctional relationship co-starring Vincent Cassel and Emmanuelle Bercot.
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FeaturesMagnus von Horn, 'The Here After'
The Sweden-born, Poland-based director talks about his debut feature in Directors Fortnight.
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FeaturesSimon Baker talks directorial debut, 'Breath'
Fresh from the completion of TV drama The Mentalist, Simon Baker made a swift stop-over in Cannes to discuss his next big feat - the directorial debut of Breath.
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FeaturesYorgos Lanthimos, 'The Lobster'
Anticipated Cannes Competition entry The Lobster marks Greek director Yorgos Lanthimos’ English-language debut after acclaimed 2009 Un Certain Regard title Dogtooth and 2011 drama Alps.
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CommentGrimur Hákonarson, Rams
The Icelandic director talks about his Un Certain Regard selection, set in a remote farming community.
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FeaturesGabriel Clarke, 'Steve McQueen: The Man and Le Mans'
A new documentary from British directors Gabriel Clarke and John McKenna explores the film that “almost destroyed” Steve McQueen. Clarke talks to Geoffrey Macnab about the making of ‘Steve McQueen: The Man And Le Mans’
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FeaturesEmmanuelle Bercot , 'Standing Tall (Le Tete Haute)'
French actress and director Emmanuelle Bercot’s Standing Tall (La Tete Haute) opens the festival today (Elle Driver handles sales). The gritty social drama follows a young delinquent as he makes his way through France’s juvenile justice system.
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FeaturesCannes: Screen at 40 - Mike Goodridge, Editor (2009-12)
After 19 years at Screen, including 12 years as the Los Angeles-based US editor, Mike joined Protagonist Pictures as CEO in 2012.
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FeaturesCannes: Screen at 40 - Michael Gubbins, Editor (2004-09)
Michael is the co-founder of film and media analyst and consultancy SampoMedia, specialising in audience-driven digital change. He leads and moderates industry events around the world and serves as Chair of the Film Agency of Wales.
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FeaturesCannes: Screen at 40 - Colin Brown, Editor-in-chief (1998-2008)
Based in Brooklyn, Colin is the Editorial Director for the online marketplace Slated as well as a Managing Partner in the pan-Arab film distribution company, MAD Solutions (organizers of the inaugural Arab Cinema Center at the 2015 Cannes Film Festival). An Adjunct Professor at New York University, Colin also advises ...
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FeaturesCannes: Screen at 40 - Boyd Farrow, Editor (1994-98)
Boyd joined Screen in 1990, became editor in 1994 and left the magazine in 1999. He switched his focus away from film journalism to write about other industries, taking over the editorship of CNBC Business in 2009. Three years ago, he moved to Berlin, where he now lives.
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FeaturesCannes: Screen at 40 - Nick Roddick, Editor (1987-88)
After Screen, Nick was founding editor of Moving Pictures. He has worked for the European Film Market and the European Film Awards, freelanced as a journalist and runs consultancy firm Split Screen, advising for various film festivals and national film bodies.
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FeaturesCannes: Screen at 40 - Terry Ilott, Editor (1983-87)
Terry left Screen to write My Indecision Is Final: The Rise And Fall Of Goldcrest Films. He returned to journalism, as editor of Screen Finance and managing editor of Variety Europe, before setting up a consultancy business, Bridge Media, in 1993. In 2000, he was part of an investment group ...
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FeaturesCannes: Screen at 40 - Adrian Hodges, co-editor (1982-83)
After Screen, Adrian joined Thorn EMI as an acquisition executive and later moved into development with British Screen. Since 1990, he has been working full time as a screenwriter. His film credits include Metroland, Tom And Viv and My Week With Marilyn, while his TV work includes David Copperfield and ...
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FeaturesCannes: Screen at 40 - Colin Vaines, co-editor (1982-83)
Colin left Screen to run the UK’s National Film Development Fund and went on to senior executive roles at Columbia Pictures, Miramax Films, The Weinstein Company and Graham King’s GK Films. He returned to freelance production in 2010 with Ralph Fiennes’ Coriolanus.